Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Roth, a great actor, is reduced to a walking sneer, and the picture creeps along in a series of handsome but painfully languorous hazy-shade-of-winter tableaux.
  2. Directed by Tony Scott, Crimson Tide is the kind of sumptuously exciting undersea thriller that moves forward in quick, propulsive waves.
  3. Extraordinary new documentary that turns Robert Crumb's twisted life story into a disturbing, exhilarating work of biographical art.
  4. Soderbergh is able to execute his games without pigeonholing his characters. He has made that rare thing, a modern-day noir with feeling.
  5. When the children in Carpenter’s Village flash their glowing eyes, hypnotizing the hapless grown-ups into committing a series of increasingly lurid suicides, the kids don’t seem much more bizarre — or frightening — than your average 10-year-old Nintendo freak.
  6. Only when you look closer do you realize that While You Were Sleeping exhibits precious few genuine feelings. It's a movie cranked out by machine, about supposedly delightfully idiosyncratic characters who only do what they do because the highly structured plot requires it.
  7. It's an energetic, watchable mess.
  8. Swimming With Sharks swipes its basic design from Robert Altman’s The Player: It’s yet another black satirical morality play about a yuppie climber who learns to be a killer. But since Guy, for all his ass-kissing resentment, isn’t really filled in as a character, our attention — and, in a curious way, our sympathy — shifts to the monster himself. When Spacey goes ballistic, only to freeze the nitroglycerine in his veins a moment later, you don’t want to look anywhere else.
    • 72 Metascore
    • 83 Critic Score
    The movie’s streetwise screenwriter, Richard Price, knows characters like this do exist — but only an actor like Cage can bring them off.
  9. Stuart Saves His Family is a hit-or-miss satire in which Stuart, for too many scenes, comes off simply as a goofy neurotic butterball.
  10. It's like a series of cliches exploding in your face.
  11. There's no great romantic climax to Don Juan DeMarco (and that may be a drawback for Depp lovers looking to swoon), but there is an airy delicacy to this tall tale that fits in perfectly with the weather these days, the hormones, the whole seasonal gestalt.
  12. A rousingly square romantic epic spiced with dashes of sex and bloodlust; it's "Robin Hood" meets "The Last of the Mohicans" meets "Death Wish".
    • 53 Metascore
    • 50 Critic Score
    For parents, the burning issue ignited by A Goofy Movie is ”Will it buy us 78 minutes of peace and quiet?” Provided the kids are old enough to follow a wandering story line that centers on single father Goofy’s adolescent son Max and his quest for peer acceptance as well as he love of a pert humanoid bitch (in the doggy sense), the answer is yes.
  13. Bereft of any flesh-and-blood honesty, the last half of the movie plays like a ludicrous PBS version of "Mandingo."
  14. Just when you thought you’d erased the memory of Adam Sandler in Billy Madison playing a slobbo idiot who must prove he’s worthy of taking over his father’s business, along comes Chris Farley playing a slobbo ; idiot who must prove he’s worthy of taking over his father’s business. Yet this movie, unlike Sandler’s fiasco, does at least have a few scuzzy laughs.
  15. Petty, though, is the only reason to see this coy and scrappy comic-book adventure-a trash bin of sci-fi detritus.
  16. Since there is a mystery, the movie might have been entertaining camp had director Taylor Hackford staged it with pace, style, or a whisper of surprise. Instead, the plot just clunks forward-for two hours and 10 minutes.
  17. It’s an unmitigated nightmare of crude, boorish tripe-and woe unto our nation’s future if kids find it hilarious.
  18. Like Christina’s dance, the movie is a gorgeous tease, an artful promise of something that never quite arrives.
    • 41 Metascore
    • 50 Critic Score
    Since Barker’s baroque prose visions are too complex for the gore-hound market, they’re bound to be watered down into this kind of bilge.
  19. As Benny, a small- town Irish teenager in the '50s who goes off to university in Dublin, Minnie Driver has a touchingly awkward prettiness. Her jaw may be as square as a picture frame, but her smile lights her up from within.
  20. The trouble with the movie is that there's nothing to Muriel but her false dreams: We never quite glimpse the woman they're hiding.
  21. For today’s filmmakers, the addiction to kinetic overkill has become a disease in itself.
  22. You can feel director Lee Tamahori doing his best to get a rise out of you. Yet his work has fire and substance, too.
  23. The makers of The Brady Bunch Movie have too much affection for the show simply to skewer it with satire. What they’ve done is closer to alchemy: turned this cheese into comic gold.
  24. For a story with so much going for it — including an interesting cast — Just Cause is just not taut and thrilling enough.
  25. By the end, you feel like a drill sergeant-you want to wipe that stupid grin off Sandler's face.
  26. The Quick and the Dead is too light to pack the dramatic punch of a true Western and too flat to pass as cheeky revisionism. It ends up in its own amiable, slowpoke limbo.
  27. Danny Boyle's glittering, deadpan, nihilistic little thriller.

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