The Outer Worlds is an impressive spiritual successor to Obsidian’s work on Fallout: New Vegas, mixing familiar design elements and the same zany attitude with an imaginative new universe and even deeper role-playing. While you can breeze through the main questline a bit quicker than in similar games, this is the sort of RPG experience you’ll want to play through multiple times, with multiple builds, to see all the systems and narrative paths on offer.

The best compliment that I can give Ring Fit Adventure is that it’s a video game that features exercise, instead of an exercise program disguised as a video game. In the two weeks that I’ve been playing my copy, I’ve legitimately regretted any day that I couldn’t play, and have always looked forward to not only exploring deeper into its adventure mode, but actually doing the workout associated with it

Concrete Genie’s painting tech impresses at first and its heart is certainly in the right place, but the game ultimately proves too aimless to support its already brief running time. Adorning the city in landscapes of your own creation quickly loses its luster as you realize that what you create lacks meaningful interactivity. Even the jarring addition of combat midway through doesn’t do much to counter the sense that Pixelopus couldn’t find a way to build out a full game around a simple gameplay idea.

Looting for better gear is a trend that’s taken over gaming, but it’s never seemed as unnecessary and as cynical as it does in Tom Clancy’s Ghost Recon Breakpoint. Turning the game into an amalgamation of Wildlands and The Division, Breakpoint’s gear system ruins any immersion you may have felt in pretending to be an elite spec ops soldier. If that was the game’s only issue, it might have still been salvageable, but its predictable story, graphical infidelity, and obnoxious open world make this a failed experiment at marrying two or three different properties from the same publisher.

There was a lot of potential for Code Vein to end up little more than a mediocre Dark Souls clone dressed in anime clothing, and yet, it’s actually kinda, sorta, pretty good. The game mixes some long-established gameplay qualities with a totally engrossing class system and a story that’s more enjoyable than it has any right to be. Code Vein won’t be for everyone, even if you’re a Souls fan, but if the overall idea sounds appealing, the execution might surprise you.

Much about Borderlands 3 is different, but nothing feels like it’s actually changed.

The remake of The Legend of Zelda: Link’s Awakening is stuck between two places—the past and the present. Chances are that you’ve already made up your mind about whether or not to play it. It’s a classic Zelda game given a second chance with a striking visual language and evocative, haunting musical reinterpretations. Making the jump from the Game Boy to the Switch means that you’ll spend a lot less time changing items in the menu and much more time appreciating the meticulous clockwork of Koholint Island’s challenges.

Gears 5 makes major strides in the series’ approach to storytelling. This is the most heartfelt Delta Squad has ever been, and The Coalition backs up that emotion with genuine improvements to gameplay. While its new co-op mode, Escape, is generally underwhelming, Arcade mixes up the competitive meta enough to keep things interesting. All told, Gears 5 is more Gears, but it’s also a bold statement for why this series is still relevant.

While it feels like a not insignificant step down from the breakout hit Until Dawn, Supermassive Games’ latest attempt at interactive horror still serves up some compelling thrills and chills. The Dark Pictures Anthology: Man of Medan definitely gets better the deeper you get into its story, but traveling that path is fraught with technical issues and questionable narrative direction more often than it should be.

Astral Chain is loud, brash, exciting, and, in the end, a warning about the dangers of unquestioned loyalty. Its hyperkinetic action sequences and colorful characters might make the game seem like it isn’t interested in offering more than intricately designed fights and a straightforward genre story, but stick around for its entirety and its cast of 2070s police officers show themselves to be more than just cartoon cut-outs of sci-fi cops.

Control is Remedy at the height of its abilities. Finally, the studio’s expert handling of tone and story is met with gameplay that’s just as engaging and refined. As an experiment in nonlinear world design, Control doesn’t just stick with tried-and-true waypoints and forests. Its Oldest House is a brutalist masterpiece, and the characters inhabiting it are just as unforgettable. All told, it’s going to be one of the most memorable games of the year.

Telling Lies may borrow its core mechanic from Her Story, but shifting from monologues to two-sided conversations brilliantly expands the investigative gameplay, and a pivot from murder mystery to political thriller gives director Sam Barlow a much richer set of ideas to explore. A few storytelling hiccups and awkward edges do little to detract from a thought-provoking look at the modern surveillance state—delivered not through soapbox lecture but by forcing you, unsettlingly, to participate.

All MachineGames and Arkane Studios needed to do was make a straightforward, cooperative Wolfenstein experience. Instead, Youngblood replaces the series’ celebrated narrative twists and turns with humdrum XP grinding and a live-service model. It would be bad in most games, but the fact that it’s in a Wolfenstein title makes it sting a little bit worse.

Bucking the trend of “bigger, badder, louder, faster,” Samurai Shodown is a return to the glory days of SNK’s beloved sword-slashing fighting franchise. The slower, more thoughtful combat style the franchise is known for is on full display here, challenging players not just to be better at fighting games, but also smarter. Wrapped in a beautiful overall package and given some interesting new roster additions, Samurai Shodown is probably the best new chapter we could have ever hoped for.

