Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. This rusted-future comic strip comes at you in shards -- exhaustingly derivative images of mayhem and titillation, with Lee, in her bad-girl bondage gear, as its blank vixen. If you didn't call her babe, she wouldn't exist.
  2. The Craft should please teenage girls at malls everywhere. But the film ends up descending into moralizing blahness. Most of the special effects are routine (the girls levitate like Winona Ryder in Beetlejuice), though there is one memorable bit: a nightmare featuring enough snakes, bugs, and slithery maggots to make Indiana Jones go gulp.
  3. As riveting as its title.
  4. Lowest-common-denominator humor.
  5. The Truth About Cats & Dogs is very funny around the edges... but as the characters begin to hang out together, forming a platonic menage a trois, the mistaken-identity ruse never escalates into true screwball lunacy.
  6. This is Chinatown for chowderheads.
  7. Lake and Fraser never come close to believability as a romantic couple. There's more chemistry going on in a grain of salt.
  8. You still feel that every delirious allusion, every snidely on-the-mark observational quip, is tickling a different part of your cerebral cortex. Yet the movie lacks the manic highs of the show’s best episodes; it’s a bit too rote and becalmed.
    • 55 Metascore
    • 0 Critic Score
    The first movie from the cult television comedy troupe doesn’t have a single good laugh.
  9. It takes the movie all of 15 minutes to descend into sub-Spielbergian banalities about poor Max's search for his absentee dad.
  10. A large-scale military drama with a quiet, almost mournful center.
  11. If only they’d trusted it more, they might have made a marvelous kids’ film instead of a merely charming one.
  12. Gere taps into his charismatic-weasel mode, but director Gregory Hoblit fills the big screen with excellent TV actors (Andre Braugher, John Mahoney, Maura Tierney) and then gives them nothing interesting to do.
  13. Any other writers handed this premise would probably play it for cheap laughs, but Billy Bob Thornton and Tom Epperson have made an earnest drama out of it, one lightened by a few affectionate laughs and much heartfelt sentimentality.
  14. Bilko is a weightless comic creation, and Steve Martin, perhaps sensing this, drifts through the movie with a misplaced balletic goofiness.
  15. Flirting is a little too weighed down with stage business to soar. But episode for episode, it's one of the ha-ha-funniest movies currently around.
  16. But Solondz also creates keen portraits of the participating characters in Dawn's daily drama. (The only downside: The drama veers unsteadily toward outlandishness.)
  17. Lee, I'm afraid, hasn't a clue. He has made half a movie, a phone-sex comedy in which the heroine has no real existence apart from the phone.
  18. The stories are shocking, tender, sometimes funny, with a soap-opera abundance of plot. Always, the camera stares, respectfully neutral about ordinary people grappling — inconsistently, as men and women do — with the ordinary mysteries of being human. You’ll stare back, amazed it’s taken more than a decade to spread the word.
  19. Ed
    Some things are funnier than a barrel of monkeys. Most things, frankly. And anything is funnier than Ed.
  20. Such a bluntly impersonal thriller that the title might almost be describing the production honcho who greenlighted yet another Die Hard clone.
  21. Dizzily rich, witty, and satisfying.
  22. Enchantingly witty.
  23. Quick, get the bug repellent, it’s another infestation of clueless, chatty, goofily dressed Gen Xers flitting around the scary idea of love!
  24. Periscope is filled with such familiar faces as Bruce Dern and Rip Torn playing squabbling admirals, and Harry Dean Stanton in a tiny role as a grizzled engineer. None of them are used to good effect.
  25. Rumble in the Bronx never quite achieves the smack-you-around zest of Chan's Hong Kong pictures. Still, it's hard to dislike a movie with such a friendly sense of the preposterous.
  26. The film's chief novelty turns out to be its drab ''literary'' approach to horror.
    • 67 Metascore
    • 83 Critic Score
    The title refers to cheap fireworks that fizz before they flame out quietly, and that's what three Southwestern slackers do in this amiable heist movie-cum-road flick.
  27. Adam Sandler stars in a one-joke Caddyshack for the blitzed and jaded.
  28. Tim Curry makes a fine, flashy Long John Silver, and charming newcomer Kevin Bishop is a lively, toothy young Jim Hawkins, but it’s Gonzo and Rizzo the Rat who make Muppet Treasure Island, the Muppets musical adaptation of the Robert Louis Stevenson, novel a hoot.

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