The fact that they [the Stidhams] did sit down to talk to the filmmakers makes the docuseries 200% better. And that’s mostly due to the magnetic and somewhat unhinged personality of DeAnn Stidham.

American Nightmare teases out the story of Denise Huskins’ kidnapping to a bit of an irritating degree, but we do understand why the filmmakers did what they did. It’s a fascinating story of law enforcement and confirmation bias, one that needs to be on a platform like Netflix.

English Teacher is still a funny workplace comedy, despite the fact that the Alvarez’ character is becoming more self-righteous as the series goes along.

From witty one-liners and endearingly exaggerated personalities to physical comedy, musical numbers, and more it bears repeating that Shrinking is very funny and never maudlin. The series excels at giving viewers emotional whiplash (complimentary), but the team hasn’t just mastered the art of flicking from poignant to playful scenes on a dime.

The show's aesthetic is somewhat voyeuristic, but not in a bad way.

Bloodlands is a solid drama that moves through its story efficiently without a lot of fuss. And that’s a pretty welcome thing these days.

Watching Murder on Middle Beach often feels like spying on Hamburg’s most private therapy sessions. This is thanks to Hamburg’s deeply intimate filmmaking style that refuses to turn off the camera even when he’s at his lowest moments. ... Altogether that’s where Murder on Middle Beach excels, in its intimacy.

Us manages to be funny and heartfelt despite documenting what looks to be the end of a long marriage. Even if the story isn’t for you, though, you may just watch so you can start planning your next big vacation.

Lupin continues to be a very satisfying watch because of Omar Sy’s performance and the well-written and executed heist scenes.

Season 4 of The Lincoln Lawyer retains its light touch, even though its main character is fighting a shocking murder charge from his jail cell.

We’re lucky that we get to watch this woman on the court, but this interesting, insightful, and inspiring documentary also shows how lucky we are to get to know her in this way.

The Wilds is a show that could have been a kitschy disaster, or one that’s so grim that it turns viewers off. But the girls who have to fend for themselves on this remote island are so well-defined that we’re finding ourselves intrigued by how they’ll change during their time together.

It’s an intimate portrait of artists at work, and stands in stark contrast to the very public, very pop persona that has characterized Swift for much of her career.

Sweet Tooth continues to be an engaging and fun story, which is pretty impressive for a show about the human race being quickly wiped out.

It’ll be an entertaining May the Fourth binge, and likely an engrossing one for Star Wars fans of all levels.

The Fall And Rise Of Reggie Dinkins is as reliably funny as any Fey/Carlock production, with smart writing and a great cast.

We do admit that Ripley gets off to a bit of a sleepy start. But we’re intrigued by both Scott’s take on Tom Ripley and Zaillian’s decision to give Patricia Highsmith’s story a noirish patina.

Watchable, despite all of the ridiculousness. ... We’re going to give Reasonable Doubt a chance because Emayatzy Corinealdi is a sexy force to be reckoned with as Jax, and her cloudy ethics and taste in men is what gives some of the silliness in the series some depth.

As rough as the first episode may be for some viewers, just imagine if NBC hadn’t given Seinfeld a second chance after that sitcom’s initial struggles in both plot and ratings. Let’s see how Bust Down unfolds.

We’re not sure what is interesting to see on Clarkson’s Farm. It’s basically episode after episode of Clarkson stumbling around as a gentleman farmer, making bad business choices, and dealing with the quirky characters that he’s hired to help him on the farm. ...It feels like a show for Clarkson completists.

While we don’t love the storytelling in the first episode of Women In Blue, the performances by the four lead actresses are very watchable and the serial killer mystery that will be a big part of the first season is going to be a good driver of action.

Shows like How To Die Alone completely depend on the charm of the star and the cast. And Natasha Rothwell is definitely charming. But she has also built a cast around her that we want to see more of.

Ultimately Only Murders in the Building doesn’t break new ground so much as it deftly embraces what makes the mystery genre so universally compelling.

The Boys continues to build towards a climactic confrontation, but with a story that has reached the point where it’s become personal and intimate. We hope that continues, even if it exists alongside the action and funny moments.

Sasquatch may not prove to you one way or another that sasquatches actually exist, but it’s an entertaining true crime story with some interesting twists and turns.

Oswalt’s comedy will put you at ease for an hour.

The dialogue is as snappy as ever, and the spying scenes are just as tense as you’ve come to expect. If anything, these elements have only been sharpened in Season 2.

Your Friendly Neighborhood Spider-Man is a visually-stunning animated series that has a fresh take on Peter Parker’s early days as New York’s only webslinging crimefighter.