Collider's Scores

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For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
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  1. Nobody 2
    So while the familiarity is felt throughout, it's hard not to cheer, chuckle, and cringe at all the chaotic mayhem that unfolds in Nobody 2. It's not trying to be anything other than an ultra-violent late summer action flick, and if you go in expecting to watch some gnarly kills, brutal fist-fights, and gun-fu, you'd have to think pretty hard to feel disappointed.
  2. Fixed
    Fixed has the stylish hand-drawn animation that Genndy Tartakovsky is so well-known for, but the juvenile humor feels beneath a filmmaker of his stature.
  3. It's Never Over, Jeff Buckley
    Berg’s documentary is at its strongest when it focuses on the musical legacy that Buckley was so concerned about that he would leave behind, and less so when it tries to delve deeper into who Buckley was as a person.
  4. Birthrite
    An eerie, well-acted stroll along the well-trodden path of pregnancy horror.
  5. Weapons
    Cregger shows with Weapons how perfectly he can balance horror and comedy in equal measure, always walking the line between these two in a film that is both unsettling and deeply funny. Because of this, Cregger has made what might end up becoming the best horror film of 2025.
  6. Stans
    A scathing documentary about the price of fame and honest artistry.
  7. Boys Go to Jupiter
    Boys Go to Jupiter is the type of animated feature we need more of: experimental, unusual, yet fun and familiar.
  8. Freakier Friday
    Everyone you'd hoped to see is here, the chemistry between Lohan and Curtis is still spot on, and the new additions to the ensemble don't detract from the narrative that won us over two decades ago.
  9. The Pickup
    Eddie Murphy's The Pickup is a dull and lifeless action-comedy that provides neither laughs nor thrills.
  10. My Oxford Year
    Instead of burrowing into their differing ideas about life, liberty, and the pursuit of happiness and how they differ based on class and background, Anna and Jamie’s romance is based entirely on them exchanging progressively earnest platitudes, quotes taken from centuries-old poetry that the script dumbs down and shoehorns into every moment between the couple.
  11. The Bad Guys 2
    The Bad Guys 2 is a gorgeous, fun animated film that occasionally spreads itself too thin.
  12. The Naked Gun
    The Naked Gun's joke-per-minute ratio is truly astounding, and the fact that so many of them hit as well as they do makes that even more impressive. For goodness' sake, even the credits have jokes in them!
  13. Diciannove
    By the time the credits roll, Diciannove doesn't give the viewer enough food for thought.
  14. Shoshana
    Shoshana may be relevant and powerful, but lacks balance and emotion.
  15. Happy Gilmore 2
    Some jokes run too long, don’t land, or could use another draft. It's a constant stream of cameos, which is overall fun but sometimes a little distracting. But, at its core, the sequel is a good-natured charmer about a troubled everyman who is trying hard to grow up without losing himself in the process, and it gives us a lot to laugh about on the way.
  16. The Home
    'The Home' is a lame horror misfire saved only by its unhinged third act.
  17. Ick
    The pacing and comedy feel like they slow down a little at the beginning of the third act, but Ick is largely a very entertaining, engrossing, and endearing take on a classic staple of mid-century sci-fi horror, reworked for the 2020s.
  18. The Fantastic Four: First Steps
    The Fantastic: Four Steps successfully invigorates the MCU, but it’s the tectonic shift that audiences thought it would be.
  19. Finally Dawn
    Finally Dawn can be commended as a homage to Italian cinema and its effort to cater to an international stage, but it stumbles on its ability to follow through on its promises, leaving us a mesmerizing world that ultimately rings hollow.
  20. Cloud
    It's an excellent, if imperfect, crime thriller, capably indicting our era with the same insight that Kurosawa brought to the internet's potential to isolate in Pulse.
  21. Unicorns
    Unicorns seems like a much older movie, torn from an era in which queer people were not allowed to tell their own stories, instead being reduced to secondary characters in straight plots.
  22. Atrabilious
    A messy, confusing and thoroughly unengaging experiment, with the kernel of a good idea underneath.
  23. Smurfs
    Smurfs is better than its maligned predecessors, but it's still an absolute mess.
  24. I Know What You Did Last Summer
    Those hoping to see their favorite killer Fisherman tackle some fun action sequences will get their money's worth, even if the villain's resolution will raise a lot of eyebrows. If you're looking for something deeper, like fleshed-out characters both new and old and a twisted mystery tale, then this newest installment doesn't hit the mark.
  25. Skillhouse
    Ultimately, Skillhouse boils down to a bunch of stuff that just happens to characters we don't care about, who make choices that don't make sense for reasons that aren't well grounded, in a place that's poorly shot, in order to say things that have been better said elsewhere.
  26. Sovereign
    Empathetic human performances turn Sovereign into more than a typical crime thriller.
  27. To a Land Unknown
    To a Land Unknown paints a brutally honest and empathetic portrait of the lives of Palestinian refugees.
  28. Brick
    Brick fails to offer a compelling solution to its central mystery.
  29. Daniela Forever
    Despite its flaws, the film still stands out for its bold visual approach and Golding’s performance to offer a thoughtful yet imperfect reflection on what it’s like to really move on from loss.
  30. Zombies 4: Dawn of the Vampires
    Disney Channel's latest sequel has all the bells and whistles, but not much in the way of substance.
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