Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. To properly convey the jaw-dropping shoddiness of this videogame-based ''horror'' ''movie,'' one must approach what scientists call Absolute Stupid, a state previously thought to exist only under highly controlled laboratory conditions or at the highest levels of government.
    • 15 Metascore
    • 33 Reviewed by
      Ty Burr
    Carpool is affably stupid Saturday-matinee fare -- good for opiating the kids for a few hours -- but let's just say it's no Big Bully.
  2. Confined to just a few sets, the movie is like the pilot for a sitcom you never want to see. Yet Ephron seems to think she's making a feel-good holiday classic: She floods the soundtrack with old pop versions of Christmas standards, trying to render stale comedy appetizing by drenching it in syrup. [23 Dec 1994, p.50]
    • Entertainment Weekly
    • 14 Metascore
    • 16 Critic Score
    Even Christians hip to TBN preachers' peculiar eschatology may be baffled by the incoherent wrap-up, which provides the stingiest Second Coming since the third ''Omen ''movie.
    • 14 Metascore
    • 42 Critic Score
    Rollerball was trash even back in 1975, but in some small way it was ahead of its time. The new version just makes you feel like you've been watching a lame late-night rerun while stuck in a thunderdome.
  3. Terminal colon cancer has never looked more fetching than in the critically ill romantic-disease comedy A Little Bit of Heaven.
  4. Just... bad. As in BAD bad.
  5. Processed comedy chop suey.
  6. Malty brew of heroics and minutiae.
  7. It's like ''Grease: The Next Generation'' acted out by the food-court staff at SeaWorld.
  8. It's doubtful that even a real actress could have triumphed over the rusty tinsel of Glitter, a hapless, retro-'80s ''Star Is Born.''
  9. Isn't a movie, it's Gorgonzola, a crumbly summertime stinker veined with pop-cultural fungus.
  10. Though it doesn't work as entertainment, this numbingly chipper rom-com (directed by Dermot Mulroney) might be of historical value someday as an A-to-Z guide to the genre's most overworked clichés.
    • 13 Metascore
    • 25 Critic Score
    Filling in for Eddie Murphy in a septically humored kiddie sequel to "Daddy Day Care," Gooding gives a mug-job performance that consists mainly of reacting (again and again) to nasty smells.
  11. A thriller primarily about the movement of Cindy Crawford's breasts beneath a succession of ever-smaller T-shirts.
  12. To dismiss this movie for being ''offensive'' would be to offer it high praise.
  13. Paul Blart: Mall Cop 2 does all it was created to do: exist.
  14. For the audience, it's like watching the dreckiest of teen puppy courtships trying to pass itself off as ''Annie Hall.'' La-de-blah.
  15. Dudsville.
  16. Most of the jokes are so lame that Chevy Chase can’t even be bothered to look nonchalant. A sadder excuse for a movie would be hard to imagine.
  17. The Avengers is too enervated to qualify as even a full-scale disaster.
  18. At best, Left Behind is shoddily made sensationalist propaganda — with atrocious acting — that barely registers as entertainment. At worst, it's profoundly moronic.
    • 12 Metascore
    • 0 Critic Score
    There’s plenty of simulation here and not much stimulation.
  19. The movie doesn't so much extend Schwartzman's antic outsider persona from ''Rushmore'' as uglify it, reducing him to the ultimate Uncool Anti-WASP.
  20. An awful, stillborn comedy assembled out of rusty spare parts from secret agent movies and run-of-the-mill ''Saturday Night Live'' skits.
  21. Generic hip-hop soundtrack? Check. Aerial stock footage of milieu? Check. Hardy-har homophobia and misogyny? Check. Emasculated sub-Gump white dude played by Jay Mohr? Double check.
  22. Empty jokes hang heavy.
  23. Fragmented and monotonous, without a semblance of the gymnastic cleverness that at least made the first Mortal Kombat film into watchable trash, Mortal Kombat Annihilation is as debased as movies come.
  24. In Date Movie, the hormones, anxiety, and princess jealousy that fuel the majority of Hollywood love stories are made so excessive that the romance itself is revealed to be...every bit as big a crock as it usually is.
  25. Benigni's Pinocchio is meant to be adorable, but he comes off as less an enchanted puppet than as a harmlessly deranged middle-aged man prancing about in the kind of froufrou cream-colored pantsuit that Dinah Shore retired to her back closet in 1977.

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