Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Lusciously revealing fly-on-the-wall portrait of Anna Wintour.
  2. The movie is an unblinking look at the hidden (or perhaps not so hidden) pathology of American sports mania.
  3. What Halloween II does have, though, is Zombie’s claustrophobic visual style; he half-drowns his actors in shadow, then tracks them through windows and around corners like a focused predator. If only we cared about the prey.
  4. Lee captures the fractious, joyful, monstrously evolving mass it all was.
  5. In Tarantino's besotted historical reverie, real-life villains Adolf Hitler and Joseph Goebbels are played as grotesque jokes. The Basterds are played as exaggeratedly tough Jews. The women are femmes fatales.?
  6. Williams hasn't been this sympathetic in years.
  7. Dismayingly conservative dramedy.
  8. More like a summer-camp theater project than a studio movie.
  9. For two and a half hours, Edel lays out the bombings, kidnappings, and murders committed by the Baader-Meinhof group, which mutated into the RAF. He catches the violently delusional self-righteousness of their antifascist fervor, but as individuals these cultish guerrillas remain opaque.
  10. Jim Sturgess (Across the Universe) makes a believable cocky lad who signs on for the con; an oddly bewigged Ben Kingsley is fussier and too actorly as his handler.
  11. A forceful Neeson and an even more intense Nesbitt (Bloody Sunday) both show their stuff and obscure the unrelieved pain endured by the men they portray.
  12. Mostly an overlong demo reel of increasingly gutsy tricks.
  13. An entertaining but also oddly naive documentary about American advertising.
  14. A weightless movie as cheerily artificial as the Old Navy pitchman's bronze skin tones.
  15. A film of droll and dry observational precision, its emotional minimalism is almost fetishistic -- and, by the end, a tad frustrating.
  16. Madly original, cheekily political, altogether exciting District 9.
  17. Don't tell Walt Disney, but Hayao Miyazaki really holds the keys to the magic kingdom.
  18. Bana and McAdams are sweet together, with matching dimples and starry eyes, and we grow eager to see them remain in the same place. In the end, that's all there is to the movie, really. It's a time-travel fantasy in search of a cozy love seat.
  19. Misfit teens in the process of forming a high school band learn life lessons and raise their goblets of rock. But there's enough of a strong filmmaking backbeat in Bandslam to carry the movie's light tune.
  20. Ed Helms and Ving Rhames score laughs. But the breakout is "Step Brothers'" Kathryn Hahn as the tough (sales)girl who keeps up with the boys.
  21. A rapturous and enlightening look at the history of the environmental movement in America.
  22. A marvelous rock doc that manages to be wistful, tasty, and jam-kicking at the same time.
  23. The whole movie is pat -- very pleased with itself for being so up front about the ways of a 21st-century man-whore.
  24. Steve Zahn makes full use of the many varieties of hyper in his acting arsenal, while Timothy Olyphant has a heckuva good time telegraphing macho mania.
  25. It hooks you up, happily, to your inner top chef.
  26. Darkly funny, twisty-cool existential tragicomedy, loaded with smart notions and filmed like a surrealist dream.
  27. Don't go expecting an escapist night at the movies; go expecting to be cudgeled into numb, drooling submission.
  28. There are fine, fresh observational moments, but the film is much ado about not so much.
  29. The movie's hide-and-seek attitude toward truth mirrors the intricacies of one lover getting to know another -- an arresting notion of the heart that's much more than paper-deep.
  30. The message that comes across is: We're all screwed, and then we die. Ba-DUM.

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