Heist is a change of pace from the usual Netflix true crime docuseries, which by itself warrants a recommendation. Whether you think that these heists and the people who pulled them off deserve such an upbeat spotlight is up to you, but the series itself is visually interesting and well-executed.

More often than not, that structure comes off stiff and clunky rather than genuine and flowing. ... That’s not to say that the dialogue from Gaby Chiappe, who adapted Cecil Day-Lewis’ novel (though seems to change quite a bit, including Frances’ gender) isn’t sharp. It’s what we enjoyed about the first episode the most, including Jumbo’s and Howle’s performances (Harris doesn’t appear until Episode 2). But we just wish Frances’ way to George didn’t look so damned easy.

It’s plenty strange and generates big laughs as well as tiny snorts of funniness along the way.

Even though the repetitiveness of some of the stock footage — closeups of recorders, Farrow looking at papers behind a microphone but not talking into it — might get old, the story is structured in a way that brings viewers in immediately, giving them information on it that they may not have known if they didn’t read Farrow’s book or listened to his podcast.

The White Lotus should be an interesting six-hour look at how privileged people mess things up with that privilege. It’s a fine marriage of smart writing and a fantastic cast.

The good news is Ted Lasso is still the best comedy on TV. In the six episodes sent to critics, the show’s iconic blend of heart and humor were still omnipresent in every scene. However Ted Lasso Season 2 does make some bold swings straight out the gate. ... And some of those swings? Well — to borrow a baseball metaphor — are more bunts than hits. But through it all, Ted Lasso remains Ted Lasso, a virtuoso work of art that puts humanity first in its storytelling.

Tim Robinson’s new series of psychotic vignettes are just as funny (if not more so, on occasion) as his first season, and that’s largely thanks to some genuinely unhinged writing and an amazing group of guest stars.

Schmigadoon! is silly, sweet, sharp, and most of all, sensational. It’s just the latest in a string of Apple TV+ comedies to balance wit and heart.

If the new Gossip Girl can loosen its grip enough to let its Upper East Siders become the actual bullies they not-so-secretly are, there’s a chance it may capture something great once again. If not, Gossip Girl may need to sign off, for good.

The songs and videos of We The People are entertaining, but they also do a good job of connecting with their intended audience and making the concepts that are sung about stick in young brains.

Because of the twist at the end of the first episode and the series’ relative brevity, watching Sophie: A Murder In West Cork should be worth your time.

The Choe Show is full of artsy weirdness, but the interviews are genuine, as are the responses David Choe gets from the friends he talks to.

The Mysterious Benedict Society is smart without being overly precious, but is just weird enough to keep kids’ attention. It helps that the writing and acting help keep things from flying off into Tweeland.

Sex/Life is a show that has no idea what kind of message it wants to send, besides maybe the fact that it would be awfully nice if people could boink like rabbits while having a busy family life.

If you’re looking to see some catharsis from the victims of The Golden State Killer, then this special episode of I’ll Be Gone In The Dark will be satisfying. But if you’re looking for additional information about the case, you’ll likely be left disappointed.

There’s nostalgia and memories of prom to be channeled for anyone of a certain age, of course. But this lead ep of This is Pop and what’s to follow are also offering fresh takes on a pretty wide subject.

Capital One College Bowl is well-paced with questions that aren’t super hard, but not super easy either. Here’s hoping that Peyton Manning loosens up a bit as the tournament goes along, and that he doesn’t need to force throwing things to Cooper in order to get some laughs.

Us manages to be funny and heartfelt despite documenting what looks to be the end of a long marriage. Even if the story isn’t for you, though, you may just watch so you can start planning your next big vacation.

Kevin Can F**k Himself quickly moves past its high concept to show the picture of a woman in crisis, and we’re excited to see how she tries to improve things through the first season.

It’s through Byrne’s cutting insults and screams buried under her pained smile that Physical truly finds its voice. ... Shelia and her near-constant self-flagellation become Physical’s driving force. It’s a positioning that’s pointedly brilliant.

STREAM IT If you grew up watching iCarly and are happy to see most of the old gang again. SKIP IT if you’re expecting the grown-up Carly and her friends to give you a more grown-up sitcom.

With the requisite beautiful photography and a funny but warm narration from Oswalt, Penguin Town is definitely something you can either binge or dip in and out of, especially if you’ve bought into the penguins as something akin to sitcom characters.

Dave is nothing if not a show for a very specific taste. It’s too smart to be labeled sophomoric, and while it’s packed with really great acting and a lot of heart, it’s also entirely common and accurate to use the word “weird” to describe it. But, like Dave himself, that’s part of its charm.

Just as rambling, hyper-specific, and brilliantly dumb as this series always has been. ... If you love the show for its weirdo characters, Mr. Nimbus will leave you quoting and thrusting to his every line. If sci-fi insanity is more your speed, there’s a time-altering B-plot that is so perfectly Rick and Morty you’ll be shocked the show hasn’t done it before.

The Republic of Sarah has its charms, but the premise is unsustainable and it’s larded down with too much “CW stuff” to give that premise a chance to make itself sustainable.

While there are a ton of head-scratching aspects of Blindspotting, there’s more than enough to recommend, especially the performances of Cephas Jones and Barron.

Ultimately, Starstruck is a romantic comedy that understands, respects, appreciates, and celebrates the genre, all while still carving out its own unique place in the category.

Loki is a surrealist, kafkaesque mashup of True Detective and The Office—and it is a sight to behold. ... The show should not work, but it does. Loki (the series) was burdened with glorious purpose from the start and, unlike Loki (the character), you can consider that purpose fulfilled.