Ozark only gets better by the minute. If you need us, we’ll be waiting with bated breath to see how it all comes to a close. Ozark remains one of the best dramas on TV in its fourth season, a showcase for career-best performances from Bateman, Linney, and Garner.

The first episode has more than enough twists and turns, paired with the full-of-personality members of the Heaven family, to really engage the viewer. Whether the story itself holds up over the remaining episodes is yet to be seen.

Often, the elliptical, nonlinear storytelling in Dear Mama is powerful enough to elevate it completely out of the documentary form. ... The five-part series Dear Mama feels like the Tupac Shakur documentary of record as it connects the rapper’s enduring legacy to the philosophies at work in his upbringing and presents its story in a challenging, rewarding nonlinear fashion.

The Pitt features clunky dialogue, ridiculous cliffhangers, and overly obvious messaging associated with easy primetime viewing. It also boasts propulsive filmmaking, endearing characters, and one seismic performance from star/EP Noah Wyle. Whatever ingredients The Pitt did or did not poach from E.R. come together to make a slight drama that nevertheless speaks to the existential angst of seeking or providing healthcare in 2025.

The more we see of the community around the team, one that has become bigger via the series but at its core is still what binds the residents of the town together, the more we want to watch.

While the first episode of Mrs. Davis took a bit of effort to wrap our minds around, we were hooked on it by the end, thanks in no small part to Betty Gilpin’s lead performance.

While the stories themselves are pretty fully told in their 11-15 minute runtimes, it’s definitely to the viewer’s advantage to watch all six episodes to get the full picture. ... Tales Of The Jedi brings some familiar prequel trilogy characters back to our screens, in stories that fill in more Clone Wars canon, which is always a plus.

The voice cast is excellent; Hong is especially good as the adventurous Grandpa. .... Gremlins: Secrets Of The Mogwai should be a good entry point into the Gremlins legend for kids, and it’s sophisticated enough that their parents should enjoy it, as well, even if they watched the original movie with their hands covering their eyes.

Wizards Beyond Waverly Place will give the adults who were fans of the original series the proper nostalgia hit, but it also has more than enough laughs for the kids who are entering this world for the first time.

#1 Happy Family USA is a bit uneven in the comedy department, but we’ll forgive that because whatever humor that comes out of the Hussein family’s attempts to blend into American society should be funnier than just one-off gags.

Attacking London: Hunting The 7/7 Bombers dispenses with most of the frills you see in docuseries about big events from the past and sticks to the facts. Given how devastating and scary the attacks were, that’s all that’s really needed.

Mood is one of those shows that takes you on a ride with its main character. It’s a ride we think is worth taking, but it all depends on how much you relate with Sasha and the decisions she’s making for herself.

Through the first two episodes, Ms. Marvel is a fun examination of the usual coming-of-age issues couched in Kamala’s idea that being a superhero is so much less complicated than actual life.

Once you understand the pain that’s underneath the twisted viewpoints of Deb, Josie and Billie, you realize how subversively funny Such Brave Girls really is. This show is definitely a case where the unlikable becomes likable because of how they channel their inner turmoil into really funny comedy.

Ultimately, Starstruck is a romantic comedy that understands, respects, appreciates, and celebrates the genre, all while still carving out its own unique place in the category.

Slow Horses has a bit of a generic case at its center, and it feels like some members of the Slough House team get short shrift, at least at first. But Oldman’s presence elevates our interest in just how everyone who works at Slough House actually got there.

We wish that the first episode went into more details about the boys’ accusations and the trial that ensued. Otherwise, it was a lot of the same song being sung, that this kid couldn’t possibly have done what he was accused of doing; it made for a particularly slow-moving first episode.

In My Skin provides some extra substance to the typical coming-of-age story, couched in mental illness and the desire of most teens to just fit in, even if they have to go to extreme measures to accomplish that goal.

We were surprised how engaged we were with Sweet Tooth, even though it’s a show about a virus that wipes out most of humanity; it’s not something you want to contemplate as the real pandemic we’re suffering through winds to a close. But good performances and an adaptation that grounds things into some sort of reality saves the show from eye-rolling preciousness.

Love Life‘s second season surpasses the first just by shifting the focus away from a subject we’ve seen so many times to one that has a messier, and more interesting, story.

At this point Only Murders In The Building rides on the chemistry among Martin, Short and Gomez, and in Season 4, that chemistry is well-established. We just hope that Charles, Mabel and Oliver are as much fun running around Hollywood solving murders as they are running around New York.

While the first episode of We Were The Lucky Ones is a bit confusing and the show has too many characters to keep track of, King’s and Lerman’s performances anchor the series and make it worth watching, even if the rest of the characters won’t get as well-explored.

Like a night plastered at your favorite bar, it may not be the most important or essential show this year. But, god, is it a blast.

When Cobra Kai really clicks is when the nostalgia factor is balanced by the interactions of the current group of kids. That balance is certainly out of whack in the first two episodes, but it’s something we hope gets restored later in the season.

If you’re a West Wing fan, you’ll love this special. If you’re not, you won’t even go find this on HBO Max. And that’s what makes us wonder about if the special’s message will actually land with the people with whom they’re trying to communicate.

The acting is stronger than ever, now that Badgley’s Joe has a worthy opponent, and you won’t be able to see the season’s big twists coming. No matter why you initially enjoyed YOU, you’re going to fall in love with this new season, and Love Quinn.

Baghdad Central is well-written, -directed and -acted, and the debut episode sets the table for some potentially vigorous drama.

The interview with Gacy is what makes John Wayne Gacy: Devil In Disguise so fascinating; it certainly paints a different picture of him than what viewers are likely used to, well beyond the Killer Clown archetype that has been how he’s been characterized over the past four decades.