Collider's Scores

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For 1,811 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,148 out of 1811
  2. Mixed: 545 out of 1811
  3. Negative: 118 out of 1811
1811 movie reviews
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  1. TRON: Ares
    Tron: Ares isn’t likely to turn Tron into the major franchise Disney has clearly wanted it to be for decades, but it is a sign that the company has a smarter understanding of what these movies need to be: exciting to look at, with a great soundtrack, and with a story that’s dumb fun. Tron: Ares not only achieves that, but finds fun ways to fit in the other installments that make you actually want to see more installments in this world, as opposed to having them forced upon us. Tron: Ares isn’t a killer app, but it is a solid upgrade.
  2. The Ice Tower
    If you've already tested yourself with other beautiful, albeit lengthy, works of art, don't miss the opportunity of witnessing Hadzihalilovic's imperfect masterpiece. Allow yourself to be mesmerized by its beauty and consumed by the paranoia that surrounds it, much like Jeanne in the realm of the Snow Queen.
  3. Orwell: 2 + 2 = 5
    It’s entirely possible you won’t see a scarier movie this year than Orwell: 2 + 2 = 5.
  4. Bone Lake
    Bone Lake isn't heavy or particularly meditative with its themes of sexual repression, mismatched couplings, and people's absolute failure to efficiently communicate with each other, but it gives us just enough to pad out an amusing framework and make us wonder where it's all headed.
  5. The Testament of Ann Lee
    Some moments could benefit from lessened narration, a longer cut in an individual scene, or the maintenance of a less dreamlike tone, but it's a fine film that provides one of the most unique cinematic experiences in biopic history.
  6. Anemone
    While it’s certainly great that Daniel Day-Lewis is back in his element, and Ronan Day-Lewis can craft impressive, imposing imagery, Anemone is just too much empty space, waiting to be filled with something.
  7. Shell
    It takes a tale as old as time, adorns it with the accoutrements of soft body horror, and ultimately tells the audience members to keep their chins up; that they have the power to break through these societally-inflicted ideas about self-worth.
  8. V/H/S/Halloween
    V/H/S/Halloween is dark and demented, and is the funniest movie of this franchise. But if the V/H/S series just turned it down a notch and tried some different storytelling formats, the next one could be even better.
  9. Coyotes
    Killer coyotes aren't all that scary, and the comedy of the supporting characters feels forced and overly written. Kudos to the crew for coming up with a premise and refusing to send it off the rails into fantastical absurdism. Still, just because you keep the plot grounded doesn't mean that there is enough to keep up the tension.
  10. Are We Good?
    Are We Good? isn’t just an enthralling look at pain, loss, and how we handle unexpected grief; it’s also a reminder that life is always full of surprises — both good and bad — and that unexpected journey will certainly have you asking "WTF?" throughout.
  11. Sisu: Road to Revenge
    There's something to be missed from the first due to the predictability of his path in this iteration, but there are enough surprises and novelties (usually violent) to provoke delight and get adrenaline pumping.
  12. Play Dirty
    The latest action-comedy from Black proves that he's still capable of delivering an equal parts funny and action-heavy comedy with all the trademarks that make us love him as a filmmaker.
  13. The Strangers: Chapter 2
    The Strangers: Chapter 2 is a true disaster, one of the worst horror films of the year, and it’s a damn shame this is what this franchise has come to.
  14. Sane Inside Insanity - The Phenomenon of Rocky Horror
    For Rocky fans, this is a brilliant chronicle of the history of a perfect show, with plenty of the humor, heart, and zest for life you'd expect. In a broader sense, it is a fascinating examination of cultural lightning in a bottle, how to exploit it, and which pitfalls to avoid.
  15. Dead of Winter
    It's an engrossing thriller that reels you in with its unconventionality and offers up something different in a largely uniform genre.
  16. Adulthood
    Adulthood is a film with three-dimensional people who are good for some laughs due to their reactions, but the surrounding plot is high-stakes and filled with suspense. Every single time you think you know where it's going, a new twisting avenue carries us somewhere else.
    • tbd Metascore
    • 70 Critic Score
    Night of the Reaper
    Night of the Reaper succeeds in Christensen's goal of bringing something new to the horror genre, and keeps the audience engaged, mystified, and on the edge of their seats.
  18. Carolina Caroline
    At the end of the day, Rehmeier's take on an outlaw romance wrapped in a road movie is entirely too enjoyable to give too much hate to. From the country music needle drops to the oozing on-screen chemistry, anyone who loves a good crime movie that doesn't take itself too seriously will need to get their butts into the theater for this one.
  19. Megadoc
    Figgis’ Megadoc is an engrossing look at one of the biggest pet projects of all time, a film that lived in Coppola’s brain for so long and struggled to come to life on the screen effectively. Megadoc shows that while it's great to bring your passion to life, sometimes, it wasn't meant to be.
  20. Xeno
    This is a movie made perfectly for those viewers who are somewhere between childhood and adulthood, and it understands them. It throws just enough of life's nastiness at them without making it too overwhelming or hopeless, and it has a real comprehension of how teens often feel: misunderstood and unsupported by those around them, but not in that stereotypical "get outta my room, Mom!" way.
  21. Waltzing with Brando
    It's got enough charm and entertainment value to keep fans of Brando entertained and satisfied from start to finish. In short, Billy Zane makes Waltzing With Brando an offer that's hard to refuse.Waltzing with Brando is in theaters now.
  22. Doin' It
    It's content with being simply silly when it could have been so much more. Still, Doin' It will make you laugh out loud throughout its runtime, and Lilly Singh shows that she has what it takes to succeed on the big screen.
  23. Him
    The vibe of Him is trying to make the audience unnerved, but the story and imagery being presented are too goofy to take this attempt seriously.
  24. The Lost Bus
    The Lost Bus may not reach the heights of some of Greengrass' finest work, but that's a high bar to reach. Thanks to some immersive setpieces, grounded performances, and stellar direction, the latest film from Apple TV+ rises above its shortcomings, resulting in a gripping docudrama that is worthy of your time.
  25. Driver's Ed
    Drifting between heartfelt dramedy and broad comedy, Driver’s Ed doesn’t always blend the two with enough finesse.
  26. One Battle After Another
    Anderson has executed an unbelievably rare feat: a big-budget studio action film that maintains his specific tone and style, with a film that feels essential to our troubled modern times.
  27. Looking Through Water
    If a movie is going to give us a man reuniting with his dad and them coming to love each other, then it needs to give them the freedom to really hash it out and explore the consequences of their estrangement. Looking Through Water only skims the surface.
  28. The Astronaut
    Varley's talents as a director are evident for the first half at least, but after that, The Astronaut becomes a head-scratcher.
  29. Fuze
    Fuze has the bones of a great idea, and one that does seem like a great fit for Mackenzie, given his past work. But Hopkins’ script is too generic an action exercise, from its bland plot to its nothing characters, that it’s hard to find anything to truly care about.
  30. Steve
    Steve is an adequate film about teachers, students, and the struggles that they both go through, but it’s also hard not to think that a bit more insight into the lives of the students earlier on — particularly from the perspective of Shy — could’ve made this into something even more special.
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