Trial 4 takes some time to get going, and the first episode ironically shows very little of Sean Ellis, it’s still a compelling story of corruption and the determination of a man to clear his name.

Despite our reservations on the style choices by Dimmock, the story of Captive Audience is compelling, and the twist that involves Cary is what has us most intrigued.

This special installment of Euphoria slows things down and presents a truly gutting character study and a breathtaking performance from Hunter Schafer.

While you may know the story of the Jonestown massacre, Cult Massacre: One Day In Jonestown brings it to life in a new way, with lots of vivid recollections by people who were there.

Not every athlete is worthy of a documentary, but Simone Biles isn’t just any athlete. Simone Biles: Rising is a well-crafted document of one of the best to ever do it.

We enjoyed Penelope because Megan Stott’s performance is a clinic in solo acting, and we appreciate the story’s fantasy aspects. But those nagging questions that pop into our heads while watching it just don’t go away.

Taylor Swift: The End of an Era is a nice illumination into the singer-songwriter’s hugely-scaled professional operation and her personal, sometimes emotional world.

Black Doves isn’t going to blow you away with some revolutionary spy story. But the story is intriguing enough, and is improved by the chemistry between Knightley and Whishaw, with a big assist from Lancashire.

Macdonald managed to be somehow timeless, outdated, and very much of his time, all at the same time.

This is the triumphant return to the world of Adventure Time fans have been waiting for, and it sets the stage for one of the most interesting concepts the show has seen in some time. Whether you’re holding out to see where your favorite heroes are in this timeline or how things will shake out for our new heroines, it’s well worth settling into every week as it hits Max.

I was astonished by how much I liked Keeping Faith. Sometimes it feels like we’ve seen it all in the British crime drama genre, and it’s true, Keeping Faith does share a lot in common with some other shows. The good news, though, is that it’s specifically like Big Little Lies crossed with Broadchurch.

Yellowjackets does a good job at tackling three genres at once. It’s a thriller, a coming of age story and a survival story, and all of it is presented in a way that makes us want to see more.

Slip is certainly a tour de force for Zoe Lister-Jones, but it’s also funny and touching, and it may have a more positive message about marriage and long-term relationships than it seems to have at first blush.

If I have one criticism to lob at Netflix’s Pokémon Concierge, it’s that the first season is too damn short. Just as Haru acclimates to her new role, the first season is over! There’s literally only four episodes of Pokémon Concierge and they all clock in at about 15 minutes in length. On the one hand, that makes the series a powerfully potent cocktail of sweetness. On the other, it leaves you desperate for more.

Does Boarders say anything new? That’s yet to be seen. But even if it treads well-worn ground, it does so in a way that’s witty and funny, with just enough drama to let the audience know that the stakes for these five teens are pretty high.

Peacemaker continues to be a funny but emotional superhero drama, with a surprisingly effective performance by Cena at its center, with a fun-to-watch ensemble around him.

Tokyo Vice is stylish, mysterious, and full of powerful acting turns that put a sharp edge on its depiction of the places where crime and violence intersect with tradition and ambition.

If you liked Season 2 of Search Party then Season 3 is more of the same. If you were shocked by the show’s dark turn at the end of the first season, though, don’t expect the show to go back to that season’s tone.

The Long Song hinges on the relationship between July and Caroline, and both Lawrence and Atwell’s performances meet this challenge. Atwell is terrific as the benign but awful Caroline, and Lawrence matches her as the whip-smart July.

Karen Pirie is a pretty straightforward entry in the genre of British/Scottish police mysteries. But the first season presents a solid, twisty case and the title character is refreshingly young and not grizzled. Those two factors make the show an engaging watch.

Season 17 may not be the best season of the long-running comedy as it will always have its formative years, filled with now potentially cancelable jokes and bits, to look back on, but as far as modern Sunny seasons go, this is one of the funniest. .... When it’s good, it’s really good. When it struggles, you can tell they may have hit a brick wall.

Ludwig is a fun mystery series to follow, mainly because of David Mitchell’s performance as a reluctant detective who’d rather just create puzzles alone in his flat than solve murders.

Ozark only gets better by the minute. If you need us, we’ll be waiting with bated breath to see how it all comes to a close. Ozark remains one of the best dramas on TV in its fourth season, a showcase for career-best performances from Bateman, Linney, and Garner.

The first episode has more than enough twists and turns, paired with the full-of-personality members of the Heaven family, to really engage the viewer. Whether the story itself holds up over the remaining episodes is yet to be seen.

Often, the elliptical, nonlinear storytelling in Dear Mama is powerful enough to elevate it completely out of the documentary form. ... The five-part series Dear Mama feels like the Tupac Shakur documentary of record as it connects the rapper’s enduring legacy to the philosophies at work in his upbringing and presents its story in a challenging, rewarding nonlinear fashion.

The Pitt features clunky dialogue, ridiculous cliffhangers, and overly obvious messaging associated with easy primetime viewing. It also boasts propulsive filmmaking, endearing characters, and one seismic performance from star/EP Noah Wyle. Whatever ingredients The Pitt did or did not poach from E.R. come together to make a slight drama that nevertheless speaks to the existential angst of seeking or providing healthcare in 2025.

The more we see of the community around the team, one that has become bigger via the series but at its core is still what binds the residents of the town together, the more we want to watch.

While the first episode of Mrs. Davis took a bit of effort to wrap our minds around, we were hooked on it by the end, thanks in no small part to Betty Gilpin’s lead performance.