It’s entertaining in a flimsy, forgettable way, giving us everything we’d anticipate expect from a period drama, and not much more.

Once the adventure aspect of the film picks up, it’s a fun ride until the end.

If you’re coming to it for the first time, you’re watching a series that not only has some of the best actors working on sitcoms today, but they’ve been a TV family long enough that the chemistry among the cast is quite apparent.

The first episode of Freud is a bit confusing, but if you put the real Sigmund Freud out of your mind, you should be able to buckle in and enjoy the ride on this psychological thriller.

Standout performances by Spencer, Ejogo and more make Self Made a pleasurable watch. It’s just too bad that the story of Madam C.J. Walker isn’t given time to slow down and breathe.

The Letter for the King will scratch an itch or three for fantasy mavens although The Witcher seems prime to scratch harder.

Altered Carbon: Resleeved won’t knock anyone’s socks off, but it effectively pleases newcomers and hardcores alike.

The movie is about two percent positive, 98 percent terrifying.

If the first season can clear up some of the confusion and expand the world beyond the recruits, we expect things to get very interesting.

The show isn’t interesting enough to get past its glaring flaws.

Little Fires Everywhere has issues, but it’s a very watchable show that should be buoyed by Witherspoon’s and Washington’s performances.

The Pale Horse looks great, and has fine performances. But Sewell’s slimy protagonist is the lynchpin that makes this one of Amazon’s better Christie adaptations.

Beastars compellingly tangles some of the mundanities of human high school life (Oh no! Drama in drama club!) with some weird world-building within an anthropomorphic reality.

Twenties is definitely light on character development, but Gibbs shines as Hattie and the perspective the show presents is unique.

The Plot Against America is a bleak watch, but full of spectacular performances and masterful craftsmanship.

A fun addition to an already fun series.

The Most Dangerous Animal Of All is intriguing enough to spend three-and-a-half hours on, but you may find yourself wondering why this story couldn’t have been told in half the time.

If you’re in the mood for a show that prioritizes realistic humor and heart over static connect-the-dots storytelling, you’ll enjoy the subtle charms and overwhelming sincerity of Feel Good.

ZeroZeroZero is surprisingly engaging given just how many locales and characters the viewer needs to keep track of.

This is Maron at his best. He’s calm, cool, collected, a comedic leader for this crazy time in our lives.

We’re not looking for edge with Amazing Stories, but in 2020 even family-oriented shows should have more complex and less Hallmark-Channel-worthy stories than what we saw from the first episode.

Miracle Workers: Dark Ages may not have that satisfying story arc that the show’s first season has, but Viswanathan is a great lead and the characters are well-established by the end of the first episode.

This performance is so raw, director Jason Orley leaves in not just the parts Davidson says he’d cut from the special, but also the aside the comic makes to him from onstage about a joke he wants left in, too.

We’re hoping that some of the quirkiness of Dispatches From Elsewhere meshes better with story as the series goes along, but the ensemble’s initial chemistry compels us to keep watching.

Hillary gives viewers the chance to go beyond soundbites and stereotypes, if they dare.

Dave starts slow but does a good job of introducing (or re-introducing) us to Lil Dicky, and how he became a hip hop star by just being Dave.

Breeders’ stark reality of what it’s like to parent young kids these days hits us right in our exhausted funny bones.

Restaurants On The Edge won’t show you anything about running a successful restaurant, but at least it’ll be easy on the eyes.