Extraordinary continues to mine humor from well-written characters and a finely-tuned ensemble, using its superhero conceit only occasionally.

Based on this episode alone, there’s definitely no shortage of shocking reveals, big laughs, and moving moments to come in Upload: Season 4, so it feels safe to say that if you’ve invested in this show thus far, you absolutely will want to see how it all ends.

The Recruit is a mostly silly show, but Centineo has more than enough charm to carry viewers through the more absurd parts of the season’s ongoing plot, and there are enough veteran actors in the supporting cast to make us think the comedy-thriller tone of the first episode will be able to be sustained for the entire season.

A worthy and interesting follow-up. Vox Machina, as powerful as each of its members are, can’t tackle everything on its own. And while it might seem like a somewhat lazy premise to saddle the Vox Machina with fetch quests, there’s nothing quick or simple about finding the Vestiges.

The Penguin is compelling because of the very different but equally riveting performances of Ferrell and Milioti.

It goes without saying that Evan Rachel Wood’s story is a tough one, and the fact that she’s decided to put it all out there in Phoenix Rising makes the docuseries all the more worth watching.

Mystery Road: Origin continues to give viewers compelling mysteries combined with Jay Swan’s determination to make his work speak for itself despite the racism that he faces on a daily basis.

How To With John Wilson is a show that’s perfect for streaming when you’re in the mood for something with a little weirdness, a little optimism, and a lot of funny.

It’s Ortega’s star power alone that helps drive this series from the very beginning into something that could have been mediocre into a totally watchable and exciting twist on a familiar franchise. ... While this adaptation makes some strange decisions, it ends up working in a weird way, which will interest both old and new viewers.

Over 20 years later, this series does a good job of stripping away the excess and offering the essentials of the case and the evidence against Scott. Most of all though, the series provides the narrative that, despite his best attempts to seem like a man in mourning, Scott Peterson knew what he was doing all along and was pretty bad at concealing it.

In the grand television tapestry of manipulative teen girls, Pretty Little Liars: Original Sin isn’t revolutionary. But it is fun. Original Sin reworks the central themes and mysteries of the first series just enough to turn this tried-and-true premise into an all-out horror romp. No lie.

Human brings the science behind the study of the history of homo sapiens down to, well, a human level, thanks to the enthusiastic storytelling of Ella Al-Shamahi.

The Charles and Diana soap opera shines in part because of its built-in cache, but mostly because Josh O’Connor and Emma Corrin are the season’s standouts. ... Less impressive is Gillian Anderson’s Margaret Thatcher. ... But it’s a credit to showrunner Peter Morgan and Emma Corrin herself that Princess Di doesn’t takeover the entire show. There are still standalone episodes devoted to peculiar moments for the monarchy.

We have to give credit to Matt Lopez for making Promised Land an enjoyable, soapy show that doesn’t insult the intelligence of its viewers. Its messaging is tightly weaved into its multigenerational plot, and the direction and acting are refreshingly nuanced.

Animal Control has a strong ensemble, and characters that are inherently funny without the need to spew gags. That is very evident in the second season, even after you get past the very funny view of drunken raccoons.

Fifteen years after we last saw the Hills, King Of The Hill basically picks up where it left off by doing what it does best: Telling funny and warm stories about the Hills and the people in Arlen.

Even though we know that Red Eye is going to have some ridiculous plot turns, with Nolan and Li doing things that make them look like superheroes instead of regular Brits, the performances of the four main characters have us excited to see where this story goes next.

The Other Two is so dense with jokes, even if not every single one hits, it’s consistently, reliably funny. Between the industry humor, the gifted physical comedy, and the characters who are ever-evolving, the show is still reliably sharp, dark, and full of surprises.

Nothing in Ahsoka matches the level of technical proficiency we got to lap up in Andor. Nevertheless, it is a must-watch for true Star Wars stans. It’s not just that Dave Filoni has finally brought his most beloved animated characters to life; he is potentially rewriting the rules of the Star Wars universe with them.

Surviving Black Hawk Down is an engaging docuseries because it goes over the Battle of Mogadishu in an amount of detail that most people have never been exposed to before. .... While we generally rail against reenactments, the ones in this series are very well-done, so no complaint from us.

Shows like How To Die Alone completely depend on the charm of the star and the cast. And Natasha Rothwell is definitely charming. But she has also built a cast around her that we want to see more of.

Season 2 of Why Women Kill surpasses the first season by concentrating on one story and one set of interconnected characters, boosted by an excellent cast.

There’s a ton of stuff going on in the first episode of Power Book II: Ghost. But Power garnered big audiences because, despite being a bit soapy and unbelievable at times, it carried lots of fine performances and more than enough quality writing to overcome its flaws. That trend continues with the first sequel.

Killing Eve Season 3 is deeper, darker, and bigger in its scope than ever before.

Mr. Corman has the potential to become something truly great and powerful, a modern-day mirror to the glorifying of perceived trauma that has come to define so many narratives. You just have to give it space to get there.

Mr. McMahon isn’t the whole story, and it’s not reasonable to expect it to be given the financial conflict of interest between Netflix and WWE. It’s still a fascinating story, though, and there’s a lot to be taken from Mr. McMahon, even if you take it with a grain of salt on the side. (Or perhaps in the eyes.)

With some funny moments, well-researched information, and an entertainingly fast pace, The G Word With Adam Conover entertainingly tells people about how various government agencies help Americans, but isn’t afraid to call them out if they work against our interests.