If you've got no ties to the themes 4PM is attempting to address, especially considering its short length, you might not find that it resonates as much as it could. However, if you're wanting to have a short and dramatic interactive story, 4PM is a mature and refreshing story.

I'm sure it can and probably will get better over time with polish, but what's here at launch is disappointing. I struggle to picture Slain! ever becoming genuinely good barring major reworks.

The bad news is that this entertaining and occasionally surprising narrative is wrapped around an inadequately polished Hitman knockoff.

It can be fun, but the pacing is annoying and the difficulty will frustrate all but the devoted.

Still, it's not the worst thing on shelves right now, but its $49.99 price tag isn't doing the game any favors, either. Maybe as a deep discount title or even a digital download with some of the game's more frustrating modes stripped out (let me run over zombies for ten bucks!) Blood Drive might have been a more attractive proposition.

It's a collection of repetitive gameplay, bland levels, a horrible story with forgettable characters, and a poor system of checkpoints that forces you to keep replaying sections of the already tedious levels. The overall experience is mind-numbing and frustrating, making it hard to play it for more than 30 minutes at a time without wanting to throw something or burn things.

A lethargic combat experience marred further by grotesque bugs, The Cursed Crusade is a game that truly does feel cursed, like no amount of hard work would put it right.

Senran Kagura Reflexions is really nothing more than a proof of concept. Honey∞Parade Games set out to make a game where you touch Asuka all over until she’s been satisfied and in that respect, it succeeds. Just a damn shame the developer couldn't turn all that touching into something worth playing.

Crude, archaic, sloppy, and unfunny, but I don't want the show to be blamed for any of it -- not because I wish to defend Family Guy, but because by blaming the show, we let this game get away with being the invidious dross it is.

It's definitely not for fans of what survival horror games have become, but fans of old-school, "defense-free" games in the genre or fans of ghostly horror films should give the game a shot.

It is a mediocre title at best and one which revels in that fact. A sticky, filthy little pleasure that I have had quite a bit of enjoyment playing.

There are flashes of brilliance, but much of that is piggybacking off of the foundation its predecessors have already created.

You should only pick up Putty Squad if you're a fan of the original, and have an unhealthy affinity towards platformers. Everyone else need not apply unless the game drops to a rightful price of $10 or less.

There is no reason for this game. It's not fun to play, it's not sexually exciting, it's not ... anything. You're actually an idiot if you can orgasm while playing this. Now let's never speak of it again.

A title that isn't truly good or bad, with aspects that can be fun at times yet which grow boring over the course of its 4 hour lifespan, and ultimately it falls just short of being anything more than decidedly average.

An embarrassment to the series.

It presented me with a story mode that was random and poorly voiced, where I would win every round, no matter what I did. The game's controls weren't very strong, and so I learned what a poor port of a Wii game is like.

Just another ruined idea to throw on the ever-increasing pile. Not even the fact that one of the lines includes the term, "Satan's little piss-pot," could save this.

Credible as it is taken solely on its own, DYING: Reborn VR comes across as a cynically motivated cash grab rather than a genuinely developed standalone product. And in an age where what's considered acceptable for a VR game is changing, that renders the game's prospects dead on arrival.

This motion never works consistently, and the controller itself (which the game says you need to hold, as both movement and firing are done from it) even blocks your hands from the sensor sometimes. This basically means that in the heat of battle, you're putting your hands in front of you back and forth constantly just to see/shoot/move, and go back to view your instruments.

A love of the movies can only get you so far when the experience is this frustrating and hollow. What a letdown.

Quantum Theory is what would happen if Gears of War and Super Mario Bros. had a baby. A mewling, deformed, horrific baby that doctors would try to drown.

Left Alive falls flat on its face at nearly everything it attempts to do. The story and characters aren't that compelling, the piss-poor stealth is thrown out the window thanks to the forced combat, and the combat at its best made me burst out laughing in pure disbelief at how terrible it was. So, at least it has that going for it.

While the game is utterly terrible, it has that B-Movie sentiment to it that does make you laugh at just how horribly bad it is.

You don't get many brawlers these days, but even the biggest fan of the genre should consider it a personal debasement to buy this one.

It took me 10 hours to get to the end of Flashback 2, but I suspect I could have cut that down to 5-6 hours if it wasn’t for bugs frequently forcing me to lose progress. I didn’t enjoy much of it, and I barely paid attention to the plot because it didn’t matter. You can’t focus on the plot when the game is so broken. I cannot in good conscience recommend this. Your time and money is better spent elsewhere.

A nostalgic joke taken too far. Though there are postivies in the presentation, the gameplay is laborious, even draining. Shaq Fu outstays its welcome, despite its meagre run-time, which is far more offensive than its juvenile attempts at "edgy" comedy. Shaq should've known better than to put his name to this, and everyone should've known better than to put money into its creation.

The Flock is a promising idea dressed in the blandest of clothes.