For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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Reviewed by
Lisa Schwarzbaum
A lot of fun early in the evening, when the Rat Pack ambiance is novel, but gets bleary by 4 a.m. in the story.- Entertainment Weekly
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It's all somehow both familiar and dazzling, just as Ricci's kidnapped tap student, forced to pose as the protagonist's wife for his horrifically indifferent parents, is somehow both nondescript and heartbreaking.- Entertainment Weekly
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Ty Burr
Paul and Mary Bland stop at nothing to open a restaurant in Paul Bartel’s scabrous black comedy.- Entertainment Weekly
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Lisa Schwarzbaum
This is no real-life comedy à la "Election" -- more like a valuable, teen-scaled version of the presidential election that currently obsesses us.- Entertainment Weekly
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Devan Coggan
Writer-director Jeff Baena adapts parts of Boccaccio’s Decameron into an absurd and hysterical tale of nuns gone wild.- Entertainment Weekly
- Posted Jun 29, 2017
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Mary Sollosi
The specificity with which Khaou portrays this beautiful place, evolving beyond its traumatic history but never forgetting it entirely, is what makes Monsoon so piercing.- Entertainment Weekly
- Posted Nov 14, 2020
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Still, the picture remains the only ”feel good” movie of the entire Cold War corpus.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Duplicity doesn't have depth -- but it does have Julia Roberts, in full Hollywood movie-star mode.- Entertainment Weekly
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Lisa Schwarzbaum
The always surprising Watts creates a woman at once contemporary and retro. And Norton, as a producer as well as star, concedes enough space for Schreiber and the effortlessly fascinating Jones to earn their own spotlights.- Entertainment Weekly
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Chris Nashawaty
It is essentially two movies. The better by far (and it’s very good) is the one that feels like a darker Stand by Me — a nostalgic coming-of-age story about seven likable outcasts riding around on their bikes and facing their fears together... Less successful are the sections that trot out Pennywise. The more we see of him, the less scary he becomes.- Entertainment Weekly
- Posted Sep 5, 2017
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Chris Nashawaty
What starts off as a promising indie about a couple (Jake Johnson and Rosemarie DeWitt) trying to balance their own needs versus their partner’s quickly goes south in director Joe Swanberg’s latest meditation on aging-hipster malaise.- Entertainment Weekly
- Posted Aug 19, 2015
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Lisa Schwarzbaum
Darkly funny, twisty-cool existential tragicomedy, loaded with smart notions and filmed like a surrealist dream.- Entertainment Weekly
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Leah Greenblatt
Still, there's a sort of willful energy field between Giedroyc and Feldstein that pushes the story along; the blithe, anything-can-happen thrill that comes from being young in a world where anything is possible — including the right to wreck yourself spectacularly, rebuild, and then start it all over again.- Entertainment Weekly
- Posted May 11, 2020
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Owen Gleiberman
The movie is juicy fun, a high comedy about the personality of power.- Entertainment Weekly
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Lisa Schwarzbaum
Diverges to become something quite powerfully unnerving and guilt-ridden.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Following 2009's "Bluebeard," French filmmaker Catherine Breillat continues her unique and psychologically, erotically daring deconstruction of classic fairy tales and the female condition.- Entertainment Weekly
- Posted Jul 5, 2011
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Reviewed by
Lisa Schwarzbaum
In a staring contest with his audience, Solondz never blinks. He picks and picks at the themes that consume him, and he doesn't care who stays and who leaves. Me, I'm rapt.- Entertainment Weekly
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Owen Gleiberman
To take the playfully convoluted, semi-nonsensical aggression of Rumsfeld's language and make it the whole point of a movie is to fall into the trap of mistaking the spin for the story.- Entertainment Weekly
- Posted Apr 2, 2014
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Lisa Schwarzbaum
For all its wispy fun, Small Time Crooks still tilts, with little-guy stubbornness, at windmills in Allen's mind.- Entertainment Weekly
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Lisa Schwarzbaum
Ang Lee's bloody but dramatically anemic depiction of the American Civil War as fought by boys without uniforms.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A traffic map of calls and responses, lessons and homework, wishes and fulfillment. All roads lead to acting-award nominations, but none lead to truth.- Entertainment Weekly
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Joe McGovern
The movie’s premise has trouble sustaining a feature-length running time, getting mired in repetitive jokes and a third-act swing into harder-core suspense that never really connects.- Entertainment Weekly
- Posted Sep 15, 2016
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Lisa Schwarzbaum
This is a pretty, surface-y documentary rather than the kind of exciting one Vreeland would have demanded, declaring, "You gotta have style!"- Entertainment Weekly
- Posted Sep 26, 2012
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Chris Nashawaty
Sure, showing that girls can be as horny and impulsive and raunchy as guys isn’t exactly the most radical statement. But when it’s done this well, it certainly is a welcome change-up.- Entertainment Weekly
- Posted Apr 4, 2018
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Leah Greenblatt
In a world that seems to get uglier every day, this movie’s gentle heart and mere humanity feel like a salve.- Entertainment Weekly
- Posted Nov 18, 2018
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Chris Nashawaty
If Big Star: Nothing Can Hurt Me leads even one person to listen to Big Star for the first time, this movie will have done a great service.- Entertainment Weekly
- Posted Jul 1, 2013
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Chris Nashawaty
Boy Erased is the kind of topical, well-intentioned movie that makes you wish it was slightly better than it is.- Entertainment Weekly
- Posted Oct 31, 2018
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Owen Gleiberman
In terms of storytelling, The Avengers is for the most part a highly functional, banged-together vehicle that runs on synthetic franchise fuel. Yet the grand finale of CGI action, set in the streets of New York, is - in every sense - smashing.- Entertainment Weekly
- Posted Apr 28, 2012
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Reviewed by
Joe McGovern
What is surprising is how little Polanski juices the material with his usual devilish touch.- Entertainment Weekly
- Posted Jun 19, 2014
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Reviewed by
Owen Gleiberman
Barton Fink has an atmosphere of languid comic anxiety (it's like a cross between "Eraserhead" and "Angel Heart"), and it's fun to watch, if only because you have no idea what's coming next.- Entertainment Weekly
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