Consequence's Scores

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For 1,452 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
  1. Positive: 976 out of 1452
  2. Mixed: 341 out of 1452
  3. Negative: 135 out of 1452
1452 movie reviews
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  1. Terminator: Dark Fate
    It’s great to see Arnie and Linda Hamilton in the saddle again, and Davis and Reyes are welcome additions to the cast, but it’s probably time to terminate this franchise for good, and be thankful they went out on this serviceable note.
  2. Zombieland: Double Tap
    Despite failing to offer much in the way of freshness or originality, fans of the original will still find this new adventure a suitable companion piece. If nothing else, Double Tap should help to raise the public awareness of Zoey Deutch’s greatness, which is reason enough for the film’s existence.
  3. The King
    The King is perfectly alright if you’re looking for a large-scale epic with dozens of extras and fine performances.
    • 46 Metascore
    • 58 Critic Score
    Jay and Silent Bob Reboot
    While Kevin Smith may never appear on a list of great filmmakers, his movies do understand something essential about getting older and growing up. Sometimes, we all just need to go back to the well.
  5. El Camino: A Breaking Bad Movie
    Considering he’s spent nine whole seasons within his quirky New Mexico universe, there was never any doubt that Gilligan loves his characters, but goddamn does El Camino bring that idea home.
  6. Gemini Man
    A tonal miss and technical meh, Gemini Man arrives looking and feeling self-defeated.
    • 46 Metascore
    • 67 Critic Score
    The Addams Family
    At the end of the night, The Addams Family is a comedy, and a good one at that, delivering the kind of morbid humor that reminds us why we’ll always accept their invitations.
    • tbd Metascore
    • 75 Critic Score
    Metallica & San Francisco Symphony S&M2
    For the band’s devotees, it’s a trip down memory lane and a true celebration of Metallica and their musical prowess. Isham captures an upbeat, positive energy from both the crowd and the performers, bringing the show to life as it happened rather than try to mask the shiny new surroundings with cinematic flourishes.
  9. Mister America
    Mister America aims for the acerbic pitch of a ‘70s alternative political farce like The Candidate, but the parting feeling is that it’s just an overdeveloped ramble. It’s not ha-ha funny, which is fine in the world of a muted humor like this. But like Heidecker’s campaign, it’s not entirely convincing as a satire either.
  10. Lucy in the Sky
    The film has spent so much time telegraphing its own depth that it forgets to create any, and thus when that wig arrives, we have no reason to view it as anything other than ridiculous.
  11. The Golden Glove
    The Golden Glove definitely isn’t for everyone, and even when divorced from its more transgressive scenes, it’s not exactly a pleasant viewing experience. But for those not repulsed to the point of leaving the theater, there’s a lonely, human heart at its center.
  12. In the Tall Grass
    The strong atmospherics and performances aren’t quite enough to keep In the Tall Grass from feeling like, well, wandering through a bunch of tall grass.
  13. Knives Out
    Even if Knives Out loses a micro-dose of its claustrophobia and tension in the second act, it’s in the name of undoing what we’ve come to expect of past whodunnit stories. It’s all part of what makes the film such an effective, entertaining, and contemporary spin on what’s no longer a worn-out genre.
  14. The Irishman
    The Irishman is a remarkable achievement that proves the best may yet to come from one of the most essential American filmmakers to ever live.
  15. The Laundromat
    Regardless of its seemingly admirable intent and ambition, The Laundromat is not a good film. It’s sloppy, and self-indulgent, and in no way worthy of the self-satisfaction it brings to its big conclusion. It’s not without its amusing moments and solid performances, but it is, in the end, a thoroughly frustrating and tedious experience.
  16. Waves
    In spite of sensational direction from Trey Edward Shults and raw, emotive performances by Kelvin Harrison, Jr. and Taylor Russell, the polarizing two narrative halves of Waves don’t gel to produce a satisfying whole.
  17. Ford v Ferrari
    Ford v Ferrari is a classic Hollywood underdog film about friendship and overcoming obstacles. Mangold’s direction is serviceable, but unspectacular, while Bale is a dynamic presence.
  18. Just Mercy
    Just Mercy is incredibly effective at what it sets out to do: change hearts and minds about capital punishment, bring more awareness to the brutality of killing other human beings in the name of the law, and highlight the racism and other issues of structural inequality that lead to the high margin of error in death penalty convictions.
  19. Marriage Story
    Johansson and Driver both give strong performances, while the use of supporting characters for comedic levity is smartly executed. While the content of the film isn’t happy per se, audiences will find much to like.
  20. Honey Boy
    At turns funny and harrowing, lyrical and stark, Honey Boy is a clear-eyed take on toxic family dynamics, fame, emotional and physical abuse, and accountability. It’s a rare treat to see characters and their pain taken so seriously and treated so delicately.
  21. Zeroville
    The film isn’t — as crazy as this sounds — a total wash.
  22. Rambo: Last Blood
    Dumb as hell, gory as can be, and reliant on the hilarious idea of Stallone traveling at the speed of sound to ambush a few dozen cartel soldiers.
  23. Downton Abbey
    The strengths of the series are the strengths of the film. It looks great. It sounds great. If it could, it certainly would smell great (like rain, Earl Grey, green grass, and freshly baked bread.) And above all, it’s beautifully acted by a cast able to land both the punchlines and the punches.
  24. Between Two Ferns: The Movie
    Galifianakis delivers a reminder of just what makes his brand of comedy so unique, special, and even a little daring.
  25. The Death of Dick Long
    The Death of Dick Long offers its share of amusing dark comedy, but the film leans too much on Alabama stereotypes and inherently stupid character decisions to advance the plot.
  26. 3 from Hell
    Despite a fascinating set up, Zombie takes an extravagant U-turn straight back to The Devil’s Rejects to try his hand at telling it all over again. In the end, what could have been something more instead falls back into comfortable, familiar territory that’s bloated by meandering filler.
  27. Ad Astra
    With a haunting Brad Pitt performance at the center of an existentially arresting personal journey, Ad Astra feels like the boldest, most considered major studio movie we’re going to get for a long time.
  28. Hustlers
    We get to see Lopez command the screen as easily as Ramona does the stage, offering up a seductive awards-worthy performance that makes us remember why she became a movie star in the first place.
  29. Jojo Rabbit
    Waititi’s witty script and colorful supporting role as Adolf Hitler are the obvious comedic highlights of Jojo Rabbit. But the film only works because it manages to nail its balance of tones.
  30. Joker
    Neither Todd Phillips’ hollow script nor his hey-check-this-shit-out direction offer much to work with, but Phoenix still manages to wring enough out of Fleck to make Joker almost work as a character study.
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