Despite its very casual pace, The Lying Life Of Adults has an interesting family story at its core that will inform how its main character comes of age.

Justified: City Primeval will satisfy both fans of the original series and people who are just looking for a well-written, sometimes-funny cop drama to watch.

Taste The Nation With Padma Lakshmi won’t make anyone forget about Bourdain and his various shows, but it’s well-shot, Lakshmi is a warm and knowledgeable host, and the food she discovers is both comforting and surprising.

Mr. Loverman is a tour de force for Lennie James, but it’s also an affecting story of a man who struggles to be his true self and knows what the consequences are if he comes out at his advanced age.

The league itself exists in the shadow of its founder. Determining whether that’s forever is another tenet central to Heels, and that gives all of the characters surrounding Jack and Ace the space they need to flourish. But beyond the trials of family, what Heels is most adept at exploring is the dao of professional wrestling itself.

Yes, seeing Carol’s elderly parents in the buff, doing the things that throuples do with their burly aide Michael, is funny. But it’s also poignant; even at their advanced age, Carol’s parents are doing the things they never got to do simply because it’s everyone’s last chance. But Carol’s desire for maintaining her routine makes us like her all the more.

How To Get To Heaven From Belfast is a sharply funny examination of how friendships change over time as well as a pretty darn good mystery.

We Are: The Brooklyn Saints is designed to be heartwarming and inspirational, and Valdez hits the mark on both.

Russian Doll Season 2 is good, but it’s not quite as great as Russian Doll Season 1. This new season gets messy with its wild narrative swings and lazy with its logic.

While Agents of Chaos may not come to any concrete conclusions about Russian interference in the 2016 election, it makes a pretty damning case that the Russians definitely had some influence, and that US intelligence officials were slow on the uptake in fighting it.

Lovecraft Country is a pulpy treat: sexy, scary, and featuring a poignant examination of some of the true horrors in American society.

If you’re willing to put in the effort, Fleishman Is in Trouble is a rewarding, intentionally maddening, often sweet experience that asks you to reexamine your own relationship with nostalgia. But in order to get to those depths, you need to watch more than a couple of episodes.

Like the first season, The Vow Part II moves quickly, even as it dives deeper into the people who were and still are loyal to Keith Reinere, finding out their reasoning, motivation and rationalizations. Those conversations, paired with the information from the trial, will make for an interesting second season.

Ren Faire works not only because it’s dramatic and stylish, but also because it’s a docuseries about some pretty interesting characters in a tension-filled situation.

Season 5 of Harley Quinn keeps the hilarity coming at a rapid-fire clip, concocts a whole host of new misadventures for its main duo – this time with Metropolis under threat – and expands on and strengthens Harley and Ivy’s love story in ways well worth shipping.

Gary does a good job of reminding fans of The Bear why the show was so compelling when it first blasted onto our screens, and we hope it’s a harbinger of a good final season.

Landscapers not only benefits from great performances by Colman and Thewlis, but it’s a dark comedy that’s actually howlingly funny in between all of the darkness. That balance is very difficult to achieve.

Only Murders In The Building, unlike the true crime podcasts the show satirizes, doesn’t go into a sophomore slump after a great first season. Now that its comic rhythms are well-established, it actually feels like the show may be even better in Season 2.

A little zany and a lot of heart, the show has enough well-timed jokes to keep you entertained and asking for the next episode.

In season two, he’s got backup in the form of some also lethal old friends, as well as another personal score to settle. This series understands what it does best, and honors its source material by casting the correct version of its main character.

While some aspects of Everyone Else Burns might get repetitive in a hurry, there is more than enough stories revolving around the Lewises trying to live in the world while prepping for Doomsday to make for a pretty funny show with well-rounded characters.

Slow Horses continues to be fun to watch because of Oldman’s crusty performance and the agents at Slough House working together so well despite not exactly being friends. It’s a chemistry that works for this show, and can sustain it for a number of seasons beyond this one.

Worn Stories is definitely one of the more unusual docuseries you’ll stream this year. But it’s also warm, personal and heartfelt.

A Thousand Blows does a good job of tying its stories together well, and tries to keep the action going in the process.

Margo’s Got Money Troubles has serious moments, but it’s a show that doesn’t try to take itself too seriously, and that sense of fun is going to make Margo’s journey to provide for her son very watchable.

The movie is about two percent positive, 98 percent terrifying.

The story is fairly coherent from beginning to end, even if you make some choices that mean you don’t get to the “winning” solution. But as with the series it came from, we just wish some of the jokes whizzing by our heads were a wee bit funnier instead of just thrown out there to see what lands.

Gorgeously unsettling tour de force. ... Dead Ringers is an incredible work of art, full of knotty conversations about the give and take of society at all levels. It takes an unapologetically feminine look at the politics, science, and emotion of maternity in the modern medical era. But more than anything else, it’s a brilliant showcase for one Rachel Weisz, who is operating at the top of her game.