Martha is Dead starts off strong, with an intriguing story amid a tumultuous backdrop, and a main gameplay mechanic with a ton of room to evolve. Unfortunately, the game squanders every opportunity it has to develop its story or gameplay in interesting ways, instead relying on overplayed tropes and unnecessary mechanics. While Martha is Dead's disturbing imagery might not deserve censorship, its creators betray the trust that it asks of its players, ultimately delivering a shallow experience that does more harm than good.

Horizon Forbidden West builds upon the formula of the first game in smart (if not always revolutionary) ways to craft an even stronger open-world experience. The stunning visuals make for a great showpiece of what Sony’s first-party studios can accomplish on PlayStation 5, with gameplay that holds up its end of the bargain. Unfortunately, storytelling missteps and a lack of polish keep Aloy’s latest adventure just shy of joining the all-time greats.

The true test for The King of Fighters XV is going to come in the days ahead, as the game gets into the hands of the general public and we see how everything fares both online and in far larger pools of player-vs.-player matches. For now, I’m excited for KOF XV. Its gameplay feels solid, its roster is satisfying, and its overall visual design once again does the series justice. I just hope all of those things hold up once the real fight begins.

Atari’s Recharged series has produced some fantastic remakes of classic arcade hits, but that series’ latest entry, Breakout Recharged, is definitely its weakest so far. That’s less the fault of the dev teams or the work they’ve put into these releases, and more the core game itself, as the original Breakout could only receive so much modernization before becoming a totally different game. The result is that Breakout Recharged will satisfy a specific segment of players who can enjoy its more simplistic gameplay, while leaving most everyone else wishing there’d be more to see and break here.

About An Elf is a game about an elf who wants to bring about the elftopia. It’s about Princess Dam, who may or may not be a psychopath, and it’s about a cat who wants to have half-cat, half-elf babies, and about another elf who pays Dam gummy bears to tell her stupid stories. It’s about going on an adventure to fantastical places and facing off against monstrous foes, and it’s about figuring out at times overly obscure video puzzles in order to beat those foes. It’s a story about love, and loss, and hope. And, in the end, About An Elf is about five to six hours long.

Dying Light 2 Stay Human’s enhanced parkour and intricate level design make for some of the most fun you can have moving through a video game world, and the hand-to-hand combat is simple but effective. Most impressive is the sense of scale and gravity that makes leaping between rooftops feel so death-defying. Unfortunately, its story wallows in post-apocalyptic clichés and misanthropy, and its choice-based narrative often drops its most interesting plot threads.

Rainbow Six Extraction takes Siege’s best parts—its characters and its gunplay—and successfully adapts them to a cooperative experience, but repetitive level design and an uneven progression system make the game feel more boring than it has any right to be. Extraction had all the elements it needed to be a great co-op “zombie” game, including an exact blueprint in Outbreak, but Ubisoft’s obsession with keeping players grinding forever won out, making Extraction feel like more of an obligation than an escape.

Halo Infinite handles the burden of the franchise’s long history gracefully. At times, as with the campaign’s story, it can feel like developer 343 Industries is weighed down by Master Chief’s Mjolnir armor. But Infinite’s bolder design choices, like its open-world environment and Grappleshot, make it feel exciting and new. The multiplayer might play it a little safe to appease longtime fans, but if the worst thing you can say about it is that it feels like old-school Halo, then it’s doing something right. It’s Halo made for Halo fans, but there’s enough novelty to keep it feeling fresh.

Danganronpa Decadence finally brings Spike Chunsoft’s amazing murder mystery series to the Nintendo Switch, accompanied by an all-new bonus game, Danganronpa S: Ultimate Summer Camp. While the latter is fun on a shallower level, the Danganronpa games remain engrossing and engaging experiences that are just as good today as they were back when they originally saw release on the Vita. Well, almost as good, as the ports we get here see reduced visuals or performance at times due to (seemingly) being based on the previous mobile releases.

At its basics, Date Night Bowling provides some decent bowling gameplay mixed in with the twist of trying to win over a date before the end of the 10th frame. As a concept, however, the game totally fails to capitalize on the thrill of trying to get strikes on the lane while not striking out romantically. There’s so much more that could and should have been done with the game at every level, leaving an experience that’ll keep you entertained in short bursts but wanting more in the long run.

Blue Reflection: Second Light is a perfect example of judging a game on what it tried to be, and not what it isn’t. While it pales in comparison to other blockbuster Japanese role-playing games, and remains constrained by the long-standing limitations of its developer, it is an enjoyable and engrossing adventure when taken for what it is: a mid-tier RPG that brings together a group of fleshed-out characters who are trying to improve both their lives and their world. Coming off the original Blue Reflection, Second Light genuinely advances the franchise both in terms of storytelling and gameplay, offering an even better experience to those looking for this sort of game.

Battlefield 2042 brings the sandbox back to the series in bold and controversial ways. The new Specialist system might seem like sacrilege at first, but it opens up gameplay opportunities that weren’t possible in previous titles. The massive, well-designed maps offer plenty of room for experimentation and emergent stories, and the modes are a blast. And that’s just All-Out Warfare. Between that, Hazard Zone, and the expansive Battlefield Portal, Battlefield 2042 has something for everyone, without feeling like it’s stretched too thin. It’s a true evolution of the series, one that pushes back against a stagnation that threatened the series’ future. It won’t be for everyone, but for players who crave imagination and fun from their Battlefields, it will give them everything that they crave and more.

