For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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- By Critic Score
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Reviewed by
Owen Gleiberman
Foster, working from a patchy, meandering script by W.D. Richter, produces scene after scene of rudderless banter. The movie is all asides, all nattering; the actors seem lost in their busy, fractious shticks.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
A thriller primarily about the movement of Cindy Crawford's breasts beneath a succession of ever-smaller T-shirts.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Total Eclipse is pretty unbearable: The movie is dour and patchy and stilted — it leaves you sitting glumly waiting for the next baroque bout of tormented misbehavior.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Dark and giddy at the same time, Leaving Las Vegas takes us into dreamy, intoxicated places that no movie about an alcoholic has gone before.- Entertainment Weekly
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Reviewed by
Ken Tucker
The movie is, in short, a trash conundrum. What nearly redeems the movie is its acting.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Vampire in Brooklyn is a horror comedy that mixes lame blood-pellet effects with lame gags, and it clunks along on a series of interchangeably deserted streets that manage to look dank and overlit at the same time.- Entertainment Weekly
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Good luck searching for meaning — you’ll find mostly blood and epithets.- Entertainment Weekly
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- Critic Score
A hopelessly stupid movie that should appeal to baked couch potatoes everywhere.- Entertainment Weekly
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Reviewed by
Ty Burr
The improvisations are a mixed bag -- Reed and Fox are surprisingly hilarious, while Roseanne is a shrieking horror show -- but the air of gentle play and a wistful sense that Brooklyn is some kind of lost Eden put this one up on the more structured "Smoke."- Entertainment Weekly
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Reviewed by
Owen Gleiberman
If anything, Strange Days belongs to the rotters hovering around its edges: Michael Wincott, a vision of Drano-throated malevolence; Tom Sizemore, who, as Lenny’s bikerish pal, suggests Judd Nelson if he’d let the corruption ooze a little further out of his pores; and the wonderfully weaselly Richard Edson as an underground software techie.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The final affirmation of this romance is really an affirmation of Baumbach's talent: that a young filmmaker fixated on the solipsistic rituals of guyhood understands the hearts of women, too.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Everything is aces about this lineup's pedigree. But Devil never lets loose. It's a jazzy composition about sex, sleuthing, corruption, race, and cheap liquor that's a half step out of tune.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film's most memorable performance is also its most incongruous: As Jimmy, the teen sap who falls hard for Suzanne, Joaquin Phoenix is dead-eyed yet touchingly vulnerable -- a mush-mouthed angel.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
As Nomi, Elizabeth Berkley has exactly two emotions -- hot and bothered -- but her party-doll blowsiness works for the picture.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
This homicide thriller has a tantalizingly morbid atmosphere of unease.- Entertainment Weekly
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Reviewed by
Ty Burr
The movie is too blatant a throwback to crass '80s teen fodder to really work.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a dismal mess...What's most grating about Hackers, however, is the guileless way the movie buys in to the computer-kid-as-elite-rebel mystique currently being peddled by magazines like Wired.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Trying for a dark-toned comedy of familial mishap, Keaton dips into the sentimental fraudulence.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A work of staggering intelligence and emotional force -- a mosaic of broken dreams.- Entertainment Weekly
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This latest installment — the best of the Stephen King-derived series — offers some unexpected plot developments and surprisingly chilling gore. But fear not, it’s unlikely Urban Harvest will cause nightmares, due to its hilariously inept climax.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
If there’s any shock value left to seeing a couple of matinee idols dressed up in women’s clothing, the drag-queen comedy To Wong Foo, Thanks For Everything, Julie Newmar gets it out of the way fast.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
If Kids is simultaneously engrossing and detached, observant and just plain showy, that may be because the film is so caught up in trying to be a statement that it never develops its characters beyond their rowdy, bellicose facades.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Prophecy is an occult freakshow so inert it seems to have been pasted together out of stock footage.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The camera loves Banderas -- a velvet stud -- as much as it did the young Clint Eastwood.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The romantic troubles of three Irish-Catholic brothers on Long Island don't amount to a hill of beans in this crazy world.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
And although director Paul Anderson treats the story with appropriate deadpan respect, there are enough sparks of humor (particularly generated by Linden Ashby as a shallow martial-arts actor who worries that he's a fake, with good reason) to amuse the adults accompanying the 10-year-old boys in the audience.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Dense with plot intricacies, thick with atmosphere, and packed with showy roles for a hip ensemble.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Yet despite its promising pedigree, Dangerous Minds has a slick, syrupy fraudulence -- it's like an Afterschool Special made for MTV.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
With (Keanu's) stiff body language and wooden delivery, his every word falls like drops of flat Diet Coke rather than intoxicating wine.- Entertainment Weekly
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Watered-down versions of once-winning formulas, with recycled charms best suited to snowbound preteens.- Entertainment Weekly
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