This hour feels like a reset. .... Getting to peer behind the proverbial curtain of fame and fortune (it’s quite something to hear a comedian reveal themselves to be a multimillionaire!) feels more special when the famous person isn’t dropping a lot of names, just truth bombs.

Jaws @ 50 can be formulaic, and it doesn’t break the mold of making-of docs. Even if it’s not quite a must-see, it’s nevertheless a fun watch for fans who appreciate a little rehash and newbs who want insight into a true cinematic benchmark.

Love ‘em or hate ‘em–if you’re a football fan, you’ve got strong opinions on the Dallas Cowboys, and America’s Team: The Gambler and His Cowboys is a sharp, swaggering story of their finest era.

Deathwatch definitely feels dialed into its video game and book franchise source material. But it also has a lot of style on its own, and a growly lead voice acting performance from Liev Schreiber, two factors that feed its freestanding quality.

Stumble is not only funny, but it has a surprising amount of heart and character-based humor, and our hope is that it’ll improve on both factors after a strong start.

Man Vs. Baby is the kind of show that you can put on and just laugh without thinking too hard, which is likely the exact reaction Atkinson and Davies wanted the audience to have.

Land Of Sin is a solid Scandi noir thriller, and any issues you may have with the plot or story telling won’t take away from following along with Dani and Malik as they try to figure out the case.

While we’re unsure if the twists and turns in The Game are going to be good or stupid, we’re still interested in how Huw is able to hold onto his family while playing this cat-and-mouse game with Patrick.

Dinosaur isn’t gut-busting funny, but its humor is purely character-driven, and it gives a view of autism that we’ve rarely seen on TV.

The House Of The Spirits is a well-acted, beautifully-shot adaptation of Allende’s classic novel that takes its time to luxuriate in the lives of Clara and Esteban but keeps things moving as the story progresses through over 50 years.

There is a lot about Nemesis that’s clunky and cliche. But we liked the performances of both Law and Noel, and we hope that the complexity of both of their characters’ lives will be explored with more depth as the series goes along.

Stream it, but only for the performances of Roberts, Penn and the rest of the cast of Gaslit. The series leans too hard on the farcical to help viewers come away with any real information about the Republican side of the Watergate scandal.

HBO’s new spin on the story is so gorgeously acted, though, you can’t stop thinking about the theatrics of it. The very thing that will hook you — Isaac and Chastain’s full-throttle performances — might also take you out of it.

It’s intriguing enough to keep us watching. And, given the fact that the show gives a montage of Peacemaker’s story in The Suicide Squad, you shouldn’t need to see the film in order to get the series.

Night Stalker: The Hunt For A Serial Killer might be to[o] grisly for some viewers. But for true crime fans, it’s a well-paced series that has a different perspective than most series in the genre.

Under The Bridge has more than enough complications to make for compelling drama, and the first episode gives viewers just enough information about the case to hook them in without getting them frustrated.

It’s those little, often subtle gags, that keep the audience from sinking into Beth’s depression along with her. That effort to alleviate some of the heaviness helps us go along on the journey Beth is going to take without making her seem like she doesn’t appreciate what she has.

Just like its parent show, Vikings: Valhalla is not going to be everyone’s cup of tea. But for fans of the genre, Valhalla does a good job of continuing the story established in Vikings.

Queen Sono is a fun spy thriller that isn’t trying to answer too many questions about the meaning of life, which is sometimes exactly what you need.

The conceit is executed well; we don’t feel manipulated by Barrett, Kelly and their writers deliberately hiding things or throwing us red herrings. But we’re not 100 percent engaged by Sam’s story, either. ... The performances of Law and Waterson, as well as the chemistry between Watson and Considine as the weirdly gruff and cheery Martins are keeping us interested.

The show is off to a great start. ... Tudyk’s performance makes Resident Alien work, but there’s a quirky-enough world around Alien Harry that the show should be more than a one-note joke.

Despite the first episode’s draggy pace, the aftermath of the Gardner Museum robbery is what will keep us watching.

Despite our reservations about KAOS, we are riveted by Jeff Goldblum as Zeus, and we hope his performance makes up for a series whose satisfaction over its own cleverness shows in almost every frame.

Disclaimer is too much time to spend with characters that the filmmaker regards with indifference at best and ignorance at worst. Cuarón renders this tale of rage, regret, and retribution in broad strokes. He loses the thread on their interiority, outsourcing the conveyance of their feelings to long-winded internal monologues.

While The Jinx – Part Two is still worth watching, it feels not nearly as essential and compelling as the original series was, and some of its more meta moments left us scratching our heads.

While we like Fielding in the lead role, The Completely Made-Up Adventures Of Dick Turpin mostly misses the mark when it comes to the silly gags that permeate the first episode.

Pleasant enough and will only get better once it starts building out its own world.

Chucky adds some fun story elements to the “murdering doll” dynamic, bringing the franchise back to it’s earliest days, when we found out how Charles Lee Ray became a belligerent, knife-wielding, redheaded doll.