Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. There’s a real spark to Connery’s performance, but except for that Kaufman has produced a middling contradiction, a thriller too polite to hit its target.
  2. Peppered with implausibilities and foul-smelling red herrings, The Commuter downshifts from a solid cat-and-mouse joyride to a ridiculous howler, insulting its audience’s patience and intelligence at every turn.
  3. Let's face it: Lizzie McGuire (Hilary Duff) is just too darn polished to be a junior-high underdog, even by the standards of her 'luxe suburban environs.
  4. Beneath The Corruptor's explosive body count is a rock-solid, visually slick crime thriller set in the squalid netherworld of Manhattan's Chinatown.
  5. The savviest and most exciting Bond adventure in years, and that's because there's actually something at stake in it.
    • 56 Metascore
    • 50 Critic Score
    The movie’s soundtrack is excellent. Too bad that it’s one of the only things this cinematic portrait of a serial screw-up has going for it.
  6. The aerial-dogfight scenes, which are beautiful and shot through with jittery panic, are notable for not being staged for videogame kicks.
  7. Fitfully amusing, mostly annoying rom-com.
  8. There’s plenty of drinking, bonding, and bickering. But none of the jokes feel as barbed-wire sharp as the material you know these brilliant comic actresses could have come up with if they tossed out the script and just ad-libbed.
  9. In every way dreadful.
  10. About the only thing the movie kills with any decisiveness is your time.
  11. And the guy is really good at his job: He knows how to combine impossibly macho action plus attractive self-amusement into a reliable rhythm of ooof! and wink-wink.
  12. It’s all done expertly and with an unexpectedly deft sleight-of-hand twist in the homestretch that proves once again that Kormakur is the kind of overachieving director that one pigeonholes at their own risk. He has a knack for making the familiar feel more surprising than it is.
  13. It's been a while since a movie made the game of love this winning.
  14. In the Land of Blood and Honey captures the sickening way the war in Bosnia became a gray zone of genocide. Yet that, unfortunately, is not enough to make it a good movie.
  15. Straw is not exactly subtle, but the emotions are so raw and the performances are so earnest that you’ve really got to have a heart of stone not to care for these people.
    • 56 Metascore
    • 58 Critic Score
    Winter Passing is also being called ''the serious Will Ferrell movie,'' but he's not especially serious in it. Put it this way: His character Corbit is one of those movie types who's into ''kar-a-tay,'' which is a joke that must officially die.
  16. Tag
    It’s a ridiculously raunchy and very, very sweet comedy about staying connected to the most important people in your life.
    • 56 Metascore
    • 67 Critic Score
    The unconvincing wraiths appear whether you like it or not in this good-for-a-few-laughs feature.
    • 56 Metascore
    • 75 Reviewed by
      Ty Burr
    Downey’s deftness is so miraculous, in fact, that it’s a shame Heart and Souls never really lets him cut loose.
  17. Goofy, pompous, annoyingly boomer-myopic Fab Four musical.
  18. Bale is mesmerizing and Rodriguez keeps up with him as the whole unsafe contraption zooms.
  19. More than ever, Johnny Knoxville and his boys belong to a very elite club of idiocy. They martyr themselves for our diversion, driven at every moment to ask: Are you not entertained?
  20. Laddish, one joke, genre scrambling rock & roll fairy tale.
  21. The movie is too cute to take itself too seriously, but it still feels like it was made by some very stoned college students.
  22. Bassett's natural dramatic fierceness, so powerful when incited to action, is at odds with the knee-weakening sexual surrender required by the story.
  23. A Dirty Shame isn't dirty fun. It's the perv "Footloose."
  24. The Two Jakes is competent and watchable.
  25. Demagogic shallowness has its appeal, and Falling Down could turn out to be the Network of the '90s. By the end, you may wish he'd just gone home and popped a couple of Excedrin instead.
  26. Formulaic, dare-I-say-sappy movies, when done right, can be really good, and Nonnas is one such example.

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