Decider's Scores

  • TV
For 2,521 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Hacks: Season 5
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1833
  2. Negative: 0 out of 1833
1833 tv reviews
  1. Excuse Me, I Love You is admirably performance-heavy. While the snippets of crosstalk and behind-the-scenes chatter are fun, and will certainly be revealing for fans (the choreography rehearsals are particularly interesting), it’s a thrill to see and hear all of the singer’s most giant singles come to life onstage, complete with that elaborate choreo to go with each one.
  2. Life In Color With David Attenborough is informative and visually stunning, of course, but the technology behind some of its more interesting scenes is what makes us want to keep watching.
  3. Killing It gets off to a rough but promising start, thanks to a fun performance from Robinson, with an assist from O’Doherty. We hope that as the story gets more personal, the characters will outshine the gags.
  4. There was nothing quite like American Gladiators in its prime, and The American Gladiators Documentary captures the magic, weirdness and spectacle of it all in an entertaining and nostalgic package.
  5. The Ashley Madison Affair is a well-paced docuseries that takes enough of a jaundiced eye at Ashley Madison to show its rise and fall in the correct context.
  6. The result is a totally unvarnished meta meditation on his journey. And from the euphoria of instant stardom to all of the adversity, hits and misses that came after, it becomes much more of a personal document than just another celebrity documentary.
  7. Three Little Birds is intended to be a feelgood series, but it’s not schmaltzy and doesn’t shy away from the issues Jamaicans and other Black people faced in England in the 1950s.
  8. The Big Door Prize works because it allows us to spend time with a group of appealing characters that have become a “found family” as they try to figure out just what they want to get out of their lives. That vibe continues in Season 2.
  9. I, Jack Wright has real potential to be a fun murder mystery combined with a dramedy about wealthy family conflict. The first episode certainly indicates that things will only get more explosive as the series goes along.
  10. This hour feels like a reset. .... Getting to peer behind the proverbial curtain of fame and fortune (it’s quite something to hear a comedian reveal themselves to be a multimillionaire!) feels more special when the famous person isn’t dropping a lot of names, just truth bombs.
  11. Jaws @ 50 can be formulaic, and it doesn’t break the mold of making-of docs. Even if it’s not quite a must-see, it’s nevertheless a fun watch for fans who appreciate a little rehash and newbs who want insight into a true cinematic benchmark.
  12. Love ‘em or hate ‘em–if you’re a football fan, you’ve got strong opinions on the Dallas Cowboys, and America’s Team: The Gambler and His Cowboys is a sharp, swaggering story of their finest era.
  13. Deathwatch definitely feels dialed into its video game and book franchise source material. But it also has a lot of style on its own, and a growly lead voice acting performance from Liev Schreiber, two factors that feed its freestanding quality.
  14. Stumble is not only funny, but it has a surprising amount of heart and character-based humor, and our hope is that it’ll improve on both factors after a strong start.
  15. Man Vs. Baby is the kind of show that you can put on and just laugh without thinking too hard, which is likely the exact reaction Atkinson and Davies wanted the audience to have.
  16. While we’re unsure if the twists and turns in The Game are going to be good or stupid, we’re still interested in how Huw is able to hold onto his family while playing this cat-and-mouse game with Patrick.
  17. Dinosaur isn’t gut-busting funny, but its humor is purely character-driven, and it gives a view of autism that we’ve rarely seen on TV.
  18. The House Of The Spirits is a well-acted, beautifully-shot adaptation of Allende’s classic novel that takes its time to luxuriate in the lives of Clara and Esteban but keeps things moving as the story progresses through over 50 years.
  19. Stream it, but only for the performances of Roberts, Penn and the rest of the cast of Gaslit. The series leans too hard on the farcical to help viewers come away with any real information about the Republican side of the Watergate scandal.
  20. HBO’s new spin on the story is so gorgeously acted, though, you can’t stop thinking about the theatrics of it. The very thing that will hook you — Isaac and Chastain’s full-throttle performances — might also take you out of it.
  21. It’s intriguing enough to keep us watching. And, given the fact that the show gives a montage of Peacemaker’s story in The Suicide Squad, you shouldn’t need to see the film in order to get the series.
  22. Night Stalker: The Hunt For A Serial Killer might be to[o] grisly for some viewers. But for true crime fans, it’s a well-paced series that has a different perspective than most series in the genre.
  23. Under The Bridge has more than enough complications to make for compelling drama, and the first episode gives viewers just enough information about the case to hook them in without getting them frustrated.
  24. It’s those little, often subtle gags, that keep the audience from sinking into Beth’s depression along with her. That effort to alleviate some of the heaviness helps us go along on the journey Beth is going to take without making her seem like she doesn’t appreciate what she has.
  25. Just like its parent show, Vikings: Valhalla is not going to be everyone’s cup of tea. But for fans of the genre, Valhalla does a good job of continuing the story established in Vikings.
  26. Queen Sono is a fun spy thriller that isn’t trying to answer too many questions about the meaning of life, which is sometimes exactly what you need.
  27. The conceit is executed well; we don’t feel manipulated by Barrett, Kelly and their writers deliberately hiding things or throwing us red herrings. But we’re not 100 percent engaged by Sam’s story, either. ... The performances of Law and Waterson, as well as the chemistry between Watson and Considine as the weirdly gruff and cheery Martins are keeping us interested.
  28. The show is off to a great start. ... Tudyk’s performance makes Resident Alien work, but there’s a quirky-enough world around Alien Harry that the show should be more than a one-note joke.
  29. Despite the first episode’s draggy pace, the aftermath of the Gardner Museum robbery is what will keep us watching.
  30. Despite our reservations about KAOS, we are riveted by Jeff Goldblum as Zeus, and we hope his performance makes up for a series whose satisfaction over its own cleverness shows in almost every frame.

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