Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. Space Chimps
    While candy-colored graphics should dazzle kids, Space Chimps has little draw for audiences spoiled by the Pixar-given knowledge that CGI can entertain -- and not just stupefy -- moviegoers of any age.
  2. Righteous Kill
    It's not much fun to see these two reduced to "Mad TV" parodies of themselves.
  3. Max Payne
    It's just a grindingly inert death-wish thriller.
  4. Beverly Hills Chihuahua
    While George Lopez, Cheech Marin, and Paul Rodriguez are funny men, it's amazing how boring these Latin-shtick cutups can be when none of them gets a single good line.
  5. Nobel Son
    Randall Miller (Bottle Shock), appears to be trying to cross a bad Elmore Leonard thriller with a bad indie-festival family-angst comedy. He gives us the worst of both worlds.
  6. Seven Pounds
    An unintentionally ludicrous drama of repentance.
  7. Bedtime Stories
    It's a dispirited, galumphing mess.
  8. Chandni Chowk to China
    It all makes you want to see a Bollywood movie, all right -- a good one.
    • 43 Metascore
    • 25 Critic Score
    Donkey Punch
    This predictable film wouldn't be effective anywhere outside a DARE program.
  10. Spinning Into Butter
    A painfully miscast Parker nervously flips her hair and waves her hands, sitcom-style, as a do-gooding dean of students.
  11. The Mysteries of Pittsburgh
    A stillborn rendering of Michael Chabon's first novel.
  12. Next Day Air
    If the movie doesn't even care about its characters, then how can we?
  13. Management
    Isn't it time Steve Zahn grew up? Ever since the '90s, this walking quirk of an actor has pushed his dazed solipsistic zaniness (he's like Michael J. Fox’s hillbilly cousin), but he's 41 now, and it no longer looks cute on him.
  14. The Collector
    The result is a sub-"Saw" knockoff that manages to be brutal yet monotonous, not to mention monstrously unpleasant.
    • 24 Metascore
    • 25 Critic Score
    Sorority Row
    The tedious flick offers little more than a few scares, and plenty of boobs. And we're not just talking about the cast.
  16. Trucker
    Whenever an actress takes on a gritty working-class role, the audience does a gut check of authenticity. Either the actress gets it, like Melissa Leo did in "Frozen River," or she doesn't, like Michelle Monaghan as the spoilin'-for-a-fight truck-driver heroine of the inert indie dud Trucker
  17. Bartleby
    It's no insult to Melville to say that he wrote, in effect, the original ''Dilbert.'' This movie, unfortunately, makes ''Dilbert'' look like Melville.
  18. The In Crowd
    Isn't a movie, it's Gorgonzola, a crumbly summertime stinker veined with pop-cultural fungus.
  19. Fast Food Fast Women
    Kollek is a fringe auteur who makes independent films the old fashioned way: no budget, static camera, a script that telegraphs its tiny, paste gem ironies.
    • 29 Metascore
    • 25 Reviewed by
      Ty Burr
    Eye of the Beholder
    There's not much else for viewers to do but give themselves over to the whims of the bad-movie gods.
  21. The Little Vampire
    Would like to be a Halloween treat, but it's more like a nightmare of blandness.
  22. Body Shots
    A distasteful zeitgeist cocktail tracking the booze-fueled sexcapades of eight repellent L.A. singles.
  23. Showtime
    De Niro seems to be reacting to nothing so much as the lame movie he's stuck in.
  24. Trixie
    Torturously whimsical gumshoe caper.
    • 50 Metascore
    • 25 Critic Score
    Deterrence
    The plot twists fall about as weightily as the fake snow.
  26. Simpatico
    Stumbling adaptation of a Sam Shepard play about men, horses, chance, and lies.
    • 46 Metascore
    • 25 Critic Score
    One Night at McCool's
    More than just dumb, the picture is embarrassingly dorky.
  28. Focus
    Has a topsy-turvy sense of injustice.
  29. The Crew
    Each man's shtick swells into a frenzy of overacting.
    • 27 Metascore
    • 25 Reviewed by
      Ty Burr
    The Musketeer
    Musketeer's fight scenes are underlit, overmiked, and appallingly edited, with none of the spacious grace that even routine Asian action flicks get right. Worse, the narrative scenes make less sense.
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