Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. The air smells sweet and there's a thrumming beat in Bossa Nova.
  2. It's a canned clip reel of Heartwarming Sports Comedy, intermittently redeemed by its easygoing boomer vibe. And at its center is the redoubtable Bernie Mac, nicely aged, as he says, ''like USDA beef.''
  3. The rare commercial comedy that leaves you entranced by what can happen only in the movies.
  4. The script is wispy, but the performances (including Patrick Chesnais as Caroline’s prideful, devastated husband) shine.
  5. What work better in the movie are mostly smaller moments: the jokes that land, the rapport between the reporters, and all the weirdly ordinary ways people manage to find a new normal, even in the most WTF circumstances.
  6. Jim Sturgess (Across the Universe) makes a believable cocky lad who signs on for the con; an oddly bewigged Ben Kingsley is fussier and too actorly as his handler.
  7. An adaptation of Krystal Sutherland’s YA novel Our Chemical Hearts, Tanne’s second film doesn’t live up to the promise of his first, lacking its texture and specificity, but still offers small insights and worthy central performances.
  8. If the movie had just a little bit of truth, it could speak to people without "relatable" pandering about how adulting is hard and men are jerks! It's easy to parade around an ostentatiously broken heart, but that only means anything if it comes with baring a little bit of soul.
  9. Army of the Dead grills its cheese to a crisp, but Bautista adds some healthy flavor. His headshots never miss your heart.
  10. The fact that this formulaically winsome movie, directed by British TV helmer Julian Jarrold, is based on product-line changes at a real Northamptonshire factory does little to freshen its approach.
  11. The film, while gorgeously shot, is schematic and wholly implausible. But Skarsgård saves it; wild and funny and ferociously alive, he’s a crucial bolt of color in all that tasteful gray.
  12. Smart People, unlike "Sideways" or "The Savages," has a plot that's a little too rote.
  13. A wildly romanticized Australian druggie drama.
  14. Bateman deserves props for sustaining Bad Words as a little balancing act between sulfurously funny hatred and humanity.
  15. You more or less know what this soft-drink-sponsored movie is going to be as soon as the lights start to dim. What makes it worth recommending is that it ends up being just slightly more than that by the time the lights come back on.
  16. The Fourth War is an old-soldiers-never-die movie — an ironic elegy — and though much of the story is contrived and second-rate, Scheider gives a richly felt performance.
  17. Part of Me works hard to prove it's more than a glorified infomercial, and one reason it is more is that Perry has a startling story to tell.
  18. In Baker Boys, Kloves crafted a melancholy vision laced with ripe possibilities for pleasure and love. But the movie was (inexplicably, to me) a commercial disappointment, and Kloves, perhaps as a delayed response, has returned with a vision drained of joy, freedom, excitement.
  19. Scored to a disarmingly quaint array of fiddle-and-banjo tunes, The Newton Boys has so little in the way of blood or rancor that before long, you begin to notice that there's no real drama in it, either.
  20. Each of these improv farceurs wins a few laughs. But not enough.
  21. This kingdom really should be forbidden.
  22. Close's passion for the character she plays - 
a role, she has explained in interviews, that has absorbed her since she first played Nobbs on stage 30 years ago - contains its own intrigue.
    • 57 Metascore
    • 75 Reviewed by
      Ty Burr
    Like the meal itself, the movie's both filling and familiar.
  23. The Human Stain is, contradictorily, drained of color by the spotlight turned on its charismatic leads. Between the labors of simplifying the story for the screen and accommodating the stardust of world-class actors, an essentially, uniquely American tragic hero and heroine are bleached of real American tragedy.
  24. There's great music, an excellent dog, and that indescribable Kaurismäki tension between misery and a cosmic joke.
  25. No amount of gorgeous jungle footage can make up for the fact that this Disney-produced documentary feels about as natural as an episode of "The Hills," though with (slightly) more feral characters.
  26. Gyllenhaal’s Southpaw performance is great, but for reasons unrelated to his physique. He’s thrilling to watch and the only unpredictable thing in a two-hours-plus movie where you can count on one hand the number of moments that aren’t hand-me-downs from better boxing films like "Rocky," "Raging Bull," and "Fat City."
  27. At its heart (and it’s a big corny heart, for sure), the film’s message is one of unconditional love and embracing family wherever you find it. It’s hard to argue with. Especially when it’s served up with such spiky laughter-through-tears sweetness.
  28. Look, no one is expecting much from a movie called Happy Death Day 2U. Certainly not air-tight logic. But this chapter feels phoned in. And unless you’re really, really desperate for a new horror movie to check out, you might want to think twice about accepting the charges.
  29. The Secret Life of Bees is a lesson -- or, rather, a whole series of them -- we no longer need to learn. Of course, it's also a divine-sisterhood-defeats-all chick flick, and on that score there's no denying that its clichés are rousingly up to date.

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