Because the series is so one-sided and speculative, The Man With 1000 Kids has to be seen with a bit of jaundiced eye. But that doesn’t keep us from being fascinated at the results of what happens when one man feels the need to donate his sperm everywhere he can.

The House is certainly off-putting and weird at times, but the animation is great and the stories moved along just quickly enough to keep us interested.

Stranger Thing Season 5 Part 1— streaming now — is full of gaudy special effects, nonsensical lore, and insane plot devices, and yet you will still somehow fall under the show’s spell. That’s because it was never the spectacle or super-sized episode run times that won audiences over. No, the best part of Stranger Things is still, as it’s always been, the sheer humanity of its characters and the incandescent talent of its young cast.

If you’ve seen some amazing LEGO sculptures and wonder who does that sort of thing, LEGO Masters will be a good insight into master builders’ skill set and thought process.

Marvel’s M.O.D.O.K. suffers from not only being not as funny as it should be, but it also pumps the fan service gags instead of actually developing the world around its star supervillain.

The frothiness of the first season is replaced by real grief and adult emotions, but it’s a welcome change in Belly’s journey to adulthood.

Welliver’s ability to keep the quaking emotions of his character consistently interesting – has always been a highlight of Bosch: Legacy and the series it emerged from. And with Bosch as PI existing untethered by department rules and regs, it’s enticing to consider what walls he’ll run through next.

While there’s a lot about Supacell that we’ve seen before, there’s also enough that’s new to keep us watching, especially given the performances of its main cast.

This City is Ours features a few wrinkles in its setting and approach that set it apart from the many, many similarly sprawling family crime dramas. We’ll stick with it and see what an impressively deep cast can bring to the story, which features a lot of other elements that strike us as pretty familiar.

The Saved By The Bell reboot makes the smart decision to be much more about the new kids at Bayside than about the middle-aged versions of the characters who went to the school 30 years ago. Sure, there’s going to be some self-referential jokes on the show, but Wigfield has that aspect under control so it won’t overwhelm the series.

The Beast In Me benefits from a focused story that puts its Emmy-winning leads in a good position to do their best work, especially when they’re on screen together.

Season 3 of The Witcher has enough story and action to satisfy fans of the show. We just wish the characters had a bit more to say.

Can You Keep A Secret? is a funny show about a family who tries to get something they think they deserve, without much of an idea of how their plan will play out.

If you want to watch a cringey but hilarious show about the music business, go find Dave, which is also on Hulu. Maxxx will just make you cringe.

We hope that Season 2 of Perry Mason comes together in subsequent episodes, because the first episode was a bit all over the place trying to establish where all of the characters are this season.

We wish that the multi-level humor of the original series was here, rather than just a series of bug eye gags and heavy items falling on the characters.

Stanley Tucci: Searching For Italy is a bit more detached than some of CNNs other documentary series, but it’s still an interesting look at a country that is much more than its tourist hot spots.

With so many characters harboring so many secrets, or in some cases, secret feelings toward each other, the tension is already building in episode one. It’ll be a fun ride watching where this season of Ginny & Georgia goes.

Wayward has two very compelling lead performances from Martin and Collette, and a good balance between the dark and the darkly funny.

DTF St. Louis is definitely a little weird at the start, but viewers’ patience will be rewarded with a quirky but interesting mystery starting in Episode 2.

American Classic isn’t going to make you laugh out loud, but its excellent cast and warm small-town-and-family feeling will be more than enough to keep you watching.

Colin In Black & White is a biographical story with a social message to tell, but it’s also a genuinely entertaining series, and it’s worth your time.

Reboot is right up there with Abbott Elementary as 2022’s funniest new series, mainly because the confidence Levitan has in creating character-driven comedy is enhanced by a fantastic cast.

The Other Black Girl definitely takes a different approach to demonstrating systemic racism, and combined with the fine performances from Daniel, Murray, Young and others, makes for a show that definitely kept us engaged.

Love You To Death has the potential to be a sweet, occasionally funny, mostly emotional story of two people getting together at a strange time in each of their lives.

For the most part, this is more of the traditional talking-head-and-clips documentary. That format works, though, because of the fact that Shields is so open about all of the fascinating aspects of her life.

Atlantic Crossing has its dry moments, but it’s lavish scenery and fine performances more than make up for that. We’re especially excited to see more of MacLachlan and Harris as Franklin and Elanor Roosevelt.

This feels like Netflix wanted to make sure that this adaptation didn’t get too saccharine, but in doing so, it just made things ever so slightly weird and off-putting.