It’s not as good as Downton Abbey, but Belgravia still holds a viewer’s interest.

We’re hyped to see how our heroes will confront the latest Vought threat. Confidence in themselves and their powers is growing.

Just like the podcast that spawned it, your enjoyment of a particular episode of Song Exploder depends on how much you like the song being exploded. ... Here’s a sign of how much we liked Song Exploder: We just subscribed to the podcast and the Spotify playlist.

Whether you were a fan or not, Reality Check: Inside America’s Next Top Model is a fascinating and thorough look at one of the biggest reality franchises ever—warts and all.

Strange Planet has the potential to be one of the most human animated series we’ve seen this year, despite the fact that none of the characters are actually human.

The dynamics of Deli Boys have changed as DarCo’s business has grown, but there are still enough funny moments to make the second season fun to watch.

With a few small exceptions, Emily in Paris Season 2 is basically just more of the same, and who could ask for anything more? ... Emily in Paris remains an undeniably watchable delight, short on substance but long on satisfaction.

The Cuphead Show! has created something more than the sum of its parts. It continues Netflix’s trend of superb video game adaptations by creating an animated world so intricate and alive that it will make any animation fan swoon while remaining fun and relatable for any age. Just put on an episode and try not to smile.

Even though Beartown takes its first episode to set things up, it does a lot of showing instead of giving a lot of exposition. That’s a good sign that the series will make for a well-paced drama.

Sometimes it’s nice to just let a show cook, and The Witcher continues to make weird meals with its oodles of diabolical double crosses and inevitable “there’s a spell for that” moments that bang the story off in another new direction. (Seriously, there are portals everywhere.) There’s a bit of uncertainty creeping in, given the backstage drama of Cavill’s departure. But everybody else in this series is fully invested and really, really good.

Part of the show consists of spectacular photography, of course, and as in-depth an exploration of the people and culture where the Woodruffs visit that can be done in a 39-minute show. But the key to this series will be the changing relationship between Bob and his son. ... That bond, and the resetting of their relationship where they each see the other more as peers, will be the key to setting the 6-episode first season apart from similar series.

If you’ve stuck with Emily in Paris for three seasons, you’re getting more of what you love (or love to hate watch) in Season 4, Part 1. And crucially, it will take you back to Paris and help fill the Olympics void in your heart.

Even if you’ve never seen a single episode of Disenchantment, now’s a great time to start.

The Tex Avery-style sight gags on Cat Burglar can get tiring because they’re doled out at hyper speed. But Rowdy’s deaths, and even the vignettes where he succeeds, make up for that.

While Kwabena isn’t in a dead-end job anymore, Dreaming Whilst Black shows how much of a struggle it will be to get his voice heard in the entertainment industry, which may even be more insular than the outside world.

Two engaging leads and a witty script make Cherish The Day a show that immediately draws you in.

Rafa is hardly the first documentary following the final days of an athlete’s career, but it’s one of the only ones that feels brave enough to show the depth of sacrifice made for glory.

Take your average police-involved murder mystery and amplify it with creepy goings-on of both the real and imagined variety, questions of deja vu and busted memory, spooky kids, and some terrific performances from Jessica Raine and Peter Capaldi, and you’ve got The Devil’s Hour.

The Change is a funny show with a simple premise, which works mostly because of Bridget Christie’s winning performance.

The Long Song hinges on the relationship between July and Caroline, and both Lawrence and Atwell’s performances meet this challenge. Atwell is terrific as the benign but awful Caroline, and Lawrence matches her as the whip-smart July.

Because of the shooting style, each promises to have the same intensity as the first episode, and we’re looking forward to seeing just how the case — which at first blush, looks like it’s a pretty strong one against Jamie — tests everyone involved, and their perceptions of just who is capable of horrific acts like Katie’s murder.

In season two, he’s got backup in the form of some also lethal old friends, as well as another personal score to settle. This series understands what it does best, and honors its source material by casting the correct version of its main character.

Unafraid to expose kids to emotions and situations that used to be reserved for grown-up sitcoms in the ’70s and ’80s. Are there lessons to be learned in these episodes? Not really. ...Tig N’ Seek is cute and is smart enough to not drive you crazy when you’re watching it with your kids. That can be said about a lot of Cartoon Network shows, of course, which is why a lot of them are cult hits with adults. This could be one of those.

Save Our Squad with David Beckham is a sports-movie-worthy underdog story, charming and inspiring and a reminder of the childlike joy of sports.

Mulaney’s magic act remains using turns of phrase as his sleight of hand. He’s just now a much creepier magician. ... We get two-thirds of the story from Mulaney, but he’s still holding back on us. Whether he’s doing that for his benefit or for ours, we may never know. But he’s still a gifted and often hilarious storyteller. No matter what story he’s selling us.

Goosebumps: The Vanishing has an interesting, scary mystery at its center, as well as good performances from Schwimmer, McCarthy and Bartels.

There are a lot of elements that make Welcome To Wrexham a fascinating watch, namely how two Hollywood superstars are going to come into a small Welsh town and try to turn around its football team without making like they’re saviors.

Harlem may feel like a show that you’ve seen before, but the four stars are more than charming enough, and the writing is clever enough, to make the show stand on its own.