Shin Megami Tensei V is the Japanese RPG equivalent of mid-century modern design, as the classic style and attitude of the series gets enhanced by—but never replaced with—simpler and sleeker refinements and modernizations. In a moment when Atlus could have given Persona’s sibling series a more market-friendly makeover, the company has instead given us a game that’s as weird, punishing, and mysterious as any previous SMT release that came before. As a longtime fan who wasn’t sure if the team at Atlus still had games like this in them, Shin Megami Tensei V is shockingly satisfying—well, as long as you don’t ask too much of its characters or story.

Call of Duty: Vanguard sometimes strains under the pressure of fulfilling its obligations to the all-consuming Warzone platform that the series has become. Vanguard’s Gunsmith and Operators might dictate the game’s World War II fiction in weird and hilarious ways, but it can still offer the same thrills you’d expect. Still, there’s no denying that Vanguard feels like a watered down entry for the franchise, which is now more motivated by microtransactions than by telling a compelling World War II narrative.

Forza Horizon 5 delivers everything that made the last game enjoyable on a map that’s more fun to drive with a lot more visual diversity. While the changes and additions are largely incremental—especially when it comes to the core game experience—what’s here is good enough to warrant a recommendation for fans of the series or racing enthusiasts who’ve been meaning to try it out.

Metroid Dread is a superb mix of action and exploration that brings Nintendo’s classic series into the modern era in a way that feels like a new beginning even as it positions itself as an end to a 35-year saga. Samus, her abilities, and the challenges she faces have changed and expanded over time, but the excitement and satisfaction her adventures provide continue to this day.

Marvel’s Guardians of the Galaxy may not be able to quite match the humor of James Gunn’s MCU films, but it’s packed with plenty of personality and decently fun (if not groundbreaking) combat. To its great credit, Eidos-Montréal’s story-driven approach always keeps the focus on its ragtag team of heroes, making for a worthwhile and memorable trip to the Cosmic Marvel universe.

Back 4 Blood certainly improves upon the gameplay formula of Turtle Rock’s earlier Left 4 Dead, with a deeper feature set that allows for greater strategy and customization while fending off Hordes of the undead. But the world of the game and its characters lack the charm of its spiritual forebear, and a few curious design choices keep it just shy of greatness.

Hell Let Loose is one of the most unique and fulfilling first-person shooter experiences that a console player can have. Its deep strategy metagame and intricate mechanics can be intimidating to new players, but if you stick with it and give it the time it needs, Hell Let Loose will reward you with emergent and unforgettable moments.

Far Cry 6 barely hangs together on the strength of the gameplay loop it inherits from its predecessors. Beyond the addition of some fun new toys, like the “resolver” weapons and Supremo backpacks, nearly every design change is mystifyingly for the worse, and the mismatch between the gameplay and storytelling ambitions is more conspicuous than ever.

Alan Wake Remastered does what a good remaster should. It honors the original game’s artistic direction while enhancing it with modern technology, specifically in the form of volumetric lighting. Its lack of American Nightmare as part of the package is disappointing to say the least, but fans of Remedy’s current work would do well to take a trip to Bright Falls, whether they’re returning or visiting for the first time.

Bandai Namco promised that “now is the time for change,” and Tales of Arise legitimately feels like a game that’s trying to bring change to Japanese RPGs. It’s strong characters, epic story, engrossing battle system, and lush visuals are only marred by a disappointing final act, and those areas of the game where the team refused to let go of outdated ideas and conventions. If the Tales team can find it in themselves to push things just a little further, then this might truly be the spark that sets off a revolution in a genre that’s needed a regime change for so long now.

Deathloop layers a refined take on Arkane’s signature mix of ability-driven action and stealth onto a time-looping premise, and the result is one of most memorable games of recent years. While many of the pieces may be familiar, the combination is fresh and full of surprises.

Life is Strange: True Colors has a lot of the ingredients that make the series so beloved, most notably in its compelling protagonist. Technical advancements for the series bring its story to life with fantastic performances and a keen eye for detail. Unfortunately, the story it brings to life is full of stutters and stops, and takes far too long to develop. Where Life is Strange games are full of movement, True Colors feels painfully stagnant for too long.

Space Invaders Invincible Collection certainly isn’t the collection it could have been, and definitely isn’t a collection for everyone, but it is still a great look back at the Space Invaders franchise for those interested in such a thing.

No More Heroes III brings back gaming’s favorite passing assassin in a bombastic way, with the kind of inventive, fourth wall-breaking presentation one might expect. It’s flashier, bolder, and even funnier than its predecessors, and the gameplay feels just slightly modernized without sacrificing any of the series’ charm. The pacing might seem a bit halted in some places, and it could have worked best as a capstone to the series, but it’s clear that creator Suda51 and the rest of the designers are just as passionate about the Garden of Madness as ever.

Psychonauts 2 recaptures the humor, heart, and much of the creative magic of the original game, with modern refinements that make it more pleasant to play. While the combat still feels a bit clunky and outdated compared to the rest of the game, fans of the original will no doubt delight in revisiting old friends and making new ones in this charming adventure.

Twelve Minutes fully embraces its time loop conceit to amp up tension and provide players with a cleverly directed puzzle to solve. Discovering the whos and whys of the game’s central event in bite-sized increments is just as satisfying as interacting with its simple adventure-style interface. Its A-list casting and unanswered plot elements might distract from the overall package, but at its core, Twelve Minutes is a satisfying thriller that asks some dark and disturbing moral questions.