Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. What follows is another slapstick dose of hard-R ridiculosity with a soft-nougat center, but it also passes the Bechdel test maybe better than any other film this year, and its older generation of stars are too smart not to go to town on their stock roles.
  2. A movie so unhinged it practically dares you not to hate it.
  3. Between cycles of gunfights and glowering, Yun-Fat displays some of the dignity and suave good looks that account for his star status (without much chance to show his wit).
    • 42 Metascore
    • 58 Critic Score
    It feels like Barnyard swipes too much of its plot from "The Lion King."
  4. The way Firth embodies the character, with a robot stare and a flat affect that expresses each thought as a kind of minimalist hologram of emotion, he's playing a cipher who pretends to be a different cipher. How indie-ironic!
    • 42 Metascore
    • 50 Critic Score
    Alex Rider: Operation Stormbreaker is "Agent Cody Banks" played British and kinda straight -- that is, as straight as you can when your villain, who dispatches foes with a giant jellyfish, is played by a toothpick-chomping Mickey Rourke in purple eye shadow.
  5. It's one of those woozy Jungian art jobs, a series of elliptical, nearly wordless vignettes that are meant to strike a universal symbolist chord. Director Mike Figgis frames the movie with his baroquely contemporary documentary-like version of the Fall.
  6. Because I’m not a 9-year-old boy, however, this story of a kid who acquires a blank check, cashes it for a million bucks, spends it all, and learns that having stuff isn’t nearly as satisfying as having a father’s love comes across as a calculated, mechanical production owing much too much to Home Alone.
  7. The movie does get some fun gory mileage out of its cracked-Pleasantville premise; but mostly it feels like broad farce madly in search of a cohesive center, and a soul.
  8. How you like Courageous - an overtly Christian-targeted production about four police officers learning lessons about God and family - will likely mirror how you view church: It's either an overlong ordeal filled with talky sermonizing or an uplifting communion with your deity and values.
  9. Any tension created during its key moments completely evaporates once the lights come back on. The Woman may be back for another fright, but Angel of Death doesn't haunt like it should.
  10. King Arthur could have been a rollicking blast. Instead it’s just another wannabe blockbuster with too much flash and not enough soul.
  11. After enduring only a few minutes of this shrill debacle, you'll feel more trapped in the theater than Jimmy is by his bubble.
    • 41 Metascore
    • 67 Critic Score
    This screwball comedy turned a rainy-day board game into inspiration — and attempted to answer the question of what Colonel Mustard has up his sleeve.
  12. Splinterheads, which aims to be a quirkier "Adventureland," never rises above mildly amusing.
    • 41 Metascore
    • 58 Reviewed by
      Ty Burr
    By never fessing up to its own bloodlust, Lionheart is, at bottom, chickenhearted.
  13. If you want to know how inept the movie is...well, it's so inept that you may wish you were watching an M. Night Shyamalan version of the very same premise.
  14. The movie flies by pleasantly, and is then instantly forgettable. Perhaps Jules Verne can explain the science of that.
  15. While George Lopez, Cheech Marin, and Paul Rodriguez are funny men, it's amazing how boring these Latin-shtick cutups can be when none of them gets a single good line.
  16. It's easy enough to accept the romantic-comedy luck of the two finding each another. It's much tougher, and ultimately useless, to buy everything else about this fairy tale of self-reinvention in a stalled economy.
  17. The whole thing is so wrapped in leaden dialogue and B-movie cliché that by the last weary, bloodletting hour, you'll envy Alex's ability to forget.
    • 41 Metascore
    • 25 Critic Score
    Astonishingly (and offensively), the witless ending comes down harder on the women than the cad.
  18. Latifah coasts on grit and verve, and Holmes has a goggle-eyed sweetness, but it's Keaton who rules.
  19. Lands on an imaginative fault line somewhere between tackiness and awe.
  20. Starts high, gradually bogs down, then dies.
  21. As sociology, it's skin-deep, but if you're a parent or preparing to be one, you might see yourself in a few of these folks and have a good time doing so.
    • 41 Metascore
    • 50 Critic Score
    Since Barker’s baroque prose visions are too complex for the gore-hound market, they’re bound to be watered down into this kind of bilge.
  22. Black Adam is what happens when artists say they want to go dark but don't really have the stomach for it. Cue scenes of humorless mid-air wrestling, shake vigorously, wait for the sequel.
  23. It's well-executed technocratic action fluff. But it did leave me buzzed rather than drained.
  24. An inept low-budget thriller.

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