Crash Team Racing Nitro-Fueled is at once a joyful and joyless recreation of a stone-cold classic. Packed to the gills with content, this drive down memory lane still contains a sense of the original’s magic, and artfully decorates your favorite tracks and drivers with an impeccable attention to detail. But it’s not immune to the modern era, and the looming threat of live-service DLC and nostalgia-grabbing looms heavy over the entire game.

Super Mario Maker 2 will please both dedicated level-builders and newcomers. Story Mode gives players a nice pu-pu platter of professionally made Mario levels, and the inclusion of 3D World’s suite of tools and moves offer even the most seasoned veterans more with which to experiment. But in terms of pure scope and ambition, Super Mario Maker 2 more closely resembles the “Deluxe” Wii U rereleases that have become staples of the Switch’s library. That’s not necessarily a bad thing, since the formula is so exhaustive already. Just don’t go in expecting a true evolution of the series—and get that Switch Online subscription ready.

My Friend Pedro is an enthusiastic, stylish take on the shoot ‘em up genre that’s elevated by its complex level designs and clever puzzles. It combines so many mechanics from so many games that you might lose track, but these elements all come together to create a unified, singular experience. If you ever wondered what you’d get by crossing Hard Boiled and Super Mario Bros., it would look a lot like My Friend Pedro.

Making a spin-off to a beloved niche series that then drops its most popular character seemed like a crazy idea at first, but Judgment is a success beyond what I could have expected. Though it never quite escapes the shadow of its older siblings, this tale of a fallen lawyer and his refusal to let go of the truth provides an experience that has a lot to offer both Yakuza fans and newcomers alike.

Between its compelling art direction, surprisingly complex strategic decisions, and inventive weaponry, there’s a lot much to love in Void Bastards. Unfortunately, its overall structure and narrative will leave you feeling empty by the end. That’s not to say you shouldn’t let yourself enjoy all that this charming, stressful game has to offer. Just don’t expect to feel totally satisfied once you escape to the right nebula.

A lot of people are probably going to sleep on, or not even know about, A Plague Tale: Innocence—and that’s a shame. It’s a gripping, touching, emotional, yet at times horrifying experience, one that feels quite unlike almost any other game out there.

Even after 8 years, the Rage series is still having an identity crisis. It has all the signifiers of an open-world game, but it lacks the overall narrative that makes the world compelling, and its best bits—that is, its gunfights—take places in either small, complexly designed arenas or in hallways, like a linear shooter. The greatest irony about Rage 2 is that it might have been an even better, more interesting game if it was more like the first game with a fresh coat of (pink) paint. What it is now is just a bunch of sound and fury, which can be fun for a while, but it’s ultimately an empty experience.

While it’s an unabashed Left 4 Dead clone that never extends beyond the conservative concepts and budgets that obviously constrained its development, World War Z offers up an enjoyable adventure that at times does a lot with the little it attempts. No matter whether playing the co-op campaign or competitive multiplayer, there’s enough good to the game to make the bad not feel as bad.

Derivative and beset by astounding technical problems, Days Gone is a rare misfire among Sony’s first-party efforts. While the core fantasy of surviving in a world overrun with infected occasionally shines through, Bend Studio doesn’t deliver nearly enough compelling moments to justify the long slog it takes to see this mediocre story through to its end.

Sekiro: Shadows Die Twice will try your patience. As you might expect given its developer, it’s a devastatingly difficult game that will require your skill and concentration. It’s beautifully designed, with a clever new combat system and some of the most cinematic action ever in a From game, and it will kill you over and over again. All told, it’s the best game I’ve ever hated, and I never want to play it again.

The world has long waited for a proper new chapter of the groundbreaking Devil May Cry series, and in Devil May Cry 5, Capcom has given us an experience that was very much worth that wait. While the game requires players to really invest in its concepts before its depth truly shines through, that investment will definitely pay off for those who put in the time and energy to master DMC5’s three diverse heroes.

The strong gameplay design from Kirby’s Epic Yarn still shines a decade later, and the carefully-crafted additions in Extra make the original feel threadbare in comparison. While some of the new features may feel a bit “extra,” that is the name of the game. A couple of addicting new minigames and added higher-difficulty game modes for more advanced players make Kirby’s Extra Epic Yarn a game anyone could enjoy.

Dead or Alive 6 is a solid new chapter in Team Ninja’s long-running fighting game series that has rarely been satisfied with just being “solid.” All of the groundwork that needed to be built here was built, but upon it was placed a mostly by-the-numbers experience that is too often just as frustrating as it is fun. While a reworking of the game could leave it in a much better place in the future (and on newer consoles), for now it’s a good release for people wanting more Dead or Alive as long as they don’t mind its value is limited.

Anthem is a beautiful car that is an absolute joy to drive, but so far, it only has enough gas to get you a couple miles. Also, the wheels will periodically fall off. Sold as a live-service game, fans of Anthem’s exhilarating gameplay have to hold out hope that things will improve, but there’s no denying the initial expedition was rough.