HBO’s six-part I’ll Be Gone in the Dark isn’t merely an examination of one of most devastating and least understood criminals in modern history. It’s a heartfelt deep dive into the extraordinary everyday woman who led to his capture.

Into The Unknown: Making Frozen 2 doesn’t suffer from the usual Disney self-promotional schtick that infiltrates most of the Disney+ BTS docuseries we’ve seen, it’s still a very informative series that shows that even the best animated features run into issues and problems that need to be overcome.

If you liked Season 2 of Search Party then Season 3 is more of the same. If you were shocked by the show’s dark turn at the end of the first season, though, don’t expect the show to go back to that season’s tone.

Crazy Delicious is your new cooking show obsession.

It made me laugh. And that kind of involuntary giggle that you can’t help, it’s just your body’s way of reacting, not a polite, calculated chuckle at any point. It’s not light, easy viewing by any means, but this chaotic special is a respite from the other kind of chaos that is 2020 and anything that provides a laugh these days is worth watching.

Matthew Rhys’ powerful performance is the main reason to watch this reboot of Perry Mason, but the mystery is intriguing enough to justify watching all of the show’s fine performances.

Taste The Nation With Padma Lakshmi won’t make anyone forget about Bourdain and his various shows, but it’s well-shot, Lakshmi is a warm and knowledgeable host, and the food she discovers is both comforting and surprising.

It’s not supposed to be a program that looks expertly crafted, or even consistent in terms of the quality of comedy. But we were surprised at how much we enjoyed most of the videos shown, and we were shocked at how much we actually laughed.

Syfy Wire’s The Great Debate is one of those shows that’s funny, moves quickly, and helps give you something light to watch in between all the heavy stuff that’s going on these days. And any place that mentions Bad Dudes and Burgertime (thanks, Brian Posehn, for the second item) is aces in our book.

Even Chappelle admits near the end: “This is not funny at all.” But it needed to be said. And this could only be said by Chappelle.

Legendary feels completely immersive. Everywhere you look, it’s a ball. And when Legendary gets into the competition gig, it slays. The performances in the first episode are, well, legendary. ... The show’s called Legendary for a reason.

The challenges themselves are all standard-grade challenges, some more sophisticated than others, and Khare is a fine host. ... Karma’s contestants are a group of diverse, intelligent, and kind kids who will quickly realize that the kinder they are to each other, the farther they’ll go.

Skip it, unless you have a serious itch for some foliage-porn.

This show is equally as fun as its bright young cast, and it depicts enough of a twist on the classic coming out story that you’ll want to watch more.

The first couple of seasons of [Last Comic Standing] packed its contestants into a house to live together, and everything that happened in the house was far funnier than the contrived comedy competitions with live studio audiences. LOL: Australia does just that, and it’ll make you LOL IRL.

Every character is operating on a different level of vulgarity. ... Skip it, unless you’re in 8th grade and somehow haven’t already heard these jokes before.

If you’re as fascinated with Wood’s life and career as we are, Natalie Wood: What Remains Behind will be a font of information you may not have already known about. But it certainly isn’t a place to get the definitive account of her death, because even those most intimately involved with her have no idea what happened.

Watching Jerry Before Seinfeld may feel more comforting in this moment than watching 23 Hours To Kill. But whether you think he’s great or he sucks, well, you’re not far off from the truth, either way.

Stream it, but only for Ormond’s fine performance and vulnerability. The rest of Gold Digger has yet to show us that it’s going to be anything more than Dirty John for Brits.

It helps that Favreau is heavily involved in this series, because it was his initial vision that brought this series to fruition, and his acting chops help him move the interviews along with a funny line or keen observation. The first episode is also helped by the fact that the season’s directors are such a dynamic bunch.

We’d love to see Lanigan search for props from films that aren’t in the vast Disney library, but Prop Culture is on Disney+, so we have to live with the show we get. And his enthusiasm and knowledge of these props shows through in every scene of the first episode.

Daniels has succeeded to make the afterlife look like hell in Upload, even if it’s a hell with colorful foliage. And that’s just the kind of show we want to see right about now. But we also know he knows how to build a funny ensemble we’ll care about, and he’s on the way to doing that after the first episode.

The story is fairly coherent from beginning to end, even if you make some choices that mean you don’t get to the “winning” solution. But as with the series it came from, we just wish some of the jokes whizzing by our heads were a wee bit funnier instead of just thrown out there to see what lands.

As with most docuseries of this type, your enjoyment of Trial By Media will vary from episode to episode, but will also vary with how much you know and remember about a particular episode’s case. But what Toobin and Brill are trying to accomplish is noble.

I Know This Much Is True is an emotionally harrowing tale, but Ruffalo’s performance is so remarkable that you’ll find hope in the relationship between the Birdsey brothers.

Too much of this hour, though, covers territory any comedian, Asian-American or otherwise, could crack wise about. ... Yang is no Thomas Middleditch or Kumail Nanjiani or even T.J. Miller.

Yes, Bad Mothers feels like a bit of a rehash of the first season of Desperate Housewives, including a murder mystery. But the sharp dialogue and excellent cast make the show a fun watch, despite the fact that it doesn’t quite feel fresh.

Solar Opposites is weird enough in its own unique way to separate it from all the other animated comedies out there, and its anarchic vibe might be just the ridiculous distraction you’re looking for right now.