For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Moretti makes this ''study'' in despair a naggingly neutral, at times borderline coy experience.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The sequence serves no real purpose beyond dazzle for dazzle's sake, but when you're watching it, that's purpose enough.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The fact that Allen wrote the script in the '70s explains something about why his newest movie feels so old.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The chemical energy between Bullock and Reynolds is fresh and irresistible.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Using the droll, wise stories of Etgar Keret as her guide, Israeli filmmaker Tatia Rosenthal concocts an artful film that expresses deep thoughts, lightly.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Cheery, silly, splattery, and respectful of its elders (and betters, particularly Sam Raimi's "The Evil Dead").- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Spells out the problem in clear, urgent, prosaic terms.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The double role suits Rockwell perfectly -- in fact, it suits him a little too well.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Food, Inc. is hard to shake, because days after you've seen it, you may find yourself eating something -- a cookie, a piece of poultry, cereal out of the box, a perfectly round waxen tomato -- and you'll realize that you have virtually no idea what it actually is.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Scott gets into the zip and rush of urban energy with an enthusiasm bordering on hilarity.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's something sweet about the way that Murphy throws himself into this piffle. Thomas Haden Church does too.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Like Orson Welles, Francis Ford Coppola has gone from being the filmmaker of his time to becoming a make-it-up-as-you-go-along indie free-shooter.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Adam Markovitz
Moreau is bewitching -- she simply breathes her role, without a hint of vanity.- Entertainment Weekly
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Owen Gleiberman
A gilded entry in the cinema du quirk. It's a movie that invites you, all too often, to feel superior to the people on screen.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Land of the Lost has stray amusing tidbits, but overall it leaves you feeling splattered.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film is so brazen about its pandering, crumple-hearted silliness that it had me rooting for Vardalos to land her big fat Greek stud-muffin.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There are brutal scenes with razor blades and other impromptu devices of erotic torment, but what makes the movie a trial to sit through isn't just the heroine's pain-freak tastes.- Entertainment Weekly
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Clark Collis
Mariah Carey is perfectly fine playing a waitress who dreams of becoming, yes, a singer -- even if the superstar's presence in such a small venture seems jarring.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Raimi has made the most crazy, fun, and terrifying horror movie in years.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Departures is tender and, at times, rather squishy. It's sure to squeeze the tear ducts of anyone who has lost a parent.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Think of this witty, economically gory little tour de force as "28 Days Later" written by linguist Noam Chomsky.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Girlfriend Experience is one of Steven Soderbergh's bite-size, semi-improvised, shot-on-DV doodles (like Bubble or Full Frontal), and it's the best one he's made.- Entertainment Weekly
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Lisa Schwarzbaum
Jack Nicholson's dyspeptic retiree in "About Schmidt" would no doubt identify with O'Horten's entertaining pain.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Battle of the Smithsonian has plenty of life. But it's Adams who gives it zing.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Enjoyably dirty-minded sendup of when-ballet-met-hip-hop youth musicals.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's basically a zombie movie with machines instead of the walking dead.- Entertainment Weekly
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Reviewed by