Chock-full of offensive stereotypes and puerile in-jokes.

Charlie Says ... missed a chance to explore the psychology of a cult and instead feels like a gauzy art installation without much focus.

I loved this film; from the opening “Ben-Hur” nod to the hieroglyph subtitles, it's simultaneously hilarious and poignant, with great performances.

Unfortunately, the accompanying story threads tend to bog down the action rather than provide contrast between the games.

It's difficult at first to tell whether this is a documentary or a fictional work and this makes Assisted Living all the more involving.

Yes, it was made during the pandemic, and the storyline serves as a metaphor for our current feelings and experiences, but it doesn’t use the pandemic as a tool to directly prey on our anxieties. It’s a bit more thoughtful and reflective than that. This drama gives us the green light to sit back and say, no matter when the end might be, perhaps we did just fine with our time here.

The cool thing about this film is that instead of the normal talking heads and formulaic path of the typical biographical documentary, we are shown photos and films from Wyman’s personal archive, which is one of the most impressive things I’ve ever seen.

Right out of the gate, we realize that bringing the series to the big screen makes the flaws that much more obvious. The voices are too thin, the music and lyrics too simplistic, and the production values are – frankly – too "televisual."

The experience seems filtered. What’s lacking is any trace of spontaneity. We never see anything significant transpire, only people talking about it after the fact. Nor do we hear any dispassionate commentary evaluating Nash’s career from an outsider’s point of view.

Smart and full of sharply drawn characters and wonderfully snappy dialogue.

Despite being overall quite enjoyable, it feels very rushed in places, especially towards the end, and it fails to cap off Midway’s epic rise and fall as it deserves.

It’s pure horror movie fun. Yet the relationships consistently raise the stakes and elevate the film from the “creature feature” label to the kind of thriller that becomes a fan favorite.

Every once in a while, the story of an individual slips through the cracks. Memoir of War is one of those stories and, as such, provides an unseen perspective to a plotline that we all know well.

It might be a typical Guy Ritchie film and loaded with every cliché in the book, but it’s still fun.

It's a bit of a shaky first screenwriting effort for Coupland, but not without its charms.

Them That Follow is a dark and richly atmospheric experience. Despite its missteps, this is one snake-infested cinematic pit worth investigating.

Antibodie does fasten a tight squeeze on its audience, right from the get go, and even despite the long run time, just over two hours, it's a consistently tense ride.

With characters that we watch but never know and some imitative storytelling, Galveston can’t help but feel like a compilation of cover songs, which, while listenable, are stilted and perfunctory.

It’s shocking how much Dark Blue hates cops.

The role is ill-suited for Kinnear's talents. Abraham's pacing is glacial, the cinematography is flat, the score by Jill Savitt is suited better to a supermarket and then there's the fact that the climax can be seen coming a mile away. Maybe the biggest, though, is its failure to play fair with the audience.

For an action film, Havoc feels aimless and lacks suspense.

A delightfully silly romp which reinvents the legendary Italian lover's adventures into the realm of broad farce.

This is a hard film to watch. If you can stomach it and its terrors, this film rewards you with a cracking good fireside story

A brutally candid and well-intentioned documentary that exposes the modern faces of those embroiled in antisemitism.

The supporting characters suffer from excruciating one dimensionality since none of them really have anything to do but look forlorn and opine about days past.

The film has a wonderful style and a sense of movement that barely slows down for its two and a half hours.

Blends classic elements of fantasy, teen-angst and coming-of-age tales to create a genre all its own. And through it all, the movie is undeniably wholesome.

With Settlers, Rockefeller and his crew have created a striking little treatise on our misguided ambitions.