For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
The Cove is the rare documentary specifically designed as a thriller.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A gaudy, daring, operatic, and bloody funny provocation of a melodrama from Park Chan-wook.- Entertainment Weekly
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Reviewed by
Adam Markovitz
A pointless but ultimately harmless family adventure that doesn't mentally assault the 12-and-over set. (Extra points for being 100 percent fart-joke-free).- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The result is a sub-"Saw" knockoff that manages to be brutal yet monotonous, not to mention monstrously unpleasant.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Director Ole Christian Madsen combines sharp scenes of moral inquiry with a few too many functional, oldfangled espionage twists.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's hard to buy this relationship even for a moment. Adam is sweet, meticulous, and, at times, sort of clever, but it's also a not-quite-surprising-enough heartwarming trifle.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The chattering smarty-pants who ran the U.S. government on "The West Wing" are slow talkers compared with the motormouthed and hilariously imperfect power elite in the brainy British comedy In the Loop.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Ugly Truth isn't fizzy and fun -- it's vacuously snappy.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The first 3-D film produced by Jerry Bruckheimer turns out to be similar to 2-D projects from the same noise-making producer--heavy on action scenes and heavy, too, on message.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Daniels plays Arlen with a kind of cuddly crankiness; he makes him a jerk who just needs a hug.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It wants to be "Good Will Hunting" set in the land of "Entourage," but its bummed-out touchy-feeliness is every bit as concocted as its overly jaded showbiz corruption.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a feat of star acting, and it helps make (500) Days not just bitter or sweet but everything in between.- Entertainment Weekly
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Lisa Schwarzbaum
But the story is, still and all, only a pause, deferring an intensely anticipated conclusion. And it's in that exquisite place of action and waiting that this elegantly balanced production emerges as a model adaptation.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie is a toxic dart aimed at the spangly new heart of American hypocrisy: our fake-tolerant, fake-charitable, fake-liberated-yet-still madly-closeted fame culture.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Anna's thoughts matter because, as played by the wonderfully nuanced newcomer Alycia Delmore, the no-bull responses of this perceptive woman are a key to Humpday's sly, wised-up feminist outlook.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The story is timeless; this could have taken place when Doyle graduated in '76 -- or any year, really, since the effects of high school linger throughout adult life and nerds are forever.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
What's infectious in Soul Power is the almost shocking optimism of its America-meets-Africa '70s world-beat vibe.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Larrain's (literally) dark, edgy movie is a precise artistic commentary on Augusto Pinochet's miserable regime.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
In The Beaches of Agnès, you get addicted to watching Agnès Varda watch the world.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
As filmmaker Michael Mann takes pains to emphasize in his handsome, underheated gangster drama Public Enemies, the gent may have been murderous, but he had style.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie settles into a mode of nice, sweet, safe, and -- sorry, I have to say it -- slightly dull family fun.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The result is an intense, action-driven war pic, a muscular, efficient standout that simultaneously conveys the feeling of combat from within as well as what it looks like on the ground.- Entertainment Weekly
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Their message (Cassavetes and screenwriter Jeremy Leven) in My Sister's Keeper? Cancer sucks, but there's always the balm of beach scenes and an emo soundtrack.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The Stoning of Soraya M.'s drawn-out torture sequence is harrowing and lurid.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
A grubby, disturbing serial-killer mystery, a kind of blood-simple "Rashomon."- Entertainment Weekly
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