Season 2 of Modern Love is better than the first because Carney has decided to concentrate on more intimate stories, and not try to lean on huge names to get people’s attention.

Unlike his treatise on 9/11 and the War On Terror, Knappenberger has done a good job of contextualizing just how the nuclear arms race got started. The first episode of this docuseries is almost 80 minutes long, but it’s riveting because it doesn’t just recite the history you might have learned in class or while watching countless History Channel docuseries on World War II.

The magic of Pegg and Frost is alive and well, and Truth Seekers strikes the perfect balance of heart, horror, and humanity. This one is more than worth your time.

While adding boys into the mix takes away some of the singular magic of the first season, The Wilds remains an extremely entertaining and beautifully performed series.

There is some goofiness to the show, especially Wrecker’s desire to “blow stuff up,” but The Bad Batch feels like a worthy spinoff to the very popular Clone Wars series.

We love hearing American traditions mocked from outsiders. It’s worked wonders for the careers of John Oliver, Trevor Noah and Ronny Chieng in recent years. Jay pulls it off in this hour by spending the first half of it offering her fresh perspective to heteronormative relationships, making it personal through her eyes as a “junior man” kind of lesbian.

The biggest surprise here? How entertaining this dumbass franchise is in 2023.

While Agents of Chaos may not come to any concrete conclusions about Russian interference in the 2016 election, it makes a pretty damning case that the Russians definitely had some influence, and that US intelligence officials were slow on the uptake in fighting it.

McConaughey’s smooth Southern drawl is the perfect fit for Presley, the animation is fluid and attractive, and the laughs come at you quickly. It’s a raucous good time, and deserves a good, old-fashioned try – even by suspicious minds.

The Woman In The House Across The Street From The Girl In The Window is a smart parody of a very parody-ripe genre, but it also works well because Kristen Bell plays the main role with the right degree of seriousness.

Plot lines don’t veer too far into WTF territory without a payoff. Through vulnerability and introspection, Platonic strikes a nice balance between lighthearted and serious storylines.

Lupin continues to be a very satisfying watch because of Omar Sy’s performance and the well-written and executed heist scenes.

Despite the self-indulgent aspects of The Last Movie Stars, Ethan Hawke has created a fascinating docuseries about one of the biggest Hollywood power couples ever, as well as the issues that defined their marriage.

The second season of Percy Jackson And The Olympians starts off with a raucous episode and promises to send its heroes on a new quest immediately, which is exactly what an adventure series where we already know everyone should do.

Gaffigan is a proven comedy commodity who gives just about anyone a good reason to check out Hulu if they’re not already regularly on that platform.

The show has maintained its likeability and goofy comedic tone after four seasons, and it’s impressive just how many levels it manages to operate on.

In Season 4, while Raq’s relationship with Kanan contains both promise and peril, Kanan’s exploration of where he personally fits into his larger family history broadens the scope of what we’re learning about the character.

Where the series shines is in the little details, especially when it discussed the lives of the other six crew members who died along with McAuliffe.

The show is and always has been an incredibly well-acted soap, buoyed by Badgley’s excellent lead performance, and its continued commitment to taking things to crazier places than it ever has makes it more than worth your while.

The Boyfriend is a fascinating watch, but not just because it’s a social experiment in same-sex relationships from a company that doesn’t tend to do shows about them. But it’s also a good example of a dating show that can be genuine about how relationships form and are maintained.

Star Wars: Skeleton Crew is beautifully-made and sweetly innocent, making it a radically rebellious take on a franchise that sometimes seems lost in its own lore.

While there’s a lot going on in the second season of My Life With The Walter Boys, we’re still on board with the Jackie-Alex-Cole triangle, and are now intrigued by some of the side stories, as well.

While the last few seasons of Curb Your Enthusiasm can’t match the consistency of its earlier ones, there are always funny moments when Larry complains about something and/or he gets his comeuppance for his grouchiness. In the first episode of Season 11, there’s both, plus a promising new season-long arc. That’s more than enough for us.

Yellowjackets does a good job at tackling three genres at once. It’s a thriller, a coming of age story and a survival story, and all of it is presented in a way that makes us want to see more.

Run The World proves that a TV formula can be repeated if the characters and actors are appealing and the writing starts to create worlds around them that are start to stand out on their own. After the first episode, the show is on its way to doing just that.

I just can’t stop loving And Just Like That… and I also could not stop binging the first six episodes that were sent to critics recently. It might not be good TV, but I firmly believe it is top tier entertainment.

Call Her Alex is fan service for Call Her Daddy listeners for sure, but there’s no denying that Alex Cooper is a woman who earned success on her own terms, and her story will absolutely appeal even to non-fans.

As soapy as Roadkill is, it has a great cast going for it, led by the always watchable Hugh Laurie. In fact, Laurie is the entire reason to watch this pulpy miniseries, just to see if his character can outrun everyone trying to bring him down.