Those of you out there who relish the escapism of sleazy junk like this may appreciate it for its too-hot-for-network-TV moments, and possibly for its scintillating iguana content.

Home is beautifully-shot and tells stories that go beyond just “look at this beautiful and unusual house!” While the episodes can drag at times, it’s still an enjoyable diversion.

It may seem like black-ish with f-bombs, but #blackAF is still a funny, meta introduction to what Barris will be able to do with the creative freedoms Netflix brings.

After you watch it, you’ll be more aware of just what can go wrong, even when people’s lives are on the line.

D’Elia’s charm and charisma work better when he can play off of his friends and colleagues.

This new season is exactly what you want from What We Do in the Shadows, but even better.

If you’re a fan of the usual Bachelor drama, then Listen To Your Heart should satisfy that craving.

Between its crazy adventures and endless bathing suit scenes lies one of the most fun teen dramas that has premiered in months.

There’s great potential for a fun road-trip comedy here.

It’s not as good as Downton Abbey, but Belgravia still holds a viewer’s interest.

It’s still The Circle, and the social distancing aspect of the series is more relatable than ever. But we were disappointed that the French version has a group of (mostly) generic, interchangeable contestants.

Brews Brothers is funny and is easy going down, like a smooth pilsner. But we’d rather it be a little deeper, like a good ale.

The chilling tale of how we started fighting the same battles we’re still struggling with in 2020.

Kimmel makes an awesome Millionaire host, and the celebs are entertaining enough.

A perfectly fine show that you can sit and watch with your family, and you might even laugh once or twice. That’s more than what we can say about most family sitcoms.

Baghdad Central is well-written, -directed and -acted, and the debut episode sets the table for some potentially vigorous drama.

Well-balanced in its voices, clear of narrative and tough as nails — just as it absolutely needs to be.

World On Fire is certainly a character-driven drama, but those characters, and the fine performances that shape them, are more than enough to work through the disjointed first episode and see where their lives go as World War II grows in scope and danger.

The performances are on-point across the board.

In its triumphant fourth season, The Good Fight remains one of the best, and most insane, shows on television.

Killing Eve Season 3 is deeper, darker, and bigger in its scope than ever before.

Home Before Dark is a solid show that features a character inspired by a real-life kid investigative reporter.

Tales From The Loop feels like something that should be hung on a wall, admired and interpreted rather than a show that a viewer can lean in, watch, and get involved in.

We like Iliza and hope that the first episode of The Iliza Sleshinger Sketch Show was just loaded with a lot of duds.

We saw glimmers of a good show in the pilot, thanks to showrunners Alex Herschlag and Jennie Snyder Urman’s insistence on taking time to build the characters instead of going for cheap gags.

It would be funny if it wasn’t utterly terrifying.

Veers dangerously close to becoming cheesy and artificial. But the results of Farak and Dookhan’s actions is so fascinating, that we’re very interested in watching this until the end.

It’s campy and a little cheesy, but in a good way.