For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Adam Markovitz
Its B-movie sins are many, worst among them an icy hero and a plot that feels like it was built from relics of other, better films.- Entertainment Weekly
- Posted May 13, 2011
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Reviewed by
Lisa Schwarzbaum
What's shocking this time is how tame Sacha Baron Cohen's newest wild man is, for all the kerfuffle the comedian can stir up on the Âpromotional trail.- Entertainment Weekly
- Posted May 15, 2012
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Reviewed by
Lisa Schwarzbaum
What we learn in this all-pain/no-pleasure episode is that marriage feels like a life sentence, weddings are miserable events, honeymoon sex is dangerous and leaves a bride covered in bruises, and pregnancy is a torment that leads to death in exchange for birth.- Entertainment Weekly
- Posted Nov 17, 2011
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Reviewed by
Keith Staskiewicz
The fourth installment of Robert Rodriguez's franchise that keeps adding dimensions even as it loses charm would have been better titled "Spy Kids: All the Time Puns in the World."- Entertainment Weekly
- Posted Aug 22, 2011
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Reviewed by
Adam Markovitz
Good news: The shrill CG rodents, who last infested theaters in 2009's Squeakquel, are stranded on a jungle island with little hope of survival. Bad news: They've brought us along.- Entertainment Weekly
- Posted Dec 15, 2011
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Reviewed by
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- Entertainment Weekly
- Posted Oct 1, 2011
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- Entertainment Weekly
- Posted Oct 26, 2011
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Reviewed by
Owen Gleiberman
The lesson is that fun can't be planned, but the film is so airless (think iCarly as a videogame) that there isn't a truly playful moment in it.- Entertainment Weekly
- Posted Jun 8, 2011
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Reviewed by
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- Entertainment Weekly
- Posted Aug 17, 2011
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Reviewed by
Kyle Anderson
Within the pungent field of other wide-release scare jobs and films derived from cardboard-based time-killers for kids, Ouija stacks up relatively well, thanks to its look and a confident performance by Cooke.- Entertainment Weekly
- Posted Oct 24, 2014
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Reviewed by
Darren Franich
Bad dialogue, lame plot, fine. The bigger issue: How could a film with Elba and McConaughey have so little swagger?- Entertainment Weekly
- Posted Aug 3, 2017
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Reviewed by
Adam Markovitz
Never mind that Dylan Dog: Dead of Night is loosely based on an Italian comic series from the 1980s; this low-rent adaptation owes an embarrassingly big blood debt to HBO's "True Blood."- Entertainment Weekly
- Posted Apr 29, 2011
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Reviewed by
Keith Staskiewicz
An intermittently fun, but overexcited and predictable mish-mash.- Entertainment Weekly
- Posted Jan 25, 2013
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Reviewed by
Lisa Schwarzbaum
A cloddish, harmlessly drecky comedy from the Sandler factory of crude mush.- Entertainment Weekly
- Posted Oct 11, 2012
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Reviewed by
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Reviewed by
Owen Gleiberman
This underworld fairy tale is so soggy and sentimental it's like a new genre: Hallmark noir.- Entertainment Weekly
- Posted May 11, 2011
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- Entertainment Weekly
- Posted Mar 13, 2013
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Reviewed by
Clark Collis
The result apes "The Bourne Identity" so slavishly yet so boringly it winds up with no identity at all.- Entertainment Weekly
- Posted Sep 8, 2012
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Reviewed by
Darren Franich
The central question of the movie becomes: Can George triumph over his inability to stop hot women from throwing themselves at him?- Entertainment Weekly
- Posted Dec 7, 2012
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Reviewed by
Lisa Schwarzbaum
The movie is a folly, a desultory vanity project for its director and co-writer. But for those very reasons, W.E., by world-renowned personage and lesser-known filmmaker Madonna, is not without twisted interest.- Entertainment Weekly
- Posted Jan 25, 2012
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Reviewed by
Kyle Anderson
(Bridges) has a tendency to make mistakes, especially when it comes to science fiction and fantasy titles. He has followed up the minor disasters that were "R.I.P.D." and "The Giver" with Seventh Son.- Entertainment Weekly
- Posted Feb 5, 2015
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Reviewed by
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Reviewed by
Owen Gleiberman
The more that secret comes out, the more incoherent (and ludicrous) the film gets.- Entertainment Weekly
- Posted Nov 2, 2011
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Reviewed by
Lisa Schwarzbaum
If this amateur justice league spent as much time analyzing clues as they did analyzing their junk, in every slang variation available in the Urban Dictionary, the murder mystery in The Watch could have been solved on the first night of surveillance.- Entertainment Weekly
- Posted Jul 26, 2012
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Reviewed by
Lisa Schwarzbaum
The movie is a morals-free procession of bang bang bang! and blood blood blood!, and men slamming each other with blunt objects and slicing each other with blades.- Entertainment Weekly
- Posted Jan 25, 2013
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Even those who don't know a foul tip from a chicken wing will be able to spot the desperate plays.- Entertainment Weekly
- Posted Sep 19, 2012
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Reviewed by
Adam Markovitz
Trite lessons are learned. Plotlines play out in familiar arcs. A few blips of sex and drug use aim to make the movie feel more grown-up. Instead, they make it off-limits to the only age group likely to find any charm in its smug Britcom cutesiness.- Entertainment Weekly
- Posted Jan 25, 2012
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Reviewed by
Lisa Schwarzbaum
It's tastelessness like this, served up as fair-game dish to a Downton Abbey-loving audience, that sours the flavor of this tittery production.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
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Reviewed by
Adam Markovitz
PA4 develops the story ever so slightly (not enough to satisfy fans) and delivers a few good scares (not enough to satisfy newbies); mostly, it plays like a overlong prologue for the already-in-the-works PA5. Here's hoping this is just the tension-racking lull before the next big scream.- Entertainment Weekly
- Posted Oct 18, 2012
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Reviewed by
Owen Gleiberman
Overheated yet bizarrely opaque criminal character study from Belgium.- Entertainment Weekly
- Posted Feb 22, 2012
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Reviewed by
Lisa Schwarzbaum
As with his previous film "Fireflies in the Garden," writer-director Dennis Lee scratches the skin of family bonds until it bleeds. This time, he uses whimsy as a salve.- Entertainment Weekly
- Posted May 9, 2012
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Reviewed by
Owen Gleiberman
Red Hook Summer has some fantastic gospel numbers, but as drama it's a casserole that never comes together.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by