Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
    • 18 Metascore
    • 0 Critic Score
    Ghastly-bad.
  1. Ultraviolet, warns someone, ''Don't overthink it.'' Sage advice for anyone masochistic enough to watch this pile of poorly pixelated vampire poo.
  2. If you've always longed to see a Cold War satire done in the hit 'em over the head frantic camp mode of ''Love, American Style,'' then Company Man is the movie for you.
  3. A watchable bad movie, but it's far from your typical cookie-cutter blockbuster. There are no shoot-outs or car chases, and there isn't much romantic suspense, either.
  4. Ritchie made a movie that never pretends to be more than a guilty pleasure of soft-core kitsch, and Madonna and Giannini (son of Giancarlo, costar of the original) achieve a lively S&M chemistry.
    • 18 Metascore
    • 16 Critic Score
    It's Pat is not only one of the most ill-conceived premises to get the big-screen treatment, it's also genuinely unpleasant to watch.
  5. When you watch this failed horror thriller -- which has been under studio doctors' care for some two years, undergoing futile title changes and reshoots -- there's no respite from the odor of flop sweat stinking up the screen.
  6. This rusty jalopy of a movie, which is so ramshackle it's nearly enough to make you forget how tossed-together the 1976 ''Car Wash'' was.
  7. The few jaunty, ''Friends''-inflected lines Perry does get off are lost among the cow pies.
  8. Unfortunately for Travolta (and for us), only one movie can hold the dubious distinction of being the worst. In place of Wiseau-style eccentricity, The Fanatic has contempt for both its characters and audience.
  9. You should be rooting for the humans, but you might as well be rooting for the blobs. Most likely, though, you'll just be rooting for the credits.
  10. While this religio-horror effort does contain some nice scares, and a memorably unnerving turn from Crowley, The Devil Inside's biggest shock arrives when it abruptly ends - just as it hits its stride. The result is a found-footage movie whose third act remains missing.
  11. Aims for dark farce but ends up playing more like Weekend at Bernie's Part VIII. [25 Apr 1997, p. 50]
    • Entertainment Weekly
    • 18 Metascore
    • 25 Critic Score
    The preposterously Rambo-esque Death Wish 3 sends him to New York City’s bombed-out slums to mow down “creeps,” using machine guns and missile launchers.
    • 18 Metascore
    • 58 Critic Score
    At its best, Movie 43 resembles a risqué episode of Saturday Night Live - a comparison reinforced by the presence of both parody ads and Jason Sudeikis. At its worst? Let's just say that Hugh Jackman fans who want to remember the actor as Jean Valjean and not as a guy with a scrotum sprouting from his neck should make alternate plans this weekend.
  12. Had the ghost of Paul Lynde swanned by in a caftan-clad cameo, you couldn't find a more outdated, miscalculated collection of stale, queen-size stereotypes than those trotted out on this ship of fools.
  13. With Mr. Magoo, it’s the filmmakers who seem blind.
  14. Terry Gilliam-ish territory here, spiked with imagery from Holocaust nightmares and drug trips. Attention, university film clubs: Here's your cult-ready midnight-movie programming.
  15. The exception is newcomer Jenn Proske, who spoofs Twilight star Kristen Stewart's flustered, hair-tugging angst with hilarious precision.
  16. With more telegraphed scares than Samuel Morse on Halloween, it still might give you a restless night, but only because you fell asleep in the theater.
  17. If you love your mother, do not make her see this movie.
  18. A charmless rom-com.
  19. Everything about Vice feels like recycled goods. It's basically "Westworld" meets "Blade Runner" programmed by glitchy filmmaking replicators.
  20. A stinker, the more so for the thespian excesses of the accomplished cast.
  21. As the killer, who plucks out his victims' eyeballs, Kane, the seven-foot bald WWE wrestler who's like a modern Tor Johnson, is so inept he's more cuddly than terrifying.
    • 17 Metascore
    • 50 Critic Score
    One quarter ''True love waits,'' three quarters ''Cowabunga!,'' all pretty clumsy.
    • 17 Metascore
    • 16 Critic Score
    It's not "Clueless," just clueless.
  22. This may be the only would-be blockbuster that's a sprawling, dissociated mess on purpose. It's a perverse landmark: the first postmodern Hollywood disaster.
  23. Less a movie than a 93-minute Mountain Dew commercial.
  24. Don't be fooled by the low grade: This sequel-in-spirit to Jean-Claude Van Damme's 1994 dud doesn't even succeed in being memorably bad.

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