Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. Everybody's Fine
    Calculatedly soppy, seasonally phony Americanized remake of Giuseppe Tornatore's 1990 "Stanno Tutti Bene."
  2. Love Happens
    No authentic emotion of any kind happens in this damp, Seattle-based romance, a fizzle for both stars.
  3. My Big Fat Greek Wedding
    The wedding, which turns the very concept of ''Greek'' into the sort of hideous, pandering clichés that look rejected from bad Jewish and Italian sitcoms.
  4. Saw VI
    The thinnest, draggiest, and most tediously preachy of the Saw films.
  5. G.I. Joe: The Rise of Cobra
    Don't go expecting an escapist night at the movies; go expecting to be cudgeled into numb, drooling submission.
  6. Miss March
    Writer-director-stars Zach Cregger and Trevor Moore, of the Whitest Kids U'Know, here prove the crassest, most maladroit moviemakers you know.
  7. Cursed
    Screenwriter Kevin Williamson (the Scream trilogy), having bottomed out in the horror genre, now dips below bottom (there isn't a line that has his knowing sweet-and-sour zing).
  8. Control
    Antal has assembled what may be the single most colorless group of mangy lowlifes I have ever seen.
    • 33 Metascore
    • 25 Critic Score
    State Property 2
    State Property 2 is no more three-dimensional than your average brand-name-laden hip-hop video.
  10. Four Brothers
    Because the script, riddled with verbal ugliness by David Elliot and Paul Lovett, sends the movie to a series of arbitrary nowheres, the final showdown for the Mercer boys and their enemies is just as meaningless and sense-deadening.
  11. Sympathy for Mr. Vengeance
    So badly told that it ends up dissecting a corruption that exudes from nowhere but itself.
  12. Undiscovered
    As Brier's comrade-in-lip-gloss, Ashlee Simpson, dressed to look like a teenybop girl version of Crispin Glover in "River's Edge," is the real deal -- in fake cred.
  13. Underclassman
    The loserville teen comedy Underclassman is like a student project sloppily cribbed from other kids' notes -- kids who have seen "Rush Hour" and still can't get over how funny it is to stick a noisy black guy in a distinctly nonblack setting.
  14. Venom
    A mud-simple horror trudge set in a swamp colony of Abercrombie models.
  15. Domino
    The movie is trash shot to look like art imitating trash.
    • 33 Metascore
    • 25 Critic Score
    Grandma's Boy
    Does a very thorough job of reducing every recognizable member of the cast to probable career lows.
  17. End of the Spear
    Atrociously scripted and edited.
  18. When a Stranger Calls
    When a Stranger Calls is ba-a-a-a-c-k, in frightless form, updated for the age of anytime minutes and caller ID.
  19. Ask the Dust
    The movie lacks even the misplaced fervor of obsession. It's lifeless kitsch.
    • 36 Metascore
    • 25 Critic Score
    Phat Girlz
    Jazmin's so fat that the movie reduces her to a single discernible characteristic, which is a telltale mark of many a wholly awful comedy.
  21. Hoot
    Don't let the Carl Hiaasen pedigree fool you: Hoot is an Afterschool Special too crummy to give a hoot about.
  22. Little Man
    Tedious.
    • 41 Metascore
    • 25 Critic Score
    John Tucker Must Die
    Astonishingly (and offensively), the witless ending comes down harder on the women than the cad.
  24. Brothers of the Head
    A glumly serious British mock rock doc: You could forgive the paucity of jokes if Brothers of the Head had anything to say, or if the '70s-vérité surface were remotely convincing.
  25. Zoom
    In a feat of dullness quite powerful in its own way, this lifeless family comedy sucks the joy from every joke it touches.
  26. The Quiet
    This dank and rhythmless ''psychological'' potboiler was directed by Jamie Babbit, who made 2000's "But I'm a Cheerleader," and though she has shifted tones from shrill camp to moody angst in The Quiet, she still thinks in stereotypes so thin that they put you to sleep the moment they open their mouths.
    • 30 Metascore
    • 25 Critic Score
    The Texas Chainsaw Massacre: The Beginning
    Unlike "Hostel" or "Wolf Creek," TCM:B is rank and depressing.
    • 27 Metascore
    • 25 Critic Score
    Let's Go to Prison
    Nearly laughless.
    • 22 Metascore
    • 25 Critic Score
    Black Christmas
    Twice as many accidental laughs as scares.
    • 33 Metascore
    • 25 Critic Score
    Code Name: The Cleaner
    Get Lucy Liu better roles!
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