The Drowning has some aspects that are a little on the unbelievable side, but for the most part it’s a well-written, well-acted psychological mystery.

The Chair is funny as heck with some earned moments of real emotion, and a killer cast. Six episodes flew by, and we hope to see more of Pembroke’s English department soon.

A Murder at the End of the World is here for your wintertime whodunit watching, with a terrific lead performance from Emma Corrin, a strong cast throughout – while they’re still living, anyway! – and layers of forward-looking tech and classic mystery elements to pick at and peel.

While The Snoopy Show isn’t the Peanuts comeback some diehard fans might want, it’s still fun to watch Snoopy, Woodstock and the gang hang out together, even if the episodes are more kid oriented than usual.

More often than not, that structure comes off stiff and clunky rather than genuine and flowing. ... That’s not to say that the dialogue from Gaby Chiappe, who adapted Cecil Day-Lewis’ novel (though seems to change quite a bit, including Frances’ gender) isn’t sharp. It’s what we enjoyed about the first episode the most, including Jumbo’s and Howle’s performances (Harris doesn’t appear until Episode 2). But we just wish Frances’ way to George didn’t look so damned easy.

Jack Ryan has successfully evolved its formula of spycraft and gunfights to accommodate John Krasinski’s brand of charm. In other words, it’s solidly-built, with just enough of everything that a show in this genre requires.

At least trying to offer a glimmer of humanity beyond all of the government agency carrying on and mysterious international evildoing.

There’s plenty to enjoy about the series, which is warm and inviting and fun. Belly proves herself to be a great protagonist.

The show has maintained its likeability and goofy comedic tone after four seasons, and it’s impressive just how many levels it manages to operate on.

Percy Jackson And The Olympians tells a straightforward quest story with good writing and well-defined characters, but takes its time to set up Percy’s story without dragging the show to a halt.

The show is and always has been an incredibly well-acted soap, buoyed by Badgley’s excellent lead performance, and its continued commitment to taking things to crazier places than it ever has makes it more than worth your while.

Ted Lasso Season 3 starts rough, but it does find its footing by Episode 4. It’s the worst season so far to date, but there is enough there for fans to hope — if not “BELIEVE” (har, har) — in a triumphant conclusion to the season. We’ll just have to wait and see.

From its slick animation to its excellent voice cast, it's a winner from top to bottom. And just when you think you know exactly which direction it's going to explore, it pulls the rug out from under you in a truly exciting way. The long-running comic series couldn't have been made into a better serialized format, and if the rest of the show is just as interesting as this one, Amazon has quite the hit on its hands.

While the storytelling on One Day In October can be a bit uneven, the true stories of October 7 survivors, combined with real audio and video, kept us riveted to the relatively-short episodes.

I’m amused – and compelled to see if Command Z can maintain this level of reasonably biting comedy through all 90 minutes.

Dancing with the Devil is raw and heartbreaking and challenging to watch — which makes it all the more imperative that people do hear Lovato’s harrowing story. ... This is not a fun, poppy documentary, and it’s also not four episodes of hot goss. There’s a calming quality to the fact that the backgrounds of these interviews feature water or fountains or palm trees, while the clothes seem to pop with light, bright colors, as the concern in everyone’s voices will keep you watching.

This endeavor feels a lot like going with your friends to a sex therapy session (and I mean that in the best way possible). The casting here is really what makes the series such a winner; each couple has a compelling, relatable backstory.

Am I Being Unreasonable? continues to be one of the darkest of dark comedies out there, though there may not be as many twists and turns as the first season had.

We’re not fans of the case Tony and Ziva have to figure out on NCIS: Tony & Ziva, but we like the fact that Weatherly and de Pablo are back in their fan-favorite roles, and their chemistry is as good as ever.

I Just Killed My Dad is the rare true crime docuseries that tells a story that hasn’t been picked apart and retold over decades, and tells the story in a brief, relatively compact manner.

The Gilded Age Season 2 is a fine, fizzy treat. Julian Fellowes has once again crafted a perfectly elevated soap opera for the masses.

Waco: American Apocalypse sticks mostly to the nuts and bolts of the Waco siege, making for an effective narrative about an incident that was one of 1993’s top stories.

The series is not only entertaining and admirable but also an important look at what so many women, even those at the very top of their game in the entertainment industry, have to go through and pretend it’s all good when it very clearly is not.

Truelove is the rare show that can combine elements of a thriller with real emotional propulsion. The fact that it addresses so many issues about aging, illness and death in a way that’s more matter-of-fact than maudlin is an achievement.

Stream It, perhaps with an ounce or two of patience. While a pedigree that includes the creator or Cowboy Bebop’s creator and the fight maven from John Wick is impressive, It feels like there is a lot of story still to develop with Lazarus.

We’re still wondering if Archive 81 can effectively put its timelines together into a coherent thriller. But it’s off to a promising start, due to good performances from both Athie and Shihabi.

The Hunting Wives is a show you know is going to be ridiculous going in, and it doesn’t try to hide its sexy, at times campy personality under the sheen of a prestige drama. Such brazenness is pretty refreshing these days.

Judging by the two episodes screened at Star Wars Celebration, Deborah Chow and the cast and crew have not only risen to the occasion, but they’ve exceeded all hopes. ... Kenobi feels like a true auteur vision. Chow’s stamp is all over this series, making it feel like a unique entry in the Star Wars saga. ... Kenobi feels high stakes, emotionally deep, and like the first Star Wars series to Matter, capital M. It’s a feat.