Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A few more films like Tears of the Black Tiger, and kitsch will be on its way to having a bad name.
  2. Hannibal Rising reduces this great creature of the pop imagination to a Eurotrash Boy Scout throwing a homicidal snit fit.
  3. Murphy speaks in a breathy lisp, as if his mouth had been partially buttoned shut, and he doesn't give himself the nerd's traditional redeeming feature of a geeky, slide-rule intellect. Norbit, all frozen gawk, is just a very dim bulb.
    • 36 Metascore
    • 25 Critic Score
    Atrocious sequel.
  4. A crappy thriller gussied up with a chrome-plated veneer.
  5. Chatwin comes off as prickly and annoyed -- they should have called this "Perturbia."
  6. An immediately forgettable action pic directed with a blowtorch by Lee Tamahori.
  7. Inert dud of a hitmen-are-people-too comedy.
  8. Director Sean Ellis has a lovely eye, but he's set the film in his blind spot. Not only can't he distinguish between art and porn, savoring and wallowing, universal truths and exhausted clichés -- he doesn't even seem interested in these distinctions.
  9. In a season of digital bombast, it can be a relief to walk into a stodgy life-of-the-great-man costume drama. Goya's Ghosts, before it turns into a messy, horse-drawn load, achieves a civilized stuffiness that gives off its own mild pleasure.
    • 13 Metascore
    • 25 Critic Score
    Filling in for Eddie Murphy in a septically humored kiddie sequel to "Daddy Day Care," Gooding gives a mug-job performance that consists mainly of reacting (again and again) to nasty smells.
  10. The audience gets the message (religious fanaticism: bad), but nothing we see is convincing on its own.
  11. The morality of revenge is barely at issue in a movie that pushes the plausibility of revenge right over a cliff.
  12. The film completely misses what should have been its real target -- the filming of Game of Death, a martial-arts campfest worthy of Edward D. Wood Jr.
  13. You can expect a lot of shredding and gurgling. 30 Days of Night is relentless, but it's also relentlessly one-note.
  14. Based on a videogame, Hitman could be the year's dumbest movie.
  15. As for the splendid Spaniard Javier Bardem, now knocking socks off in "No Country for Old Men," his lot is worst of all. He's miscast as the romantic Florentino.
  16. This garbled American remake of Takashi Miike's already staticky 2004 exercise in J-horror is a wrong number.
  17. Kate Hudson is as blah and dazed as her costar is cloyingly enthused. If it's possible to have too even a tan, Hudson in Fool's Gold would be the poster child for it.
  18. Neither grand enough to be impressive nor antic enough to be charming, the movie settles for bland and frantic, climaxing in a showdown among decadent pyramid builders. How bad are these guys? They're sadists...and, wink wink, sissies.
    • 39 Metascore
    • 25 Critic Score
    Movie is dopey. And with its emphasis on stupid violence, xylophone abs, and getting yourself on YouTube, it's yet another product that makes you feel bad about today's youth culture.
  19. A failing-grade comedy about the wishful triumph of high school dorks over high school bullies.
  20. Simon Pegg has what it takes, but he's saddled himself with a script (co-written by Pegg and Michael Ian Black) that Adam Sandler wouldn't have pulled out of his bottom drawer.
    • 30 Metascore
    • 25 Critic Score
    Even a hilarious turn by Kristen Wiig as the owner of a doughnut company can't save this clichéd, meandering story from playing like "American Beauty" lite.
  21. Viewers' own evenings, meanwhile, will likely be ruined by unimaginative direction, inane dialogue, and Schaech's passing resemblance to Forrest Gump.
  22. This kingdom really should be forbidden.
  23. Regardless of your personal views, Expelled's heavy-handed bias (a visit to Darwin's home gets the same eerie music as a tour of Dachau) is exasperating.
  24. Everything is wrong pretty much from the start of this misbegotten adventure.
  25. None of the faux icons comes close to being a character. Instead, they are contrasted with a group of nuns who skydive without parachutes. Could this possibly be a metaphor for Korine's filmmaking? It certainly goes splat.
  26. It's like "Schindler's List" crossed with "The Sound of Music," and Roger Spottiswoode directs it in a stiff, lifeless, utterly dated style of international squareness.

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