Kinda makes you think about how important seemingly minor events in life are. Not really.

While there are some serious themes at play, the movie still has plenty of gooey gory fun for horror fans.

It might be easy to write off Dating Amber as yet another “coming out” film, but what it ultimately is is just plain ol’ good storytelling.

Despite the flaws in the script, Pattinson and Zendaya deliver their roles beautifully.

First time director Zack Snyder has done an amazing job of creating a sense of doom and dread while sprinkling it with some wicked humor and amazing music.

Certainly a stylish affair, but also an extremely bleak and unpleasant one.

We Are Wizards is a nifty look at a few small but significant slices of Potter mania that evokes interest rather than provoking disdain, not always an easy feat.

The art direction and costumes are gorgeous and finely detailed, and Kurys' direction is clever and insightful. Even so, it feels very, very long.

Sadly, Naqoyqatsi quickly degenerates into a monotonous skein of banal images which strangely reinforces the message that we're living in a damn dull society.

Madame Sata may be based on real events, but it's certainly not a very pleasant introduction to Rio's bohemian scene, circa 1931. Nor is it a very pleasant movie to endure in its own right.

It ain’t high art, but it is a fun flick.

Proyas creates a futurescape that's snazzy in a “Blade Runner” lite sort of way and one or two of the film's effects are eye poppers.

Diaz wears his heart on his sleeve and elicits affecting performances from his cast, but his portrait of a country in turmoil feels incomplete.

It raises interesting questions about cults of personality, our inability to deal with aging, and how we can use the people around us to get what we want. That’s not exactly surrealism, nor is it realism. It’s just Hollywood.

While it is not for everyone, those who can stomach the admittedly cringey, well everything about the plot, will find much to love.

Director Chris Terrio confidently delivers a solid first feature, but sometimes doesn’t always engage in the characters’ inner demons, which could have made an even better film given the cast and material.

The film is filled with extraordinary characters and equally extraordinary circumstances that Hollywood could craft no better in any feature script.

It's jaw-dropping how slapdash Sheridan's approach is to what's supposed to be the heart and soul of the story – the bonding between Hannah and Connor. The characters are so cardboard, it's a wonder they don't catch fire.

Bad Boys for Life is a fun and competent action comedy with most of all the things people loved about the previous two films. It succeeds in that regard, but it does not successfully succeed in pushing the franchise forward and passing the torch to newer and fresher talent.

Of course, Ballerina is not deeply cerebral cinema; rather, it’s goofy fun, but the filmmakers have elevated violence to a fine art, and it does play like a ballet in the elegant precision and breathtaking physicality of the performances. Enjoy it for what it is, and buckle up for an intense thrill ride.

As a romantic comedy, Definitely, Maybe is an explosion of sweetness and hugs that might cause your stomach to churn if you don't like your sentimentality too strong.

The true success of this film has everything to do with Joaquin Phoenix’s masterful performance.

Wooden, one-dimensional epic.

It’s probably one of the best nostalgia documentaries to come out in years. It’s all feel-good and good-feels from start to finish and a surprise here and there.

Of course, we have the magical Mr. McGregor, turning in a nuanced performance that gets into some very raw territory. I knew he had a range, but the depth McGregor travels here is impressive in its specificity.

At its heart, The Senior is about forgiveness and second chances.

Could this version of The Little Mermaid stand alone if the original didn’t exist? Possibly. Howard Ashman and Alan Menken’s songs and story structure remain intact and are its only salvation. But, again, why watch the live-action remake when the original is so much better and suited more for kids?

Beautiful Losers challenges and appreciates, is worthy and worthless; a piece of art in itself.