“Syriana's” dumber, louder cousin.

It’s like a video game, but with Chris Hemsworth doing all the killing and maiming. Again, the stunts and special effects are fantastic, and as far as action movies go, there are far worse options out there.

The Good Traitor is still a solid movie for history buffs and does contain several moments of genuine style, making it well worth the watch.

Dear Lord, this movie didn’t need to be made. It is profoundly awful. The foreshadowing is relentless. Sorry, Barry Jenkins just can’t direct animation.

I highly recommend this film to everyone but especially those who love biopics and prison thrillers. I think it’s important for people to learn this piece of history, and I’m glad that Francis Annan brought his interpretation of these events to an audience that might not be familiar with them.

The script’s extremely well written, the direction flawless, and the performances -- especially by the fantastic Joaquin Phoenix, gobsmacking.

Settings aside, Infinite Storm is Watt’s show, and she is thoroughly invested.

Tykwer makes of all this murder and madness a concoction of improbable beauty and rare artistry. "Perfume" is not just the finest film of his career but easily one of the past year's most accomplished.

Classic adolescent coming-of-age tale.

This film is designed to turn your stomach and make you feel ashamed of your fellow man.

On top of the tried-and-true prison genre formula coupled with the misfit gang formula, Rupert Wyatt's "he Escapist flips everything on its ear by playing out in two timelines simultaneously.

Antebi resists the temptation to supply a simple, idealistic solution to achieving sobriety, an ongoing process that takes time and effort. Instead, he untangles the struggles of addiction and the road to recovery with a dose of levity and absurdity. He thus renders it easier for the viewer to latch onto the high-energy, albeit overly confident cinematic machine that is God’s Time.

I don't know if this movie could have been made with anyone but Chow Yun-Fat. As Chen, he finally is allowed to display the nervous energy and Eastern rhythms we associate with his Hong Kong work.

The real-deal, packed with more excitement, vigor and fortitude than an unfaltering Magnum.

I found the entire emotional journey on which Weightless takes viewers to be rewarding as well as heartbreaking.

It's hardly a foreign film; this is our common history, and it's a film well worth looking out for.

Scarlet is at its best when it is simply moving and letting the visuals, the fights, and the bond between Scarlet and Hijiri do the heavy lifting. Even when the destination feels obvious, the ride is so gorgeously constructed that it’s hard not to admire how confidently Hosoda brings it home.

Fails to make use of its clever dialogue and concepts as it attempts to become something more profound.

What saves Adrift from an instant wreckage is Woodley’s performance, but still, it’s preferable to read the facts than cope with its cinematic adaptation.