Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. The film offers true insight into the patterns of war crimes, even if the songs sound disquietingly close to a call to violence.
  2. Here, he's (Damon) the ultimate enigma machine, a man willing to erase himself for his country. Does that make him a hero? The Good Shepherd is too closemouthed to let on.
  3. There is much to poke at in Rocky Balboa, yet the movie, with its amusingly updated ''Gonna Fly Now'' montage and its very niftily staged climactic bout, summons just enough incredulous wit about just how often Rocky has been around this particular block to let Sylvester Stallone earn his nostalgia.
  4. Miss Potter, right to the end, is the definition of a "nice" movie, and that makes it a genuine oddball in a universe of increasingly distressed and uncivilized pop culture.
  5. Square, sincere, and proud of it.
  6. The result is a picture half sweet, half bitter. Charles Dickens would approve.
  7. A cheerfully disposable gangland freak-show thrill ride that's been directed by the gifted Joe Carnahan (Narc) as if he were trying to give the audience a seizure.
  8. This latest market-savvy bit of circuit preaching is less cartoonish than Perry's previous big-tent revival meetings.
  9. Now Ray has directed his second film, the abysmally titled Breach, and it's a bona fide companion piece, another true-life tale of duplicity gone secretly insane.
  10. One of the rare movies from Israel that refuses to spell out its politics, and you may wind up grateful for the ambiguity.
  11. There's a tidiness and affection to this British homage to John Hughes movies.
  12. Maxed Out, while occasionally muddled in its financial details, presents a more-accurate-than-not vision of a nation that is starting to look like a candidate for rehab, on both an individual and a national level, for its addiction to debt.
  13. If Loach had given full voice to each side of this division, he could have made a great film -- maybe THE great film -- about the Irish struggle.
  14. The newcomer kids are delightfully...kidlike. Cosmic bonus: "The Office's" Rainn Wilson plays a New Agey science teacher.
  15. The film reveals, rather delectably, how potent the power of suggestion can be in a world gone madly groupie.
    • 57 Metascore
    • 75 Critic Score
    The story -- is slight, but an appealing cast and lots of scenic leafery make Green feel fresh.
  16. Vacancy is a schlock surprise: a no-frills motel-hell slasher film -- with a bit of soul.
  17. Jindabyne -- named for the lakeside town in which the troubles spill -- can't contain all that the filmmakers want to throw in. Best to keep glued to the taut performance by Laura Linney.
  18. An authentic real-world creep show -- better, if anything, than its predecessor.
    • 38 Metascore
    • 75 Critic Score
    If you only ever see one bad movie about warrior chicks who meet on a tropical isle for a fight contest, make it DOA: Dead or Alive.
  19. A deft Stephen King freak-out.
  20. As charmingly verklemmt New York women with bad luck in men and good luck in apartments go, Nora Wilder in Broken English has all the breaks.
  21. An enjoyable pop projection of post-9/11 anxiety.
  22. A spectacularly turbulent portrait of the chaos and bloodshed that have come to define Haiti.
    • 64 Metascore
    • 75 Critic Score
    It's a respectable attempt to get kids who like cuddly animals thinking about death and destruction on a global scale.
  23. Sad, menacing, empathetic story.
  24. Becoming Jane has a burnished feminine sadness, and the director, Julian Jarrold, gives it a creamy-dark visual flow.
  25. It's been a while since we saw a demagogic feminist exploitation revenge drama, and Descent, while top-heavy with ''agenda,'' is shrewdly done.
  26. It's the closest the movies have come in a while to the nudgy, knowing fairy-tale enchantment of "The Princess Bride."
  27. Atkinson's goofball grotesquerie never lets up -- right through to the inspired finale.

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