Kimmel makes an awesome Millionaire host, and the celebs are entertaining enough.

A perfectly fine show that you can sit and watch with your family, and you might even laugh once or twice. That’s more than what we can say about most family sitcoms.

Baghdad Central is well-written, -directed and -acted, and the debut episode sets the table for some potentially vigorous drama.

Well-balanced in its voices, clear of narrative and tough as nails — just as it absolutely needs to be.

World On Fire is certainly a character-driven drama, but those characters, and the fine performances that shape them, are more than enough to work through the disjointed first episode and see where their lives go as World War II grows in scope and danger.

The performances are on-point across the board.

In its triumphant fourth season, The Good Fight remains one of the best, and most insane, shows on television.

Killing Eve Season 3 is deeper, darker, and bigger in its scope than ever before.

Home Before Dark is a solid show that features a character inspired by a real-life kid investigative reporter.

Tales From The Loop feels like something that should be hung on a wall, admired and interpreted rather than a show that a viewer can lean in, watch, and get involved in.

We like Iliza and hope that the first episode of The Iliza Sleshinger Sketch Show was just loaded with a lot of duds.

We saw glimmers of a good show in the pilot, thanks to showrunners Alex Herschlag and Jennie Snyder Urman’s insistence on taking time to build the characters instead of going for cheap gags.

It would be funny if it wasn’t utterly terrifying.

Veers dangerously close to becoming cheesy and artificial. But the results of Farak and Dookhan’s actions is so fascinating, that we’re very interested in watching this until the end.

It’s campy and a little cheesy, but in a good way.

With its global backdrop, imaginative designs, and two of the friendliest faces you’ve ever seen reunited on TV, Making the Cut is exactly the show we need right now.

We wish Unorthodox didn’t have the menacing specter of Esty’s estranged husband (more accurately, his family) interfering with her story of discovery, but the story is well-told despite the thriller aspect.

It’s entertaining in a flimsy, forgettable way, giving us everything we’d anticipate expect from a period drama, and not much more.

Once the adventure aspect of the film picks up, it’s a fun ride until the end.

If you’re coming to it for the first time, you’re watching a series that not only has some of the best actors working on sitcoms today, but they’ve been a TV family long enough that the chemistry among the cast is quite apparent.

The first episode of Freud is a bit confusing, but if you put the real Sigmund Freud out of your mind, you should be able to buckle in and enjoy the ride on this psychological thriller.

Standout performances by Spencer, Ejogo and more make Self Made a pleasurable watch. It’s just too bad that the story of Madam C.J. Walker isn’t given time to slow down and breathe.

The Letter for the King will scratch an itch or three for fantasy mavens although The Witcher seems prime to scratch harder.

Altered Carbon: Resleeved won’t knock anyone’s socks off, but it effectively pleases newcomers and hardcores alike.

The movie is about two percent positive, 98 percent terrifying.

If the first season can clear up some of the confusion and expand the world beyond the recruits, we expect things to get very interesting.

The show isn’t interesting enough to get past its glaring flaws.

Little Fires Everywhere has issues, but it’s a very watchable show that should be buoyed by Witherspoon’s and Washington’s performances.