Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. An afterthought of a plot ships the family from Kansas to the O.C., offering SoCal set pieces -- like a doggie surfing contest -- to spackle the few gaps between big-dog-small-world jokes.
  2. The result is a naughty throwaway in all senses of the word.
  3. The battles are grainy and ''existential,'' but what they aren't is thrilling. They're surging crowd scenes with streams of arrows and flecks of blood, and Crowe, slashing his way through them, is a glorified extra. He's so grimly possessed with purpose that he's a bore, and so is the movie.
  4. A stunt masquerading as a statement.
  5. The faux espionage plot, with its winks at terrorism, is really just a convoluted plea for the relevance of precious indie artistes (i.e., Hal Hartley).
  6. Feels like an attempt to rebottle the postmodern fizz of Wes Anderson's "Bottle Rocket." I wish instead they'd put a stopper in it.
  7. Roland JoffƩ brings an artful video-grunge look, and not much else, to this "Saw" clone.
  8. A dawdling, myopic drama.
  9. The film is so committed to its view of Ezra as a pawn in the psychotic game of postcolonial Africa that he is never allowed, as a character, to become more than a pawn.
  10. The makers of this mediocre comedy about dorky guys who work in a cut-rate electronics store probably hoped that "40 Year-Old Virgin" lightning would strike twice. It doesn't.
  11. But overall, this lazy, sweet trifle seems to express the banality of well-being.
  12. Requires Neeson to stare coldly and talk to corpses, but Ricci has the greater dramatic challenge: She has to operate, unfazed, in close-up nakedness much of the time.
  13. As a fan of Schwarzenegger's macho, heart-of-darkness original, it gives me no pleasure to say that Predators is an uninspired mess of mediocre action scenes strung together until the final reel.
  14. The British director Ken Loach can be a master of working-class realism, but not in this cranky, rudderless shambles.
  15. The surreal thing is, Zac Efron can't do despair.
  16. Worse, he (Reiner) vacuum-seals it all in a patronizingly wholesome package, like an extended episode of "The Wonder Years" with all the wonder sucked out.
  17. Twelve ogles the lost boys and girls as they make their mistakes. But unlike the novel, the movie never really gets inside these kids, who aren't in the least all right.
  18. The exception is newcomer Jenn Proske, who spoofs Twilight star Kristen Stewart's flustered, hair-tugging angst with hilarious precision.
  19. Now it's just some thin chick in her underwear, kicking butt.
  20. A well-meaning dud.
  21. Milla Jovovich slinks cartoonishly as Stone's seductive wife, on a mission to compromise the lawman. Lordy.
  22. Earnestly ersatz down to every spangle, dance move, plot turn, and line of hokum dialogue, Burlesque is a showbiz pic for these American Idol times - a time when we agree to pretend that mediocre mimicry of better artists is good enough to keep us entertained. We agree to pretend that quality is in the eye and ear of the undemanding beholder.
  23. Comedy has changed. Jack can only give his son-in-law the stink eye so many times before the whole "I'm watching you" pantomime gets stale.
  24. In a last-minute tweak, the production has also been meaninglessly 3-D-ified - never mind that there's nothing whatsoever 3-D-ish going on. Maybe those clumsy 3-D glasses are meant to let moviegoers mimic the superhero mask-wearing experience?
  25. Director Gaspar NoƩ proved a shock poet in "Irreversible" (2003). In Enter the Void, he's a shockingly tedious show-off.
  26. Clumsy camera work adds to the pre-wedding jitters in writer-director Galt Niederhoffer's pashmina-thin drama about attractive self-congratulatory Yale alumni gathering for the nuptials of two of their own.
  27. Neither colorfully brutal nor especially fun. It's a plodding, derivative gothic potboiler: "The Shining" meets "Coraline," with a touch of "Gremlins" played (boringly) straight.
  28. Perry has taken Shange's feminist word-and-movement portraits of disenfranchised African-American women and turned those howls into...a maddeningly choppy mess of a Tyler Perry movie.
  29. Strips the source material down to its recognizable parts and then builds something completely new out of them. Unfortunately, the result is entirely Lilliputian in ambition, even for a children's movie.
  30. For a film ostensibly about the importance of finding a little spice and flavor in your life, From Prada to Nada is surprisingly bland.

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