Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. The film chooses style over substance, emphasizing how cool the children’s powers are without fleshing them out as full characters. To compete with Burton’s best, his heroic weirdos need a little more heart—and the monsters need sharper teeth.
  2. Miss Potter, right to the end, is the definition of a "nice" movie, and that makes it a genuine oddball in a universe of increasingly distressed and uncivilized pop culture.
    • 57 Metascore
    • 75 Critic Score
    It’s hardly a great Williams performance, nor would it make the short list of really good football movies, but there’s something very sweet and innocent about it—especially Williams’ hopeless dreamer.
  3. The new Evil Dead's delirious gross-out scenes spoke to me, and they go further than any mainstream picture I can think of.
  4. Even in Valhalla or Paradise City, though, there is still love and loss; Thor dutifully delivers both, and catharsis in a climax that inevitably doubles as a setup for the next installment.
  5. Dishes up some very corny jokes, but the images have a brighter-than-life vivacity.
  6. Harold and Kumar, fortunately, never lose their verbally relentless way of delivering raunch as pure common sense.
  7. Turns out to be a supple, intriguing, and beautifully staged movie. It features Dillon, in his most forceful performance since ''Drugstore Cowboy.''
  8. This hankie-yanker is an emotional cheat.
  9. Remains a sampling of stagy scenes barreling to a gruesome climax, parts greater than the sum of the whole.
  10. Hannibal lacks the rounded emotional elegance of ''The Silence of the Lambs'' (that was a great film; this one is merely good).
  11. Code 46 has a noirish fatalism that renders it a close cousin to ''Blade Runner,'' but Winterbottom's film, shot mostly in the light, uses the theme of memory erasure to peer into the eternal sunshine of tragically altered minds.
  12. There's an unconvincing last-act twist, but this is the movie "Little Children" wanted to be.
  13. The first two-thirds of The Maze Runner are a clever feat of fantasy world building. It's thrilling, twisty, and as mysterious as the mammoth Skinner Box environment the film takes place in. But the promising set-up raises so many puzzle-piece questions that when it's all finally explained in the final reel, you can't help feeling a bit gypped.
  14. The setup has mysterious promise, but the film cheaps out on a satisfying payoff.
  15. Downey's head and heart are in the right place, but the movie is more in pieces than whole, and more about iron than about men.
  16. An embarrassment--a fairy-tale showbiz satire that seems to defang itself, scene by scene.
  17. Not to get all Dorothy about it, but when it comes to Cars, there's no place like home. The emotional punch of the original is inextricably rooted in the movie's appreciation of off-the-beaten-track America, and all that homegrown vintage car culture signifies.
  18. Journey is just the new version of a 1950s comin'-at-ya roller coaster, with a tape measure, trilobite antennae, and giant snapping piranha thrust at the audience.
  19. There are no zombies to distract from the plausibility of Right at Your Door. And that's what makes this smart, coolly horrifying American indie thriller one of the scariest movies you're likely to see all year — a post-9/11 nightmare about terrorism, panic, and paranoia with real, waking-life implications.
    • 57 Metascore
    • 83 Critic Score
    Filled with baseball lore, trivia, and cameos by major-league players, this fable covers its bases with sincerity and humor.
  20. It knows exactly what kind of movie it is, but that doesn’t stand in the way of it goosing its bloodbath set pieces with irreverent, off-kilter gallows humor.
  21. Black, no surprise, steals the show, manically hamming it up like Harry Houdini on laughing gas, while Roth tries to keep the breakneck pace of his phantasmagoria going. As someone who was growing bored with Roth’s gory shockfests, I say: “Welcome to the kiddie table, Eli.”
  22. If you loved Amy Sedaris before in a golfer-lady wig and inbred chump's grin, you'll maybe love her again here, while wishing she had another TV-episode-size venue for her talents
  23. It might have helped had the film included a few more representatives of the straight world. As it is, there’s almost nothing for the family to play off. We’re shut up in that mansion right along with them, and the kookiness grows fatally quaint.
  24. Zucker gives the Camelot legend a makeover and rediscovers its humanizing fire. He has made a true adult fairy tale, only with a heart of glass.
  25. The voices of Liam Neeson -- as the film's narrator -- and his late wife, Richardson, inevitably add to the project's poignance.
  26. Watch for the ''Mrs. Doubtfire'' syndrome: In Santa drag and padded for laughs, Scott demonstrates how to be a more sensitive, more funsy parent than boring old Mom.
  27. Don Coscarelli, writer-director of the logy, fatuous Bubba Ho-Tep, is trying to will a cult movie into existence -- which, of course, never works.
  28. A tastefully overbearing franchise fairy tale with a handful of ravishing touches.

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