Some will definitely not be able to buy into the ridiculousness of it all, but if you can, you’ll be rewarded with a great time at the cinema. If you thought after the first movie that this killer doll was just a viral blip in the movie world, M3GAN 2.0 is here to tell you in the most deliciously over-the-top way that you are very wrong.

Sarah Friedland's directorial debut is a visually striking but shallow exploration of dementia.

Don't Tell Larry feels like it really should have been a half-hour episode of a television sitcom rather than a movie.

KPop Demon Hunters is a charming action outing with fun world-building, catchy songs, and strong performances.

Despite Rebel Wilson's signature comedy and her reunion with Pitch Perfect co-star Anna Camp, there is little that can justify an audience member giving this film a chance.

This is a truly immersive experience that makes the best use of every element of filmmaking, and it all comes together to create a uniquely chilling horror.

Quirky characters and an unpredictable story combine for a film that will break your heart while making you laugh.

An exciting and terrifying horror movie, a fresh and nuanced entry into the zombie catalog, a mesmerizing philosophical tale, all packed into a coming-of-age structure, 28 Years Later is one of the best zombie horror movies we’ve been given in years.

F1 is an absolute blast and one of the most exciting films to come out this summer, a film that will put you on the edge of your seat and make you glad that filmmakers like Kosinski are still making films like this today.

But despite how charming and fun Elio is, it still falls prey to some of Pixar’s occasional problems. Yes, this is a story of intergalactic adventures and a wide universe of possibilities, but it still can get a bit convoluted at times.

[Tina Romero's] feature directorial debut, Queens of the Dead, takes the basics of what her dad is fondly remembered for and spins it off in its own distinct style. She is most certainly a Romero in her filmmaking, but you'd never mistake Queens of the Dead for her father's work.

Diablo brings the action, but the movie gets tripped up by a villain who doesn't quite fit the story.

The trio of actors has such chemistry and the movie's sense of humor is so sharp that it is hard not to be captivated by what you are watching.

What Song has done is make an excellent version of those types of romance films from yesteryear, yet one where these characters have depth, layers, and are more considered than we might have received in those films.

How to Train Your Dragon is the gold-star example of how to do a live-action remake right.

Yes, Dan Da Dan: Evil Eye is not a movie, and those who buy their tickets in search of a fully fleshed-out motion picture will certainly be disappointed. But if you know what to expect from it, Dan Da Dan: Evil Eye is nothing but an entertaining ride from start to finish.

Despite the movie's obvious excesses, it is easy to find credible hyperbole for Janiyah's perpetually drawing-the-short-straw lifestyle, where Henson's performance and chemistry with the cast drive forward the socially relevant heart of the film.

Echo Valley is a tense thriller propelled by strong performances from Moore and Sweeney and a never scarier Domnhall Gleeson.

Predator: Killer of Killers encapsulates much of what made the original such a classic, with surprises around every corner and characters that are easy to root for.

A razor-sharp, emotionally-devastating crime thriller where the stakes are high, and chances of justice are low.

Ballerina gets off to a shaky start that almost feels like it misunderstands what has made the John Wick series so much fun for so long. Yet once the absurdity of the action takes hold, and Ana de Armas gets to prove herself as a fitting potential heir to this franchise, Ballerina captures the blunt, chaotic action that this series thrives on.

It might not be a future genre classic, but thanks to Courtney's utmost commitment to his villainous role, you'll be glad you dipped your toes in the water by the time the credits roll.

For a horror-comedy, it's not funny, and it's not scary. It's a very strange amalgamation of little drops of each of these things, heavily diluted within what is largely a romantic drama, and as such, every time it tries to be funny or scary, it feels out of place and uncomfortable.

A Widow's Game sets out to be an intriguing portrayal of a high-profile case but doesn't really hit the mark.

It's not a perfect horror movie, but it has all the right ingredients and is such a great way for someone who enjoys the rougher things in life to spend 90 minutes.

Outside of a few creepy images, The Ritual is not even remotely scary.

Bold, effective, and brilliant in equal measure, Moll’s film is a fine policier in the grandest of traditions, joining a long line of noir-inflected French police dramas unafraid of being more than vehicles for action and retribution.

Resurrection is a puzzlebox to be probed, a dream not simply to be decoded to provide a singular interpretation, but one to be enraptured as you are caught up in its fragmented logic, soothed by its smoke-filled spaces, and stunned by the myriad connections shared between its two central characters.