While The Jinx – Part Two is still worth watching, it feels not nearly as essential and compelling as the original series was, and some of its more meta moments left us scratching our heads.

While we like Fielding in the lead role, The Completely Made-Up Adventures Of Dick Turpin mostly misses the mark when it comes to the silly gags that permeate the first episode.

Pleasant enough and will only get better once it starts building out its own world.

Chucky adds some fun story elements to the “murdering doll” dynamic, bringing the franchise back to it’s earliest days, when we found out how Charles Lee Ray became a belligerent, knife-wielding, redheaded doll.

High Fidelity uses its brilliant cast, sharp writing, and hypnotically cool set design to examine how relationships have and haven’t changed in the modern era.

Although Our Flag Means Death isn’t laugh-a-minute, it’s got a good-enough story to set up a unique workplace comedy. It may take a few episodes, but the funny stuff will come once the ensemble is well-established.

While the stories in Star Wars: Tales Of The Underground are a little skimpy, they help to deepen the characters of two well-known franchise villains.

We’re hopeful that Feud: Capote Vs. The Swans will provide some juicy scenes among its amazing cast, and that will be enough to keep us watching. But the story itself is so low-stakes that it just leaves us cold.

Human Resources is by no means a bad show. If you love Big Mouth, it has the same humor and characters that first made you a fan. But it’s also not a show that lives up to its full potential.

A Very British Scandal benefits from fine performances and a scandalous story that touches both on early feminism and salacious scandal.

The Salisbury Poisonings should hold your interest, especially if you don’t know a lot about the case on which this show is based. But even if you do, the show’s concentration on the people affected instead of the investigation itself helps keep the story moving.

Fans of the original Yu Yu Hakusho manga will definitely want to check how this energetic live action version realizes its classic characters. But there’s plenty to enjoy for the rest of us, too, with Takumi Kitamura’s detached sense of cool as rookie spirit detective Yusuke, the series’ unpredictable sense of humor, its high-flying fight choreography, and sharp use of VFX.

We’re certainly intrigued by the mystery that’s at the center of The Resort. But we also hope that Milioti and Harper get more of their own story to dig into, as opposed to being just a typically bored married couple who come together under extreme circumstances.

Its formula is tried and true — but has also grown stale. Hardcore fans of Stranger Things will likely find nothing wrong with the new season, as is their wont. They’ll love the nods to Barb (Shannon Purser) and character reunions. They’ll obsess over potential love triangles and thrill over creepy new flourishes. I personally wish the show had reined it in a bit, focused on the core cast over the newbs, and tried something truly creative with its storytelling instead of just nostalgia baiting.

Dept. Q spends a lot of its first episode in misdirection mode, but by the end it has set up an intriguing case that’s being followed by an interesting-to-watch group of cops.

It’s that very back and forth that makes Industry so much fun. This workplace and its employees are so callous, so singleminded you want to see them trip over their own inflated egos not once but a dozen times. You want to see them rise from the ashes of their own mistakes and try to make it, even if doing so will make you hate them just a little bit more.

The Buccaneers Season 2 levels up in almost every way, even when it’s concocting popcorn love triangles, and is well worth the weekly tune-in.

The first chunk of episodes in Bridgerton Season 3 are an ecstatic delight. Bridgerton might have a new showrunner in long-time writer Jess Brownell, but the world is still as enchanting and romantic as ever. .... This season is truly a showcase for new leading lady Nicola Coughlan. The Irish actress absolutely sparkles as wallflower-turned-heroine Penelope Featherington.

As with most docuseries of this type, your enjoyment of Trial By Media will vary from episode to episode, but will also vary with how much you know and remember about a particular episode’s case. But what Toobin and Brill are trying to accomplish is noble.

Terminator Zero takes a fresh crack at the most familiar stuff from the Terminator franchise – twisty time-travel hijinks, machine-born sentience, human-cyborg conflict – and lends the story new direction and life, as well as a distinctive, animé-inspired new look.

Moon Knight rides on Oscar Isaac’s ability to believably inhabit distinct personalities, but that might be more than enough for people to watch this six-episode MCU side story.

What If…? is a fun exploration of alternate versions of the MCU, with animation that does a good job of conveying the action that’s baked into the MCU recipe.

We’re tentatively giving The Essex Serpent a recommendation because the performances of Danes, Hiddleston and the rest of the cast can overcome the series’ plodding pacing in parts. But we’re just not sure how many people are going to make it through all six episodes when it seems like the first one doesn’t do much to set up the story.

Despite the fact that Sex Education has gone through some big changes this season, it’s still very well worth a binge for the genuine laughs and heartfelt emotion that each episode brings.

It’s hard not to say that Netflix has another Nobody Wants This, albeit a quirkier and more unconventional one, on their hands. Thanks to Stalter and Dunham, Too Much is a winning comedy that will remind you to adjust your expectations for finding a match, but keep your heart open.

During the final third, things settle down and Ghosts shows some funny potential of where it can go.

The Cuphead Show! has created something more than the sum of its parts. It continues Netflix’s trend of superb video game adaptations by creating an animated world so intricate and alive that it will make any animation fan swoon while remaining fun and relatable for any age. Just put on an episode and try not to smile.

We’re giving Étoile a recommendation more on hope and the Palladinos’ reputation than anything we saw in the first episode, which moved slowly and felt a bit too insular for our comfort.