It’s a tough watch, and it never presents easy answers, but there’s an undercurrent of hope that keeps it from ever being overly punishing and even a few moments of much-needed levity to balance out some of the bleakness.

A little more full-throated absurdity and humor would've been a great step for the film to take. Ultimately, The Moment is a delightful spotlight for Charli XCX as an actor, and the concept itself finds some playful ways to expand on the lore of of her massively successful album. "brat" is dead. Love live "brat."

If The History of Concrete proves anything, it’s that Wilson can make a movie about anything and make it absolutely brilliant.

Carousel definitely has some rough edges on the fringes of this romance story. But when Lambert gives us the quieter moments of Noah and Rebecca, or puts them together in a scene, it’s absolute magic.

The overall result is a wonderfully emotional and poignant documentary that is a must-watch for aspiring actors or anybody interested in the acting process who wants to see just how much it impacts somebody's personal life.

There are successful elements in the script, certainly, but there are also several frustrating moments that simply needed another draft to work the knots out. All that said, it's a successful foray into sci-fi territory thanks to a willingness to stretch the subgenre's established rules, making for a fun murder mystery that keeps audiences guessing.

With bad direction, terrible acting, and a world that has no weight behind it (especially since most of it was clearly made in a computer), this isn’t the way to bring Silent Hill 2 to the big screen. This powerful survival horror story has been turned into an ugly, laughable adaptation that proves that maybe we should’ve never gone back to Silent Hill.

All You Need Is Kill might not be as impactful as the Takeuchi / Obata manga, or Tom Cruise’s live-action update, but it does make some intriguing choices that will absolutely be worthwhile for fans of these other versions to check out.

A Private Life is worth exploring simply for the performance by Foster, which keeps this story moving the best she can, despite the screenplay’s constant starts and stops. If anything, the real mystery of A Private Life is why we don’t get to see Foster on our screens more these days.

With its depth, style, and surprisingly outlandish ending, Night Patrol is the latest feather in Long's mightily-quilled cap.

This movie wants to get in, get the job done without complication, and get out before it overstays its welcome. On that front, The Rip is solid enough to earn a mild recommendation.

It will make you cry, it will make you uncomfortable, but at the end of the film's runtime, it will leave you with a feeling of profound satisfaction that even the most heartfelt movies struggle to replicate.

A stunning movie that continues to solidify the franchise's legacy as one of the best zombie stories to ever hit theaters.

Although the concept of making a thriller that examines somnambulism seems quite captivating, Sleepwalker doesn't effectively incorporate this complex disorder into its premise, resulting in a puzzling story about a woman going on a spiral without any healing prospect.

For all of its dourness, there is still a bit of entertainment to be found. It's just too bad the film is taking itself far too seriously.

Dead Man's Wire is a successful throwback to the classic crime stories that once dominated cinema.

Bader and Blyth are an irresistibly charming duo, and the decision to move the story's present-day scenes from Palm Springs to Barcelona results in some of the film's most stunning locations. Not only will you be rooting for Poppy and Alex to make things work, but you'll also probably end up with a little wanderlust yourself.

There's a clear command of how to set up a cool/scary/funny scene, execute, and move on before it's stale, and that's a testament to Roberts' skill as director and co-writer alongside scribe Ernest Riera.

With how prevalent the film's themes are in the world today, it's hard to imagine that someone won't find something to relate to in its many branching story arcs.

The performances of Holland and Mara mask the weaknesses of a slightly unfulfilled adaptation, which has charm in its flaws. The ending attempts to set the themes right, but needing to think about it afterward means it's not a film you'll forget about so soon. Seek out The Dutchman. It's well worth the challenge.

Like the songs it’s built around, it’s simple and familiar, and sometimes that’s enough to make a movie feel so good, so good.

The Plague, at times, can be too grueling a watch, especially in its graphic depiction of self-harm. It's also one of the most vital movies in recent memory in capturing what it's like to be 12 or 13 years old.

Anaconda had the premise and bones to be something really special when it comes to meta remakes. It had a great cast and a surprising amount of heart, but that's simply not enough to save the movie's rough pacing and pointless subplots from the jaws of a giant snake who barely appears on the call sheet.

When it's sexy, violent, or bonkers, it's a wildly enjoyable romp, and lead Sydney Sweeney kills it any time she's allowed to dial emotions up to 10 (as fans of Euphoria or Immaculate can attest to). Was it great? For the majority of its runtime, no. Would I watch the sequel it teases? Yes. Inside you are two wolves, and if they're watching The Housemaid in different parts, the one watching the ending is the happier wolf by far.

This third Avatar film might not have the groundbreaking impact of the first film, or the vast improvement that The Way of Water had over what came before it, but Fire and Ash is still an exceptional moviegoing experience that proves there’s still plenty of gas in this tank.

It settles into a steady rhythm by the halfway point, and goes against the grain of your average survival thriller by emphasizing just how brutal and unfeeling nature is, regardless of how big and strong you are.

At the center of this mess sits a set of performances that are, beyond some writing oddities, pretty good.

Overall, Goodbye June proves Winslet is just as talented onscreen as she is calling the shots, bringing a raw approach to this already emotionally-driven story. Through her thoughtful direction, the ensemble is able to deliver a convincing portrayal of a dysfunctional yet loving family dealing with potential loss and precocious grief.