Fur Fighters: Viggo on Glass is the full Dreamcast game adapted to the iPad without being locked by in-app purchases, so there is a lot of content to keep you coming back. That is, assuming you can cope with the touch controls.

Super Snack Time is a fun and addicting puzzle game, with a reliance on in-game currency that gets in the way more than it helps the experience.

The struggle to portray a vivid world and a sense of place results in the game failing to make much of an emotive impact. Once the credits rolled, there was very little about the experience that stuck with us.

Once you start an online match everything runs fine, but the initial connection often takes longer to establish than the match takes to play. Connection issues aside, for speedy wordsmiths Writer Rumble is an excellent find while those with slower fingers will want to steer clear for something more turn-based.

The remaster wants to remind you of what it was like to play Oblivion in 2006, but some changes make it lose sight of this and it feels just enough like a different experience to be jarring. At the same time, this version does not commit the other way and retains some of Oblivion's notable flaws – resulting in a game that's caught in the middle and does not quite work either as a remaster or as a remake.

It may not be perfect, but the hardcore gamer should be optimistic about the future.

If you're planning some solo monster slaying and don't know your Cloud from your Squall; your Lightning from your Yuna, then you might want to check out something like Monster Hunter instead. However, if you still blubber like a baby every time someone mentions the name Aeris, then Final Fantasy Explorer's exceptional level of fan service will warm you up like a Chocobo onesie.

Overall the game is fairly easy, with odd spikes in difficulty every few levels as a boss creature is introduced. Bosses typically require you to go back and replay past levels for more experience to upgrade your cats, making the game more reliant on sheer numbers than actual strategy.

The Swindle is a good game on the cusp of greatness, but falters from a structural identity crisis that is hard to ignore.

Players uninterested in collecting all of the stars and going back to earn medals will likely feel that Sleepwalker's Journey is over far too quickly. It is, with levels that are meant to be replayed and mastered rather than offering a lengthy adventure.

Wolfenstein: The New Order is not the most sophisticated of games and it's certainly not perfect, but it wears its silly plot and over-the-top action like a badge of honor, and for that we applaud it.

Deadpool is far from a bad game, yet the developers' over-reliance on the appeal of the source material means it rarely shoots for the stars.

While Lightning Returns is in most ways the opposite of Final Fantasy XIII's overbearing linearity, it ultimately shares the same core recommendation; if you manage to stick with what's a very uneven first half, there's definitely an enjoyable and satisfying role-playing game to be found. It's just a shame it takes so much time to get there.

Ubisoft Montreal has paid close attention to both the Tintin licence and its target market, meaning the game actually just about works. The action is hugely linear and the level design basic, yet the campaign is also engaging to play through, mixing platforming, combat and vehicle sections in a reasonably decent narrative.

Bravely Default's more interesting ideas, particularly the mechanics behind the battle system, breathe some life into a very traditional RPG. However, the game is also let down by its fair share of derivative and less ambitious features. Bravely Default disappointingly wastes a lot of its potential, but Square Enix will get another shot with the already-announced sequel.

LittleBigPlanet Karting succeeds in applying Media Molecule's 'create and share' formula to the racing genre, offering almost the same level of creative freedom as the core platform series. As a racing game in its own right, it struggles to compete with the genre's leaders such as ModNation Racers and Mario Kart, but at least manages to impress on the innovation front.

Each run typically lasts less than a minute, so there is either a lot of waiting around until you can play again, or you'll end up spending more on stamina refills than on a classic Pac-Man arcade machine.

The downside is that online matchmaking routinely pairs inexperienced beginners with veterans.

If you loved Zero Dawn and simply wanted more, warts and all, this is easy to recommend. But if you were looking for something groundbreaking with a lot more polish, then Horizon Forbidden West is really a mixed bag.

Anodyne is a surreal adventure that will not hold your hand and tell you where to go and what to do. It is about exploring and discovering for yourself, and it takes a certain type of player to truly embrace that.

Fist of Awesome is an arcade-style brawler in the vein of classics like Double Dragon.

With controller in hand and one bird left in your arsenal, eliminating that final elusive pig as satisfying as ever. Combined with rich, colourful visuals and bucketload of content, Angry Birds Trilogy is an attractive prospect. Unfortunately, however, poorly implemented Kinect controls and a hefty price tag means that while Angry Birds Trilogy offers the same addictive gameplay experience, players are better suited sticking to the touchscreen originals.

Ultimately, Batman: Arkham Origins is a decent brawler, but is severely lacking in variety as you beat up the same handful of thugs over and over again. If you're looking for a comic book fix, Injustice: Gods Among Us uses the same style of play with a much more robust game to back it up.

The game gives little motivation to step out of your comfort zone to solve puzzles in clever or innovative ways, but becomes far more satisfying when used as an outlet for your imagination rather than strictly adhering to any level's given goals. It's as fun of an experience as you make it, with those yearning to flex their creative muscles getting the most from the virtual sandbox.

The inclusion of playable villains does just enough to prevent a tried and tested formula from turning stagnant, but with Disney Infinity and Nintendo's Amiibo amping up the competition in the toys-to-life category, future Skylanders titles may have to do more to cement the series' position as market leader.

F1 Race Stars is hindered by a lack of courses, while the omission of drifting and lack of customisation ensures that it doesn't have the same longevity and levels of excitement as the likes of its contemporaries.

The dual-stick shooter impresses from both gameplay and visual standpoints, without bringing anything new to the genre.

Assassin's Creed 3: Liberation was a game with a tremendous amount of potential, but it never fully realizes it. At times it borders on brilliant, capturing the essence of the console classics and looking good doing it, yet at others it's a disappointing mix of novelty controls, frame-rate issues and weak storytelling.