Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
    • 70 Metascore
    • 75 Critic Score
    Pure belongs to Eden, a remarkably strong child actor, and Deadwood's Molly Parker, broken and affecting as his sweaty, gear-crazy mum.
  1. The best scenes in Late Night are consistently the ones where the movie’s main stars spar and banter and intermittently connect; two unlikely satellites smashing into each other’s orbits, and maybe finding themselves in the wreckage.
  2. It's cleansing to see the facts laid out with intimacy and rigor, and the film earns the comparison it makes to the squelching of due process for some of today's terror suspects.
  3. Eric Appel's directorial debut essentially plays like a movie-length Funny or Die sketch — which it is, technically (or at least produced under that production umbrella): a giddy cameo-stacked satire propelled by murder, mayhem, Mexican drug lords, and athletic sex with Madonna. This is whole-cloth fantasy, of course, and that's the point: less Walk the Line than Walk Hard, with accordions.
  4. As her success spikes exponentially, so does the film's momentum, shifting toward the more familiar touchstones of a traditional music doc: The smear of foreign cities seen through a town-car window; the endless roundelay of interviews, meet-and-greets, and promo signings.
  5. Crystal’s ordinariness — his utter lack of glamour — really works for him here. He’s far more pleasureful to watch in this sort of dramatic-comedy role than, say, Robin Williams, because his comfy, urban-shlemiel personality helps ground the jokes.
  6. A ferocious, funny, gory, and astute Canadian horror parable.
  7. The latest slacker manifesto, Clerks lacks the grunge artistry of either "Stranger Than Paradise" or "Slacker," but it's a fast, likable 90 minutes at the movies.
  8. Boys no doubt has its benefits as both a history lesson and an outsize acting showcase for its talented cast; as a film experience in 2020, though, it often comes as a kind of relief to know that the seismic half-century-plus since its creation — as a play and a 1970 film, then a play and a movie again — have given us so many other sweeter, deeper stories to tell.
  9. All About Nina works best as a showcase for Winstead, even if she’s performing material we’ve already heard before.
    • 70 Metascore
    • 75 Critic Score
    After the introduction of the titular crime and a proto-12 Angry Men jury scene, the film becomes a playful meta-commentary on the inherent silliness of watching actors go through the motions of detective work, with numerous charming visual embellishments.
  10. That leaves a movie that, beneath its strong female presence and few contemporary bits of flair, has a sort of inevitable bog-standard action feel, just entertaining enough in its live-die-repeat machinations to pass the minimal engagement test.
  11. Here's a scare-the-crap-out-of-you medical thriller about a viral pandemic that will have the immediate post-screening effect of causing a handwashing stampede.
  12. Jacquot economically conveys the small, painful sacrifices both lovers -- but particularly the woman -- must make, and the constant, ongoing negotiations of power required to maintain no-strings freedom.
  13. Herzog's fascinating, rambling, love-hate documentary about their friendship and creative partnership, and in its discursive, anecdotal way it gets at the essence of one of cinema's indelible crackpots.
  14. The quaint racial blinders are really on the eyes of the filmmaker, Peter Hedges, who shoves his characters into the narrowest of sitcom slots and seals them there.
  15. Isn't up to much of anything besides pretending that swearwords and snot-nosed insults, served up by Santa with an almost institutional monotony, aren't just naughty. They're -- big joke! -- incorrect.
  16. The joy of cartoons meets the agony of office politics in this fascinating, inside- Hollywood-baseball documentary.
  17. A marvelous rock doc that manages to be wistful, tasty, and jam-kicking at the same time.
  18. The whole thing feels a bit like an Arabic riff on "Chinatown" or "L.A. Confidential" — a neonoir with a tawdry edge where our imperfect hero will eventually be doomed. It’s not a question of if, only when he will lose.
    • 70 Metascore
    • 75 Critic Score
    The big innovation here is that the two nimble leads, stuntmen-turned-stars, are devotees of parkour, a fancy French word for the fluid use of urban environments as jungle gyms.
  19. The kind of deliriously trashy psychosexual thriller that only the French seem to be able to pull off with a straight face. It’s like "Dead Ringers" meets "Body Double" with a kinky, winking full-frontal Gallic twist.
  20. Materialists doesn’t offer any easy answers despite delivering on its romantic premise.
  21. If they handed out an Academy Award for Most Gripping Graphs and Charts, this film would take it.
  22. While Byrne is solid (as always) and Eisenberg is restrained (a relief after his manic Lex Luthor), it’s newcomer Druid whose scenes pack the most power and force.
  23. Sweetness makes the raunch in this honestly funny movie even funnier.
  24. Most illuminating are the various journalists, attorneys, witnesses, and admissions counselors who testify to the case
  25. That doesn’t stop the movie as a whole from feeling a little slight, though, like a Christmas tree that isn’t entirely filled out.
  26. André Téchiné's beautifully ambiguous, exquisitely underplayed drama Strayed has less to do with the events and moral choices of the era that continue to shape French identity than with the timeless psychological effects of finding oneself unmoored from the familiar.
  27. Imamura's delight in the infinite oddity of men and women is goofy; it's also, at heart, reverent.

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