Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
    • 11 Metascore
    • 25 Critic Score
    The shamelessly rehashed Death Wish II finds Kersey in L.A., methodically hunting down those responsible for his daughter’s death (just as she’s recovering from her assault in the first Death Wish).
  1. Somehow, it actually looks cheaper than "Paranormal Activity." It's less funny, too.
  2. Watching these videos of actual cats, all of whom have racked up countless views on YouTube, just serves to underscore how unfunny and neutered Nine Lives actually is.
  3. The trouble with Whipped isn't that its characters are dirty mouthed horndog jerks -- it's that they're phony dirty mouthed horndog jerks.
    • 10 Metascore
    • 42 Critic Score
    Not even the presence of the irrepressible David Johansen (here playing the Gunther Toody role originated by the ineffable Joe E. Ross on the ’60s television show) and a paddy wagon full of engaging Noo Yawk types can pull Car 54, Where Are You?‘s woebegone comedy out of the vulgar ditch that its screenwriters drove it into.
  4. Bucky Larson is a one-note joke played over and over and over.
  5. Just a lumbering, poorly photographed piece of derivative sci-fi drivel, full of grunting extras scampering around in animal pelts and more dank, trash-strewn sets than I ever care to see again.
    • 9 Metascore
    • 50 Critic Score
    The film's moral? Turn off the TV, young 'uns, and go outside and play! And avoid Superbabies: Baby Geniuses 2 matinees while you're at it.
  6. Far be it from me to dismiss a man's effort (Uwe Boll) in a sentence, but the film on your teeth after a three-day drunk possesses more cinematic value.
  7. Less classic Mel Brooks than middling "Best Week Ever."
  8. It's tempting to say ''avoid at all costs,'' but truthfully, everyone should see something this bad at least once, if only to help us better appreciate the comparatively brainy merits of works like "Eurotrip," "Freddy Got Fingered," and the modern-day plague of movies with titles ending in "Movie."
    • 7 Metascore
    • 0 Critic Score
    The worst movie of 1999.
  9. Writer-director-stars Zach Cregger and Trevor Moore, of the Whitest Kids U'Know, here prove the crassest, most maladroit moviemakers you know.
  10. It's a shrill, stupid, brickbat-blatant piece of hackwork that practically sweats to be ''commercial.''
  11. The Farrelly brothers could burp out a movie funnier than The Hottie & the Nottie, a farce of corrupt stereotypes that's never more grotesque than when it pretends to be more than skin-deep.
  12. Even by the series’ already low standards, The Human Centipede Part 3 is crap.
  13. The only thing shocking about it, however, is the degree to which self-congratulatory gutter exhibitionism has become the degraded ash end of indie ''edge.''
    • 1 Metascore
    • 42 Critic Score
    Even with the low expectations any reasonable viewer brings to a Shore flick, this rates only stupid-plus. The bongs-and-pajamas set, though, should be riveted.
  14. Fans will gorge on this deft, year-by-year portrait of the ultimate enduring cult band.
  15. Directed by Holbrooke’s son, David, the film balances poignant political insight with a heartfelt narrative about a man trying to reckon with his absent father’s legacy.
    • tbd Metascore
    • 58 Critic Score
    Ratter definitely delivers an effective paranoia creep-factor towards the end, but first, the audience has to get through about 45 minutes of just watching Ashley Benson cook eggs, shave her legs, and dance in her living room.
    • tbd Metascore
    • 25 Critic Score
    At least the movie has archival value: an early appearance by Chicago Hope‘s Peter Berg, along with Billy Zane embarrassing himself as a favor to his wife, Liza Collins Zane, who costars in the film.
    • tbd Metascore
    • 75 Critic Score
    This latest installment — the best of the Stephen King-derived series — offers some unexpected plot developments and surprisingly chilling gore. But fear not, it’s unlikely Urban Harvest will cause nightmares, due to its hilariously inept climax.
  16. It’s Pigeon’s sincere approach here and throughout the documentary that holds the audience’s attention.
    • tbd Metascore
    • 58 Critic Score
    The Brain That Wouldn’t Die has an equally familiar basic plot (mad scientist tampering in God’s domain), but it’s grimmer (a fair amount of gore), sleazier (B-girl catfights), and cruel to its leading lady, an attractive actress who spends most of the picture shot from the neck up, with her seemingly disembodied head sitting in a laboratory pan.
    • tbd Metascore
    • 67 Critic Score
    [Lanthimos] also co-directed it with comedian Lakis Lazopoulos, which means there are fewer of his handprints here, though he still imbued the buddy comedy (about a man who finds his pal in bed with his wife) with plenty of dark humor.

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