Two engaging leads and a witty script make Cherish The Day a show that immediately draws you in.

Take your average police-involved murder mystery and amplify it with creepy goings-on of both the real and imagined variety, questions of deja vu and busted memory, spooky kids, and some terrific performances from Jessica Raine and Peter Capaldi, and you’ve got The Devil’s Hour.

The Change is a funny show with a simple premise, which works mostly because of Bridget Christie’s winning performance.

The Long Song hinges on the relationship between July and Caroline, and both Lawrence and Atwell’s performances meet this challenge. Atwell is terrific as the benign but awful Caroline, and Lawrence matches her as the whip-smart July.

Because of the shooting style, each promises to have the same intensity as the first episode, and we’re looking forward to seeing just how the case — which at first blush, looks like it’s a pretty strong one against Jamie — tests everyone involved, and their perceptions of just who is capable of horrific acts like Katie’s murder.

In season two, he’s got backup in the form of some also lethal old friends, as well as another personal score to settle. This series understands what it does best, and honors its source material by casting the correct version of its main character.

Unafraid to expose kids to emotions and situations that used to be reserved for grown-up sitcoms in the ’70s and ’80s. Are there lessons to be learned in these episodes? Not really. ...Tig N’ Seek is cute and is smart enough to not drive you crazy when you’re watching it with your kids. That can be said about a lot of Cartoon Network shows, of course, which is why a lot of them are cult hits with adults. This could be one of those.

Save Our Squad with David Beckham is a sports-movie-worthy underdog story, charming and inspiring and a reminder of the childlike joy of sports.

Mulaney’s magic act remains using turns of phrase as his sleight of hand. He’s just now a much creepier magician. ... We get two-thirds of the story from Mulaney, but he’s still holding back on us. Whether he’s doing that for his benefit or for ours, we may never know. But he’s still a gifted and often hilarious storyteller. No matter what story he’s selling us.

Goosebumps: The Vanishing has an interesting, scary mystery at its center, as well as good performances from Schwimmer, McCarthy and Bartels.

There are a lot of elements that make Welcome To Wrexham a fascinating watch, namely how two Hollywood superstars are going to come into a small Welsh town and try to turn around its football team without making like they’re saviors.

Harlem may feel like a show that you’ve seen before, but the four stars are more than charming enough, and the writing is clever enough, to make the show stand on its own.

The show is off to a great start. ... Tudyk’s performance makes Resident Alien work, but there’s a quirky-enough world around Alien Harry that the show should be more than a one-note joke.

The Black Church: This Is Our Story, This Is Our Song is a well-paced, well-researched look into how impactful religion in the Black community has been, stretching back to the earliest days of our country’s history.

ABC’s new sitcom, Shifting Gears, is pretty damn good.

Rap Sh!t suffers a bit from some broad gags and the phone-centric gimmickry we cited earlier, but at its heart is a story of two friends taking on the patriarchal world of hip hop, and that story is one we’re eager to watch.

The Midnight Club continues Mike Flanagan’s ability to creep and scare the pants off viewers while building stories with great characters. The varied tones of the club’s stories should bring an interesting wrinkle to Flanagan’s usual dark and tense style.

STREAM IT but not because you love fashion or competition shows, simply because it works best as a half-hour comedy: funny, full of characters, and a very easy way to wind down after A DAY.

Animal Control‘s first couple of episodes elicited some big laughs and has already established an ensemble with some good chemistry. There’s nowhere to go here but up.

Sunny presents an interesting near-future scenario where a woman questions everything she knew about her marriage and life. The mystery she investigates may end up being mundane, but the performances of Jones and Sotomura — and the relatively brief episode run times — make it a fun ride to go on.

Munno’s schtick may be a bit over the top, but the enthusiasm she brings to Italian food and cooking makes The Pasta Queen a fun show to watch.

Netflix’s rapidly diversifying lineup of reality shows has another binge-worthy entry.

McGregor’s performance is key to the success of A Gentleman In Moscow, a series which has its dark moments, but is a whole lot more hopeful than it seems on the surface.

Cinematic, emotional, and actionably nostalgic, the third season of Star Trek: Picard feels like the truest representation of what returning Patrick Stewart and the TNG era was supposed to be for.

Fraggle Rock: Back To The Rock has all the charm that made the original series so popular, and it’s made in a way that it’s completely easy to make a new generation of fans get into the show immediately.

Rennervations is a touch frantic and a little unhinged, but that just seems to be a reflection of its star’s personality. We love seeing the conversions and the organizations that will get these really fun new vehicles.

Emily in Paris isn’t going to make your Top 10 Best Shows of 2025 list. But it’s still a high-quality comfort watch with good vibes and a charming cast that can give you a much-needed rest from reality.

Citizen Nation is the antidote to every show you’ve seen about teens lately. These teens don’t care about internet fame; they care about restoring dialogue to the discourse in this country, and it’ll be fun to see them all getting ready for and competing in We The People.