For 7,798 reviews, this publication has graded:
-
68% higher than the average critic
-
2% same as the average critic
-
30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
-
Positive: 4,958 out of 7798
-
Mixed: 2,080 out of 7798
-
Negative: 760 out of 7798
7798
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Lisa Schwarzbaum
Duplicity doesn't have depth -- but it does have Julia Roberts, in full Hollywood movie-star mode.- Entertainment Weekly
- Read full review
-
Reviewed by
-
- Entertainment Weekly
- Read full review
-
-
Reviewed by
Lisa Schwarzbaum
Look, but don't be touched: There is much to see but little to remember in this telling of a battle we are meant never to forget.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
As a fix of pop iconography, V for Vendetta is eyeball grabbing, even if it lacks the relentless videogame bravura that sold the Matrix films. As a movie, however, it's merely okay, with a pivotal dramatic weakness: Evey, for all the attentions of her revolutionary Svengali, remains, in essence, a bystander, and Portman, her head shaved, plays her like Joan of Arc as a tremulous Girl Scout.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
Tautou is a fascinating, unsmiling, petite presence with a severe brow and an androgynous appeal, so much so that I wish Alessandro Nivola (Junebug) were a more robust beau as Arthur ''Boy'' Capel, the love of Chanel's life.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
If I respect Downfall more than I was enthralled by it, that's because its portayal stops short of revelation. Once you witness Hitler's denial, the film has little more to say about him.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
Face becomes a study of the immigrant embrace of freedom in America - a bridge built over time and generations.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
My new theory is that Willis' own aesthetic soul is more old-world than he knows, and that he works best with directors who either are (Luc Besson) or might as well be (M. Night Shyamalan) European.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
The Upside of Anger is overly therapized, yet Costner and Allen show you what it means not just to play a role but to inhabit it.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
It took gifted hucksters to make this movie, a funny and spirited - what to call it?- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
This is a character study more than a forward-moving drama, plopped down with exquisite photographic care in a beautiful New Mexico desert, and starring good actors who make a feast of their flavorful roles.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
Working from a script cowritten with accomplished Siberian filmmaker Sergey Bodrov, the director creates a taut picture of a place, and a liberating moment of choice.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
If you want to see the missing link between John Wayne's squint and Clint Eastwood's sneer, look no further than Charlton Heston in Major Dundee.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
At selected moments the Pee Wee's Playhouse-scaled visual goofiness and flights of thespian bravura in this long-awaited movie adaptation of Douglas Adams' goofy-wise cult classic are in perfect celestial harmony with the existential tomfoolery of Adams' peerless (and peerlessly Monty Python-British) creation.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
This is a B movie rooted in gut-level stirrings of power and retaliation.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
3-Iron is like a Raymond Carver story that slowly, inexorably takes on the dimensions of a ghostly fairy tale.- Entertainment Weekly
- Read full review
-
Reviewed by
-
- Entertainment Weekly
- Read full review
-
-
Reviewed by
Owen Gleiberman
A testament to the discipline, humor, and life of kids who swing.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
Beneath its exploration of fatherly distance, this is really a portrait of why cranks make better artists than earnest nice guys.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
If you want a whiff of how unironic the 1970s were, consider bowling, a sport that on any given weekend was broadcast (usually on ABC) with the hushed solemnity of a moon launch.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
I'd be lying if I didn't admit that Rock School, Don Argott's amusing and spirited documentary, would seem a heck of a lot niftier if its fire hadn't already been stolen by "School of Rock."- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
Suicidal depression has rarely looked so amusing.- Entertainment Weekly
- Read full review
-
Reviewed by
-
- Critic Score
Pure belongs to Eden, a remarkably strong child actor, and Deadwood's Molly Parker, broken and affecting as his sweaty, gear-crazy mum.- Entertainment Weekly
- Read full review
-
- Entertainment Weekly
- Read full review
-
-
Reviewed by
Lisa Schwarzbaum
For those newbies, this update, starring peppery Disney re-do queen Lindsay Lohan as wannabe car racer Maggie Peyton, is as serviceable an introduction as any to the notion of a sentient set of wheels.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
It took me two viewings to enjoy the landscape of Weerasethakul's mysterious jungle -- so very thick, steamy, and foreign -- without wishing for clearer trail markers.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Schwarzbaum
Inside the Norwegian director's glove of empathy is a fist of unappeasable anger.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
Anyone expecting a tender sunset elegy, however, has wandered into the wrong film. Saraband, despite a few wistful moments, is a poison pill of a reunion.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
The moral murk of Crónicas would be more effective if the story weren't so contrived, yet the movie is worth seeing for Leguizamo's sinewy urgency, Alcázar's desperate cleverness as the killer, and the squalid, frantic atmosphere of Latin American hunger.- Entertainment Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Owen Gleiberman
There is a method to its madness, since the madness here is really Cobain's. Last Days mythologizes his suicide as a haunting act of fulfillment: the consummation of a life that had already ceased to be.- Entertainment Weekly
- Read full review
-
Reviewed by